iamoui

Hi all, FilmConvert here. We've just released a v2 of the NX1 camera profile which corrects some of the color issues you may have experienced. Download from www.filmconvert.com/download/camera-profile

Canon is a very predictable company. They aren't like Sony in that they do things that are unexpected. We won't see a 5d4 or 1dxii ever get canon log. This response from them proves that. Thanks for sharing. Canons cinema line will always be the only place for Canon log.
Canon at cinegear stated that they are a lens company first and a camera company second. The amount of glass they sell is astronomically higher than camera bodies. Always keep that in mind when you think of canon. They are very focused and predictable with their cameras. Unless there is a "C" on the body, don't expect canon log. 

I made a video in this style. Definitely not as good as the Watchtower of Turkey, but I'm pretty proud of it. What do you guys think? 
 

Seriously Ebrahim, you have admitted that you are a 21 years old film noob kiddo with a canon 1100d plus a regretful scammer, edit your signature and put that there instead of all the 61 years old filmmaker crap, maybe they let you post.
So when a 21 years old kiddo with a canon 1100d writes that the Canon 1DC is the best lowlight camera in history, the guy who reads it will understand that this is just the opinion of a 21 years old kid -who made a scam- based on footage he saw online.

great! please also release one profile based on EOShd suggested settings (0.95 on the green channel, gammaDR). Most are using these settings to get good colors ooc and great dr.

I can't imagine using my Nikon mount Samyangs 1.5T Cine lenses with your speedbooster! Finaly great 35mm lens with ultra nice low light performance AND Fullframe like DOF!. The Same for my 85mm. And now I could actually have LESS lenses, because one lens work for two focal distances.

I own one still, used to have three.
 
here's some things I shot on it:
 
 
 
It's a really great camera, has built in XLRs, I really like slog1 and sgamut - and man for the price, it's a great deal.
Is it better than the canon 1dx which is probably now cheaper at the same price?
Or the blackmagic MCC or pocket?
That's where you need to do some testing.
Check motion, color, etc.
I think at this point a rigged out BMPCC with a nice monitor maybe a good alternative too.
If you need the extra resolution.
Anyway it's any interesting time to be alive.
 
 
 
 
 

Samsung NX1 + NXL (SB prototype) + 50mm Nikon 1.4 (f.2).
I love the DOF like Full frame! I remember my old Canon 5d mark III... but 4K!!

for the record I have just deleted all Ebrahim Saadawi's posts on other threads this week
he is not to post on any other thread , his priority now is to repay James full asap .
Lets stick to that and get it done asap please Ebrahim Saadawi.

MODERATOR INTERVENTION FOR Ebrahim Saadawi
Ebrahim Saadawi please stop posting in any other thread apart from this one , it was left open for you to communicate with the three people you scammed and to make sure you refuned them all in full asap - you have disgraced this forum we all contribute to and love so much.
YOU ARE NOT AT LIBERTY TO SUDDENLY START COMMENTING ON ANY OTHER POST OFFERING YOUR TECHNICAL ADVISE -
STOP IT NOW -
MODERATOR JONPAIS AND MYSELF ARE BOTH UNITED ON THIS DECISSION.
No more tec posting on this forum Ebrahim Saadawi.

Some graded screen grabs from the 1DC. Shooting on Leica R glass. 

Hi guys, FilmConvert here. Just wanted to let you know we've heard the feedback about some redness in the NX1 profile. We're doing some more QA here, and may release a new version of the profile shortly.

Maybe 1Dc mii

http://photorumors.com/2016/07/26/deal-of-the-day-canon-eos-1d-c-camera-is-now-3000-off/
I hope this somehow translates to the 1Dx-II getting Canon Log, or 1Dc-II being announced at IBC.

Why resurrect an old already answered thread?
Also why would anybody use some crapware instead of RockyMountains Movie Converter

And things roll on.
As you know, I'm a Oly fan for the ergos. 
Rumors are floating that their next model is definitely 4K. 
Pretty great.  It's still amazing to me how these consumer still cameras have become so awesome for motion pictures. 

I'm planning to sell this for EU 500 and split the amount with Tim, only because Ebrahim can't afford to repay us directly. This is a coulance/leniency, because we could've just forced him to repay us all. The extra tax will come out of his pocket. So no yapping here. Just stating facts. James, Tim and I are walking away without any loss. I'm just being clear about it upfront.

It's really red. No need for that "0.95x green" setting anymore. Still too red.

Nobody is depending on it. Being the best apsc camera (and sensor) around, possibly for years to come, it's nice to see a speedbooster for it. Especially when many were uncorrectly reporting that it was not feasible. Biases are bad things ;-) 

The choices are:
Normal
Gamma C
Gamma DR
Normal (cont -4, sat -2)
Gamma DR (cont -4, sat -2)
 
Let the arguing begin!
 

NX1 profile is available for download on the Filmconvert website:

http://www.filmconvert.com/download/camera-profile

DP Review posted some footage shot with a couple of the film simulations and it looked very videoy to me. Maybe it's because I had just watched a video where Matias included some 16mm footage he shot or recently watched this interview with Ed Lachman but you know, in my mind film just blows away anything, especially at the lower end. Anyway, not particularly impressed with the video out of this camera. It's not that it looks bad, but none of the cameras at this level look particularly good.
http://youtu.be/qHKkfQxieM4
 
Ed Lachman on shooting Carol:
We opted to shoot in 16mm. We wanted to reference the photographic representation of a different era. They can recreate grain digitally now, but it's pixel-fixated. It doesn't have this anthropomorphic quality in which the grain structure in each frame is changing. The actual physical grain of film adds another expressive layer that is impacting the surface of the characters' emotional being. It has to do with how film captures movement and exposure in the frame - finer grain for highlights and larger grain for lower light areas - that gives a certain emotionality to the image that feels more human. I really believe with "Carol" that people would feel something different than if I had shot it digitally. The other important thing for me with film over the digital is the way color is portrayed. For example, if I have a cool window and warmer lights inside in the digital world they don't mix the way they do in film. With film grain, there's a crossover and contamination between warm and cool colors that I don't find digitally. Digital lacks a sense of depth in color separation the way it does in film. In film, there's these three layers, R,G,B. For me, it's almost like an etching where the light is eating into the negative when it's developed, and even though it is microscopic, it gives a depth to the image that I always feel is lacking digitally. 

At first he told me (see previous post), but since then nothing. I also tried to contact him privately on dpreview.com but even there he did not answer. I continue with my work, however, it goes very well, I hope to have a pre-set ready by the beginning of August for the NX-Nikon adapter system, which, in addition to providing me different information on the operation of SB lenses, it is cheap compared to an intelligent system.
I can say with certainty is that the system is very sharp, and coupled with fast lens offers a beautiful Boke.
It: All'inizio Ihkim mi ha risposto (vedi post precedenti) ma, da allora più nulla. Ho anche provato a contattarlo privatamente su dpreview.com ma anche lì non mi ha risposto. Io continuo comunque con il mio lavoro, che procede molto bene, spero di riuscire ad avere una pre-serie pronta entro i primi giorni di agosto per il sistema NX-Nikon adattatore, che, oltre a fornirmi diverse informazioni sul funzionamento delle lenti SB, è anche economico rispetto ad un sistema intelligente.
quello che posso affermare con certezza è che il sistema è molto nitido, ed abbinato a lenti veloci offre un bellissimo Boke.
 

Shows how much more important sound is than actual imagery when it comes to this kind of low budget nonsense.