Wild Ranger

Here is, I just uploaded!
I was just playing with the lens, it soft but i love the character. I'm thinking in using it on some music videos, maybe some narrative film. The film-noir suits very nice with it.
I shot everything in the 4:3 anamorphic mode so i can frame correctly, then cropped in post. Maybe i will post a 4:3 version. Film grain is real super 16 that I shot my self.
 

Here is, I just uploaded!
I was just playing with the lens, it soft but i love the character. I'm thinking in using it on some music videos, maybe some narrative film. The film-noir suits very nice with it.
I shot everything in the 4:3 anamorphic mode so i can frame correctly, then cropped in post. Maybe i will post a 4:3 version. Film grain is real super 16 that I shot my self.
 

Hi everyone!
I'm just passing by to show this...

It's a Som Berthiot Pan-Cinor 17-85 f2. Old C-mount lens from super 16.
In a couple of hours I'm uploading a video test I show with this one, using Alexa color and some Super 16 film textures that had shot my self a couple of years ago.
...

Always Already
Emotive Color 'Verde' v2.2 No color grading whatsoever All-I 2K (24p 180d) One Lens: Nikkor 35mm f2 Ai (couple shots in ETC mode) Entirely using sunny WB preset (except Tungsten shots at end), no WB correction in post *For Color Accuracy - Please watch in Microsoft Edge, Explorer, Safari, or Chrome (Mac Edition Only) - *Avoid Firefox! (Or download 'Original' file for total fidelity)
 

 

Yeah that’s another excellent short @Wild Ranger ... simple concept with smart ideas. You should look into submitting to Eli Roth’s Crypt TV, I think they have a submission call going on right now.
Are you using Sage’s LUTS with the GH5s in these shorts?
@Sage if you ever get a 5D3, you’ll be blown away by ML Raw. And if you’re capable of creating processing apps to convert the footage from MLV to CDNG or ProRes, I’m sure a LogC curve, before the render, would be epic. I find Canon color responds nicely to low strength Arri LUTS already, so with your skills... Check out the MLV App to get an idea.

If I had the 5D3, I'd support it! Perhaps I may yet (though it definitely has better native color than the GH5)
My favorite was 'Short-Cut' - I showed it to my coworker, who is a runner ; )
 
David L'Abbée just sent these from tonight:

They’re well deserved. I loved how you used the practical flickering lights to break up the shots and acting of the screaming actor.
That’s a difficult scene to play for any actor and by breaking it up you built story tension and allowed your actors’ talent at physical acting to play without going overboard.
And damn, that was some nice color work!

Thanks @mercer comments and opinions about one's  work are always very appreciated! ?
That's the real magic of making films and other stuff, you have know how to put all the elements together, pretty images are only that... pretty images.
I have shoot a feature during 3 years with a Nikon D7100 and D5300, and also a couple of super 16mm cans (Fuji Eterna); and I'm pretty satisfied with how the film end up looking. But It's also the hole production value that's in there that make the film look nice, not only the camera.
I think what you have made with this luts is great, it' just give some really nice color to the GH5, and i'm not really that picky if it's 110% accurate, for me it's just works.

Be sure to incorporate Arri's 709 RGB primaries; that's a critical step. This brings up skintone, especially relative to blue, all things equal. Main/Soft incorporate this, as well as a nicer starting point than standard Arri 709
Here is a breakdown on Arri 709:
http://bjorkvisuals.com/articles/demystifing-arri-alexas-rec709-lut
And you can dial in a post-production variation of the Rec 709 Lut to your taste here:
https://www.arri.com/camera/alexa/tools/lut_generator/
 

Hi everybody, I'm here to share my test film of the GH5s. 
Everything was shot with a flashlight and bounced with reflector. ISO 3200, Nikon lens 50mm f1.8
 

I don't bite on this classic argument. Perspective doesn't change (at least it shouldn't) because the camera is set at the same distance, that's why you use crop factor for measurement.

Talking about crop sensor and cheating on them.
I wanna recommend this adapter, The Viltrox EF-M2. Is´t really sharp, nice optics, works really well with electronic EF lenses and it cost a third the price of the Metabones speedbooster.
https://www.amazon.com/VILTROX-EF-M2-Adapter-Thirds-Camera/dp/B079M4W8MQ
I'm not kidding, it is a really good adapter. 

Will be joining the YouTube party at some point.

5-10-18 Update to V2
- Emotive Color component branched into three routes: Main/Soft/Pop
- Main/Soft have V1-like luma placement (for brightly exposed footage)
- Pop maximizes highlight range (for base ISO darkly exposed footage)
- Relaxed Noise Floor
(The default no longer requires luma placement for bright exposure, à la V1)

Hi everybody, I'm here to share my test film of the GH5s. 
Everything was shot with a flashlight and bounced with reflector. ISO 3200, Nikon lens 50mm f1.8
 

Hi everybody, I'm here to share my test film of the GH5s. 
Everything was shot with a flashlight and bounced with reflector. ISO 3200, Nikon lens 50mm f1.8
 

The "Blue" Update is out:
Deeper, Richer Blues Smooth, Foregrounded Skintone Brighter, Richer Greens Adjusted Shadow Gamma Placement Core LogC: Tweaked Clipping Rolloff

Update to the update is now out:
Core LogC: Optimized Skintone Rolloff

HI everybody! Long time ago I shared my first Teaser and also some Super 16mm shots from my Feature, "Black or White". After all this time we finally made it so i wanted to share the official trailer. The film is beginning it's festival tour this November so we are hoping to make it travel around the world, finger crossed  
Activate ENGLISH subs!!! 
And here on Vimeo for those who don't like Youtube:
If you are wondering, yes.. We shot all the film on Nikons D7100 and D5300. A little old by now (we started 3 years ago) with all the 4k cameras around, but i think the look holds pretty well. There is also some Super 16mm footage.
 

Hi, thanks. I just expose by eye, just looking the screen.

Thanks a lot!!!
 
Thanks! I still dont know wich camera will buy next, I dont mind changin brands. Lenses where old Nikons, because they are cheap. Light was very minimal in some situations, nothing very fancy in terms of equipment, a lot of simple light bulbs in some interior scenes. Sound was very changing, but most of the time it was a Rode NTG-2/3 and a Zoom h4n. then it A LOT of post-production time invested to make it sound like a "movie".
 
I used a simple Neutral profile little tweaked to make it more flat.
 
Most of the shots in the trailer are from the Nikon, including the girls hand and eye.
Thanks i'm really proud :D 

HI everybody! Long time ago I shared my first Teaser and also some Super 16mm shots from my Feature, "Black or White". After all this time we finally made it so i wanted to share the official trailer. The film is beginning it's festival tour this November so we are hoping to make it travel around the world, finger crossed  
Activate ENGLISH subs!!! 
And here on Vimeo for those who don't like Youtube:
If you are wondering, yes.. We shot all the film on Nikons D7100 and D5300. A little old by now (we started 3 years ago) with all the 4k cameras around, but i think the look holds pretty well. There is also some Super 16mm footage.
 

HI everybody! Long time ago I shared my first Teaser and also some Super 16mm shots from my Feature, "Black or White". After all this time we finally made it so i wanted to share the official trailer. The film is beginning it's festival tour this November so we are hoping to make it travel around the world, finger crossed  
Activate ENGLISH subs!!! 
And here on Vimeo for those who don't like Youtube:
If you are wondering, yes.. We shot all the film on Nikons D7100 and D5300. A little old by now (we started 3 years ago) with all the 4k cameras around, but i think the look holds pretty well. There is also some Super 16mm footage.
 

Hi, Thank you a lot! I am really proud of it.
The final shot was made with a combination of Stills, 3d mapping and in last place a macro shot of the recorder, then al composed in a after effects, that was the only way, its kind of a imposible shot without a lot of expensive gear.

Hi everyone, Merry Christmas!
I wanna share my last short film, "Best-Seller". I shot it entirely with Nikon D7100 and D5300 on September 2014. I´m releasing it online now because it was circulating some festival during this last year. Hope you all can enjoy it. IT HAVE ENGLISH SUBTITLES just activate them.