First review of the GH3's kit lens? Panasonic 12-35mm GX Vario F2.8
The weather sealed 12-35mm is Panasonic's new top of the range Lumix zoom with a constant F2.8 aperture. It's also the lens most likely to be offered with the (also expected to…
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Andrew Reid (EOSHD)
Stories by Andrew Reid (EOSHD).
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Audience reaction to Revenge Of The Great Camera Shootout puts GH2 in 3rd place behind Alexa and F65
The Revenge Of The Great Camera Shootout is Zacuto's antidote to pixel peeping camera tests. It airs June 15th online, but preview showings have been taking part around the world. It aims…
Filmmaking tips from a legend - Interview with Francis Ford Coppola
THREE RULES 1) Write and direct original screenplays 2) Make them with the most modern technology available 3) Self-finance them EOSHD takes a look at Francis Ford Coppola's approach to filmmaking with…
How Mac OSX still *screws* your GH2 / FS100 / NEX footage - A must read!!
I've had my suspicions for a while now about AVCHD footage having a different exposure on my Mac to on the camera. When I edit my GH2 and FS100 stuff natively in…
Shootout in extreme low light - 5D Mark III vs FS100 vs GH2
This is a torture test of the low light abilities of 3 cameras. There are three test scenes in a battered old ex-factory in the east of Berlin. The first consists of…
Leica M10 to get video, September unveiling
In an interview with the British press in Berlin this week, Leica head of the supervisory board Dr Andreas Kaufmann revealed that they have been working on implementing video on their digital…
A chat with filmmaker Jeff Gibbs, Michael Moore's producer on Bowling For Columbine, Fahrenheit 9/11
A few days ago I spoke to Jeff Gibbs, a lifelong friend of Michael Moore, a composer, a producer and a filmmaker in his own right. Most significantly of all, Jeff is…
Canon 5D Mark II and 7D used to shoot action sequences on The Avengers
Canon DSLRs have been busy on the set of Marvel's super hero flick The Avengers directed by Joss Whedon. "They are great for shooting additional angles that give film editors more options…
MacBook Pro editors rejoice - new Premiere Pro CS6 supports OpenCL for renderless timeline not just NVidia CUDA!
One of the biggest changes to Premiere Pro in the new version is a renderless timeline which supports OpenCL capable graphics cards. Previously Adobe only supported NVidia's CUDA standard for GPU acceleration…