If you’d only go on eBay’s prices you’d assume the Iscorama anamorphic lenses had God-like properties. Maybe they’d part water with their patented easy focus mechanism. Could they heal a leaper with their flare? Possibly the hallowed Iscorama is able to bless you with a cinematic image.
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The latest news on cameras, from EOSHD
I was guest of ReWo today at MBF, a rental shop in Berlin. They originally planned to do a head to head with a RED and Sony F3 but since these cameras were stuck in Frankfurt we instead had a play with the GH2 versus AF100.
[vimeo]20219795[/vimeo] Diopters are somewhat of a miracle with anamorphic lenses. My Tokina +0.4 helped cut the minimum focus distance of my Isco down to less than 4ft from 2 meters and helped sharpen it up at fast apertures like F1.4.
Find the full details on the DP6 here We are filmmakers. So why are we all shooting in the TV widescreen standard 16:9 and not 2.35:1?
Here is a really useful tip for GH2 owners. You can store the entire main menu settings lock-stock and barrel into one of the custom mode dials, C1, C2 and C3 – including 24p, 60p, and the entire creative movie mode.
More details on the workshops here! WINNER ANNOUNCED BELOW [H]OUSE director of Photography Gale Tattersall is running a hands-on DSLR workshop in LA this month and in March. He is very kindly giving away a free seat to a lucky EOSHD.com reader!
Above – the first ever Nikon SLR capable of producing digital images, in 1988 First a bit of history – on the genesis of Nikon’s digital camera division.
Full specification and price here DSLR cinematography styles vary a lot, since the cameras are so adaptable. At the core of all this flexibility is the rigging.