jase

And here's the finished edit:
I have to say that this works quite well, at least sufficient for my needs

Sorry, but this is nonsense. If you dont know what you are talking about, just leave it and dont scare other people. This is just an automated bot that created account(s) and post(s).
My suggestion for the future would be, that an admin needs to approve a newly registered user. By doing so, the user would not be able to post directly - however, if he is a true (and valuable) user for eoshd, he/she would not mind at all.
not at all since passwords are stored encrypted in the database of the IPS system. @ken: now you see the consequences of your post. thanks for that.

Here are some screencaps from Berlin's Lollapalooza Festival. First real try with the LX100. These are just some very quick & dirty tests (with too much film grain), but i have to say this combo is really great considering the price.

Here are some screencaps from Berlin's Lollapalooza Festival. First real try with the LX100. These are just some very quick & dirty tests (with too much film grain), but i have to say this combo is really great considering the price.

Here are some screencaps from Berlin's Lollapalooza Festival. First real try with the LX100. These are just some very quick & dirty tests (with too much film grain), but i have to say this combo is really great considering the price.

Here are some screencaps from Berlin's Lollapalooza Festival. First real try with the LX100. These are just some very quick & dirty tests (with too much film grain), but i have to say this combo is really great considering the price.

Here are some screencaps from Berlin's Lollapalooza Festival. First real try with the LX100. These are just some very quick & dirty tests (with too much film grain), but i have to say this combo is really great considering the price.

Yep, you need to take the small ring off to expose the thread (more) and there is a gap where the automatic lens cap grips on to.
I spent all summer with just this camera, a 3 and 6 stop ND filter, this ThinkTank Mirrorless Mover 5 bag, a couple of 128GB SD cards, and an extra battery.  I use a Heliopan 43-58mm step up ring and 58mm Xume magnetic adaptors to pop on and off the ND (which I sort of use like a lens cap).  You can also find a cheap JJC automatic lens cap that is helpful for one-handed shooting (if you aren't using filters).  Using the 4k resolution @ 1080p you can get an effective zoom range of 24-150mm, which is good enough for what I shoot.  The OIS is quite effective too - much better than I was getting on my Panasonic 35-100/2.8 (although I haven't compared to the P12-35/2.8.
I do wish the camera had a better EVF (tilting like GX7/GX8!) and also rear tilt LCD screen.  I find the focus peaking very faint in video mode for some reason, especially compared to my E-M5II which is a joy to use and quite visible at all times.  It would be useful to have a small mic-in jack and clean HDMI out to use something like the SteadXP device, or the new Rode micros.  It would also be good to be able to set the shutter angle (like in the GH4), which would make it easier switching between stills and video, especially in a PAL region where you need to jog the rear wheel to 1/50.  When I'm running around, I generally shoot with auto-iso, the aperture dial in auto, the shutter at 1/50 and switch between the two ND filters depending on the light.
I'm really glad more people are getting this little camera, as I still have much to learn from others about getting the best out of it.  Right now I'm using Natural, -3, -5, -2, 0 as others on the forum have been using with other Panasonic cameras.

Can't say that I have. Still the case if you remove the accessory ring?
Maybe a step-down then step-up combo could work?

Thanks. I went back to square one after having quite a few unsuccessful attempts and remembered and old video from me, which i really liked:
Recipe is as follows:
Standard with -5,-5,-5,-5
Highlight / Shadow 0,0
Iso was Auto, but i guess it was 200-400
Tiffen Ultra Contrast 3 Filter
FilmConvert with GH4 Profile, FJ SuperX 400 emulation was used with 30% grain
Some slight adjustment in the shadows to give it more contrast, thats it. Works out of the box on the GM1 and seems to work out of the box on the LX100.
Will put up some small demo video later.

I did a very quick and dirty edit:

Thanks. I went back to square one after having quite a few unsuccessful attempts and remembered and old video from me, which i really liked:
Recipe is as follows:
Standard with -5,-5,-5,-5
Highlight / Shadow 0,0
Iso was Auto, but i guess it was 200-400
Tiffen Ultra Contrast 3 Filter
FilmConvert with GH4 Profile, FJ SuperX 400 emulation was used with 30% grain
Some slight adjustment in the shadows to give it more contrast, thats it. Works out of the box on the GM1 and seems to work out of the box on the LX100.
Will put up some small demo video later.

I did a very quick and dirty edit:

Thanks. I went back to square one after having quite a few unsuccessful attempts and remembered and old video from me, which i really liked:
Recipe is as follows:
Standard with -5,-5,-5,-5
Highlight / Shadow 0,0
Iso was Auto, but i guess it was 200-400
Tiffen Ultra Contrast 3 Filter
FilmConvert with GH4 Profile, FJ SuperX 400 emulation was used with 30% grain
Some slight adjustment in the shadows to give it more contrast, thats it. Works out of the box on the GM1 and seems to work out of the box on the LX100.
Will put up some small demo video later.

The filter makes such a difference. I'm surprised not more people bought it after we talking about it

Next try (4k, JPEG rendered by FCPX):

I'm betting that it would. Want to send me a still and I can convert it and add a LUT?

35€

You have to use something like LUTutility for that, or you can try ColorFinale.

I preferred it. I noticed no difference downscaling before I brought the footage into fcpx, as opposed to editing 4k prores and then rendering out to 1080p. I will say it is faster to do the downscaling before hand, but that may just be due to my hardware limitations. 

And here is V-Log > AlexaLOGtoREC709 > Osiris M31 LUT
 

So I tried adding ONLY an input LUT to the V-Log footage. AlexaLOGtoREC709, with a tad bit saturation. That is all. Colors are looking great IMO.
 

Looks very good, Aaron!

I didn't have any Cine V footage at hand, but here is Portrait > EOSHD LOG converter > Kodak Elite Chrome LOG LUT

Ahh man, and got my first 5d today. Now I must trash it