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The latest news on cameras, from EOSHD

Picture (“Buddy”) courtesy of James Miller, inset – the CYP 4K HDMI scaler The picture above (click for 1080p original) is from the 4K full frame sensor inside the Sony A7S (ISO 3200, S-LOG2). Internally the camera does a simple downscale of the 4K signal to 2K for standard 1080p XAVC or HDMI recording – but James discovered adding a hardware scaler on the end of the 4K HDMI signal results in a…

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Slashcam have chart tested the A7S internal recording modes and the results for the regular frame rates 24-30p are incredibly positive. However it seems that in 60p the camera cannot utilise the full pixel readout of the sensor, which results in a worse image with moire and aliasing. You can read my take on this below or head over to Slashcam to read the original piece (Google translated)

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[vimeo]http://vimeo.com/100083359[/vimeo] All footage by Ed David on the EOSHD forum I’m surprised at how nice the quality is from APS-C (Super 35mm) mode on the A7S. I expected it to be a lot softer! There’s no signs of significant moire or aliasing either. The smaller window from the sensor allows the shutter to expose the whole pixel readout more quickly than in full frame 12MP mode, so less jello for us.

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[vimeo]http://vimeo.com/99808847[/vimeo] Though the Shogun has not yet been released you can still obtain one of the best HD signals available on the market from the GH4’s HDMI port. This is 10bit 4:2:2 and oversampled internally from 4K, a bit like on the Sony FS700 but for only $1699. The video above shows how to setup the camera for recording 10bit 1080p onto the Atomos Blade. In the next few days…

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This began as a 10 point list. It grew… I am huge fan of the 1D C’s image but not the camera itself and especially not the price. The 1D C when it was introduced offered an absolutely lovely image and still does but now the playing field is rapidly changing. Exactly how does the Sony A7S compare on paper to the 1D C?

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