[vimeo]http://vimeo.com/32520456[/vimeo] Above: the Olympus 12mm F2 in action on the GH2 Here’s a gear guide along with a round-up of footage for low budget shooters. There’s a big difference in price between the very capable Panasonic GH2 and the new 5D Mark III. One is $800 new and the other $3500. All the discussion so far has been about the camera – is it worth $3500? Well unless you’re going to drill…
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The latest news on cameras, from EOSHD
NAB 2012 is a few weeks away. Nobody can be sure what is going to come out of it. May be a lot, maybe not. But one thing is for sure, if you look at the market right now – Canon have a hole to fill. Where is their Sony FS100 competitor?
Check out Gizmodo’s take on my GH2 / 5D Mark III comparison video Here’s a quick guide to the things I’ve found useful with my 5D Mark III video shoots so far.
Freelance BBC shooter Johnnie Behiri has had his hands all over the new Nikon DSLRs recently and has been keeping me informed about their pros and cons. The big news here is just how good the Nikon D800’s video with cutting edge Sony sensor is relative to its big brother the D4.
Good news – Technicolor CineStyle works with the 5D Mark III already. The picture profile loads in the same way as before on previous Canon DSLRs. You will need to install the EOS Utility from the CD that came with your 5D Mark III to put CineStyle on your camera.
Above: frame grab from Longshan’s Temple shot on the Nikon D800 in Taiwan. Click here to go to the Vimeo page and to download the original. These findings have rather taken me aback. Not only is the Nikon D800’s video quality far better than the Nikon D4 and more detailed than the 5D Mark III, the low light performance of the raw sensor data is nip and tuck with the…
I now have my Canon 5D Mark III and I’m working my first piece of cinematography that I’ve shot with the camera, called Spring Revolution. The shoot is work in-progress but I have some initial impressions of the camera which I’m happy to share right now…
Sam Morgan Moore (check out his take on this here) has sent me some high quality grabs direct from his ProRes footage today. Origin, the first 5D Mark III batch to land in London. The workflow was H.264 to ProRes 4:2:2 to TIFF then to high quality JPEG. I have to say image quality is really nice, a great base to work from and very gradable indeed. ISO performance even…