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IronFilm

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Everything posted by IronFilm

  1. It seems to me like this battery compartment design is worse than before? As this is completely impractical to swap batteries in and out when you've got the recorder in your bag. At least when the battery pack is on the bottom, then most bags have easy access to that. Also by using a battery tray, it is super fast to swap in and out batteries! (if you carry around a spare full battery tray, like I do as a back up)
  2. Yes! Although could work with many more than just the F4. And all the "magic" that needs to be done is to open up both together, and close both together. Easy. And package it up in a nice little box which is robust, and looks well and works well. I should probably give this a test go myself. Would be a nice addition. (why on earth this hasn't been made already I have no idea, an aversion to external TC?!)
  3. Well first you'd feed into this magic black box as inputs the the outputs from the recorder (at least two inputs would be a reasonable minimum to support). Then from here there are a few approaches as to how to accomplish the goal of starting/stopping recording, the simplest approach by far (but needing an external timecode generator) would be to simply pass through an external timecode generator to the recorder's TC input. Thus when the big red record button on the magic black box is hit this would pass the TC to the recorder (automatically starting it, if it is set to Ext TC) and also in the process open up the audio outputs flowing out (to say the comteks for instance). Easy.
  4. You'd certainly find buyers at that price point, but only a very very very small pool. A more interesting project to think about would be an "auto mute" device for outputs from a recorder. Many more people would be keen on that!
  5. Have been reading the manual, and this confirms the F8n can supply power to the FRC-8: https://www.zoom-na.com/sites/default/files/products/downloads/pdfs/E_F8n.pdf Which is nice, as the F4 could do this but the original F8 could not.
  6. Interestingly, I see that Zoom is also launching a new PCF-8n bag alongside the new F8n as well. This is a good thing, as I feel the original F8 bag was a flawed product, that even the F4 bag was an improvement upon. (but even the F4 bag wasn't perfect, and is why I upgraded from it) You can see a hint of what the new bag is in this pic here (for instance that zipper and velcro to split the two segments apart is new):
  7. Who will be pre ordering this? I will!
  8. Price Drop: Gotham Sound (in the video comments) has stated that the launch price will be US$999! :-o https://www.youtube.com/watch?v=JBTjvQzvzB4&lc=z22div4yopvwvlyoc04t1aokgoyeq0kktb4ur5s3v5rabk0h00410.1528118314039355 Absolutely! But the price for it would have to be extremely low, due to how low priced the F4 is itself, otherwise I don't think you'd find too many F4 owners pouncing on it.
  9. But what if you want to use it without the app? Not everyone has an iOS device. And even if you do, maybe you don't want yet another battery that you need to babysit during the shoot? Plus then again there is the other issue of how very outdated their iOS app is, which doesn't always play so nice. Thus my point that having a keyboard hooked up direct to the recorder (like is commonly possible with many other higher end recorders) would be a good option to have. But yes, what you suggested is another viable alternative to consider as an option for some people.
  10. I wrote a very long list (my longest blog post ever!) of things I'd like to see (or dream of seeing... some might be unrealistic!) in the new upcoming Zoom F8n: http://ironfilm.co.nz/what-id-like-to-see-in-the-new-zoom-f8n/ Waaaay too long list to list it all again here, but a few random points selected: Audio waveforms Metadata edit/shortcut via the PFL key Linked safety track (thus as you adjust gain on the main track, the safety does this automatically as well) Show the diff of external vs internal TC when compared together An updated Zoom EXH-6 with locking XLR connections (and the F8n being able to use the Zoom EXH-6 to record 10 channels in total, rather than lose tracks 1/2 to it). Integration with Timecode Systems :wave Able to use a USB keyboard without needing the Zoom FRC-8 as all at the same time, or even better, use bluetooth keyboards? Automatic clearing of peak indicators (so I don't need to do this myself after every slating). B format decoding for the new Rode NT-SF1
  11. I think they've been running this for quite a while already?
  12. Ah I'm referring to the SLR Magic 8mm f/4 Lens which got lost by NZ Post :-/ I still have a hugely massive shotgun comparison video which I shot that I need to edit own properly to upload to my channel. Think it was half a dozen or so I compared. ME66 vs CS3e vs 416 vs something else I forgot etc vs C393 (threw in one hyper there) Will be a while yet until I do anything similar for all the hypercardiods I own. (which is starting to be a rather scary number... maybe eight or more)
  13. I've worked on two feature films now which had pretty non-existent lighting gear but was shot with a RED ONE. (even a RED ONE M!! :-o ) Also when the BMPCC came out there was Scarlet and Epic out as well, this was quite a while after the RED ONE launch.
  14. Yeah, be careful not to put the filming before the moment itself! I casually filmed my brother's wedding yesterday, and I had to sometimes quite consciously *NOT* be focused on the filming itself. Rather instead just be in the moment of enjoying and soaking in what is happening. Who cares if the framing or focus is a bit off? Never mind. I'm not there for the filming, I'm there for the wedding itself! :-)
  15. IronFilm

    Gear

    Does this include audio and lighting gear too? Are you going to need multiple cameras? Sounds like it. Quite arguably you shouldn't get getting a GH5S, but with that small budget something cheaper instead like say a Panasonic G80. Or maybe even say a secondhand G7
  16. IronFilm

    Cinegear 2018

    Did a video recently with the guy from White Point at a trade show in New Zealand, and he let slip they've got a focal reducer coming :-P
  17. My solution to editing procrastination is don't edit! Seriously, you can painfully tell this is true from my youtube channel: https://www.youtube.com/c/SoundSpeeding
  18. The courier marked it off as "delivered" at my local supermarket (which is where I collect my parcels from), but it was never there :-/ I think one of the new boxes I picked up today has the Audix in it! I have a tonne of new unboxing videos to "edit" for my YouTube channel.
  19. Oh yes, I realised that instantly! F5.6 is a very common fastest speed at the long end of a variable zoom
  20. Nope. Mostly I've decided to stay out of the post side of things, and focus on the crew side of productions. But when I do dabble a teeny bit with that (such as when I absolutely must, say for my vlog) then it is Vegas (or even more rarely, HitFilm). Or lately, Reaper DAW (as thinking it would be handy to get a grip on specifically sound post for some projects).
  21. A Tascam DR10L (or even a Zoom F1) is a better set up now than an H1 with a lav. 100% agreed. I tend to feel that f4 on APS-C/S35 (or f2.8 on MFT) is the sweet spot for general purpose / run&gun shooting. Or a bit more or less is good too, such as even f5.6 on APS-C. (same as f4 on MFT)
  22. I ordered that lenses late last year when it last went on sale at B&H, then bloody NZ Post lost my order!!!
  23. Still a hell of a lot better than say a Panasonic GH1, and I've done just fine with that with many many shoots in the past. Still better than most RED cameras of that era. People need to see the context of when it was and that is was a cinema camera.
  24. Yeah, why do we need JCS when we've got real spambots? (there is quite a big problem of them in the EOSHD subforums....) If he'd just stick to the technical stuff (even though he did have some strange ideas about audio) then I'd be glad to see him back.
  25. There are quite a few interesting looking and "ok" sounding low low priced SDC hypercardioid/cardioids, not just the Samson C02 (for instance the iSK Little Gem, just to mention one of many others). But I guess the Samson C02 gained a little bit more extra traction in our little niche of filmmaking because of Curtis Judd and a few others (like myself) who used it.
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