Márcio Kabke Pinheiro

There is a cunning plan afoot that makes it better on a phone....

Armando, if you have an Android phone, try the Gmonitor app: https://play.google.com/store/apps/details?id=com.minaxsoft.gmonitor (it is free)

With it you can activate the Cinelike D profile easily. After that, save the settings in one of the custom C positions to recall it.

(asking for license to help him in Portuguese, probably only @Emanuel will understand it too  )

Armando, se você possuir um telefone Android, tente o app Gmonitor (link está acima).

Com ele você consegue ativar o perfil Cinelike D com facilidade. Após ativar, salve os ajustes em uma das posições "C" da câmera para recuperar o ajuste sem precisar usar o app toda vez.

I'm the only one waiting for the X-E4?

First image leaked. Mode dials changed, looks like the E-M1 MK II approach. Grip redesigned, pc sync port gone. And looks sexy.

Very interested in this one.

https://www.43rumors.com/ft5-e-m5iii-willbe-announced-on-october-17-and-feature-the-same-20-mp-sensor/

E-M5III rumor summary:
Announcement on October 17 (99% certain)
Same E-M1II sensor with 121 cross-type phase detection pixels. (80% certain)
New processing engine (90% certain)
Lighter, more plasticky but still weather sealed body (60% certain)
Same BLS-50 battery of the PEN and E-M10 camera series (60% certain)

With these specs, with the newer AF from the E-M1 X / E-M1 MK II fw 3.0 with PDAF, their last color science, and a lower price from the E-M10 / E-M5 "consolidation", could be a very interesting option.

A very idiotic choice.

That's why I like the IBIS in the GH5 - it stabilises my fully-manual vintage lenses.  Fast, cheap, great MF, great ergonomics and stabilised is a combo that only IBIS provides.
This is something that I think people don't understand...
OIS and IBIS stabilise DURING the exposure of each frame - Electronic stabilisation stabilises AFTER the exposure of each frame.

If you're shaking the camera at all, the fuzzy light-trails and motion blur in each frame can't be fixed by electronic stabilisation.  Every camera with electronic stabilisation is designed for very short exposures - action cameras.  As soon as you want a 180 shutter or work in low light then electronic stabilisation isn't much use.  It means that you throw away all your ND filters, or always use the camera on a gimbal.
[Edit: this applies to any motion of the camera or any motion in the frame]

Oh surely it will shoot 6k. But in 15fps, with autofocus and manual exposure disabled. And the IBIS will only work with 3 supported lenses and only when shooting 480p upside down.

Obrigado Márcio 
O BTM já me ajudou através de PM
Já tenho os dois instalados o D e o V
😀
Só falta agora conseguir implantar mais qualidade de vídeo 
50 fps em 4K seria o ideal

I was not aware that Fuji cameras uses Windows Me as operational system.

Regardless, this does not exactly play in their favor. Sony chipsets and other chipsets in the market are able to do in 1 chip what Canon's do in 3. Either way, they're behind.
It costs them $0 to include it. The feature was always there for 10 years now, and it was always part of their OS. This was a clear move to push people to buy more expensive models. They aggressively segmentize and they've done so in the past (I will explain below). And that would work if they were a monopoly. But they have competitors that include more than just 24p in their cheaper cameras, they also have zebras, log etc. So why go with Canon then? Only Canon thinks that Canon users will stay with Canon no matter what. Little did they know, their EF lenses are getting adapted well to other systems as well.
So, for a little history lesson. As a few people mentioned above, I indeed used to run a video-related blog back in the day. My little niche was "filmmaking on the very cheap". Basically, back then there wasn't much processing power to do 1080/30p on P&S digicams, manufacturers were often forced to use 24p (just because it was easier to encode). So Canon had a line of P&S cameras with 1080/24p at 36 Mbps. There were no manual controls, but there was exposure compensation & exposure lock. Which was enough to create artsy videos or short films on the super-cheap that looked rather professional -- if you were careful of how you were shooting with them. Add on top the ability to get a rather flat look to widen the DR (there were sharpness/contrast/sat controls), and it was a pretty sweet deal for cameras costing $150-$300.
So for a couple of years, we had a number of P&S cams from Canon specifically that could be seen as alternatives to their 5D MkII, T2i, and 7D of that time (at least for people who couldn't afford these cameras and their lenses). I even shot a couple of music videos with such cams (we were not allowed to use my 5D MkII in the Santa Cruz Boardwalk to shoot a music video, but when I showed to the guards the tiny Canon SX30 HS P&S cam, they had no problem -- so they were really good guerrilla cams). The magic feature here was the exposure lock, that made those videos look pro.
Fast forward to 2012. New Canon P&S line up announced across the board. And each one of these had exposure lock in video mode REMOVED (AEL for photos was still there). And in some other models, they removed exposure compensation as well (again, these features had been there for years at that point in video mode). They had to remove these because they couldn't remove 24p outright (simply because their processors were not fast enough yet to do 30p at 1080p, they were stuck with it). They probably saw that some people who could not afford dSLRs used these small cams as a cheap replacement for filmmaking, and they wanted to push these same people to upgrade. The thing is though, if these people had the money to buy a dSLR, they would have done so anyway.
So, since then, I have a love-hate relationship with Canon. But their recent removal of 24p from a rather high end super-35 camera (the M6 MkII is not as low end as say, the M100) is unforgivable, sorry. Just because that's the EF-M line, should not make it a useless line for filmmaking. Some of us, want such cameras simply because they are small. The EOS R is much larger in comparison (and expensive when you account for native lenses).
So yeah, what Canon is doing now, they've done before. It's part of their MO. And if it's true that they are upscaling 2.8k to 4k and lying about it, then they are really unforgivable. I have lost all the respect I had for that company all these years ago.

When (or if) Fuji launches a camera with IBIS besides the X-H1 (my dream is a X-E4 with IBIS), it is game over.

Sony did'nt even bother to put a FUCKING front dial on these things.

Yes, you can dial it down to 0 in V-LOG and it looks organic.
Yes, it's there to lessen moire, rather than win the 48 megapixel chart test.

I've got one, but for stills. Did not have too much time to work with it - but for video, don't forget the extra 4k crop, that is VERY noticeable.

I bought my FeiyuTech g6 plus on eglobal for €170 brand new including free shipping from the UK. It works perfectly with my Lumix g7 and gx80. I use an older mobile phone without a sim to connect the camera with the gimbal and I can control the camera from the gimbal. Not the zoom because I don't use power zoom lenses but record and focus works perfectly. I started using an ipad with the lumix app to control and monitor the camera instead of the gimbal which works even better. I can still use the phone to control the gimbal movements. The total remote solution... 

Just imagining the hacker harassing a typical DPReview forum user.
 
"You should pay me 3 bitcoins or I will delete all these...ahn...brick wall pictures".

And if the html version works, then I've done a new version of the app with the handshake and connect functions split up in case it is a timing issue.
Just delete the old one and install this.
 
LumixVideoFormats-2.apk

Can't speak for Ed but I'm fine thanks mate, just been a bit busy writing some code to contribute further.

Just imagining the hacker harassing a typical DPReview forum user.
 
"You should pay me 3 bitcoins or I will delete all these...ahn...brick wall pictures".

Just imagining the hacker harassing a typical DPReview forum user.
 
"You should pay me 3 bitcoins or I will delete all these...ahn...brick wall pictures".

Just imagining the hacker harassing a typical DPReview forum user.
 
"You should pay me 3 bitcoins or I will delete all these...ahn...brick wall pictures".

Tried a bit in my GX9, but so far only found the modes that @Артем Асеев already found.

OK for @jase or anyone else who wants to prod about in a bit more of a structured manner on their Lumix device, I have just knocked up this rough and ready Lumix Video Format Explorer app for Android.

Usual story, attach your camera to your device over wifi and then open the app and hit the CONNECT button and your camera should clear its wifi screen and show that it is under remote control.
If you want to see if the 709Like profile works on your camera then just hit the 709Like button and see what happens. Certainly does nothing on the GX80 but it seems to on the GX9 so its worth a go on similar later cameras.
The next 4 buttons switch the video format of the camera and the MP4ED appears to populate the GX9 with additional options but again, nothing on the GX80.
Next up, we have the SELECT FORMAT button. When you press that, you get this list (which scrolls to several pages).

This is the list of every format returned from a probe of the GH5 so select the one you want to try and it will return you to the main screen with that one now shown in the blue banner beneath the SELECT FORMAT and SEND button.
Obviously to send the currently selected recording format you then hit SEND.
Beneath the blue banner are the PREVIOUS and NEXT buttons which will select the next recording format in the list and then automatically send it to the camera.
The reason for the two different methods is obviously so you can use the list selection to get to a specific one you want rather than scrolling through and the PREVIOUS/NEXT auto method is better for stepping through regions of formats (i.e just the AVCHD ones). 
Finally, the RECORD button is a bit self explanatory and switches between red and green depending on status.
The purpose of having the file name in the bigger banner is so that for testing you can point the camera at the phone (on a stand or propped up ideally) and then when you review the recorded file you will have a visual indicator of what file format you had told it to record in for easier confirmation.
If you send the camera some file formats it really doesn't like then certainly on the GX80 this can sometimes result it in de-populating its list inside the camera (i.e. you can select MP4 but there are no different formats listed) but this can easily be resolved by choosing a known working format from the list and sending it which will restore the list.
For the GX80 an example of this will be 
mp4_24p_100mbps_4k
As this contains the full list of all 202 GH5 format variants, I'd probably say this is the definitive last hurrah for anyone trying to find any hidden type inside their Lumix cameras and is obviously fastest and the most structured way to do it so will be less painful than having to paste hundreds of commands into a browser.
I think that this will be more fruitful for the latter cameras based on what seems to be happening with the GX9 so if you have one of those then using this you might be able to find more gold with that one a bit quicker.
Also, if you come across someone with an LX100 Mark 2 then this app will let us quickly establish if there is anything in there as I now have a sneaking feeling there might be.
Usual caveats regarding use of this app is that it doesn't send any commands other than those sent by the Panasonic app but obviously use of it is at your own risk.
Your Android device should auto install the attached apk file when you download it but make sure you have your security settings set to allow installation of apps from “Unknown sources“.
LumixVideoFormats.apk

The small orange one (the PBC) which won't be orange has an expansion module with five buttons and a small wheel.
It communicates to the PBC by bluetooth so you can split them if you want or attach into one controller.
So you can have the PBC on top of the camera for example and the expander on a handle.
Its a lot cooler than I'm making it sound.
But of course.
Probably

You mean like this thing on the right ?