Preview – Anamorphic goes medium format with Fuji GFX 100 and a look at the Leica SL2 5K 4:3 mode

This will be a short introduction before I get down to shooting with the beasts you see above.

On the left we have the Leica SL2, which features a 5K anamorphic mode (4:3 aspect ratio) that records in 10bit LOG format.

On the right we have the Fujifilm GFX 100 which is my first medium format camera that has been useful for cinema. However one ingredient has been missing with medium format and that is anamorphic!

Read morePreview – Anamorphic goes medium format with Fuji GFX 100 and a look at the Leica SL2 5K 4:3 mode

Interesting remarks from the Cooke lens engineers and chairman in Jon Fauer’s factory tour

FDTimes has published a really nice insight into the famous British cinema lens manufacturer Cooke.

“The business has changed ever since Jim Jannard announced the RED One camera in April 2006”

You can read all the interviews in FDTimes here [PDF]

Read moreInteresting remarks from the Cooke lens engineers and chairman in Jon Fauer’s factory tour