Breaking news - Canon announce new full frame sensor for video
• Full frame 35mm • 16:9 format • Hyper low light sensitive - even larger pixels than 1D X sensor • Prototype to be shown in Japan between 5th-8th March If you…
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Stories by Andrew Reid (EOSHD).
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• Full frame 35mm • 16:9 format • Hyper low light sensitive - even larger pixels than 1D X sensor • Prototype to be shown in Japan between 5th-8th March If you…
Thanks to Volker for spotting the info. Image credits and further reading: Django Unchained / Robert Richardson at The American Cinematographer Magazine ~ Django Unchained echoes spaghetti westerns at Kodak camera and…
"They each have their own unique character. Which image do you prefer?" Iscorama VS Iscomorphot 8 2x VS Iscomorphot 8 1.5x by QuickHitRecord. This is a new weekly series on EOSHD. The…
In the early days of DSLR video the codec was probably the weakest part of the camera. With the advent of uncompressed HDMI out - the codec is no longer a weak…
Let's pit the $700 Nikon D5200 against the $3000 Canon 5D Mark III and see which one comes out alive. Since the 5D Mark III failed to impress me on its launch…
The Nikon D7100 is here and appears to be based around the new sensor and image processor of the D5200 which is proving rather good at video so far. Whilst the D7100…
UPDATE: The HDMI output on this camera is uncompressed 4:2:2, for a leap in image quality over the internal 24Mbit codec! Check the forum for my ProRes noise grain sample shots The…
New in this update • Robocop 2 • Sony FS100 • Isco 2x anamorphic with support system for 15mm rails • Optex 1.33x anamorphic lens Robocop 2 Buy it now One robot…
The Lens Whilst Canon L lenses are like a fleet of company Lexus cars. This isn't really what I want in my films. I need something different. Something with character. For this…