The Panasonic LX100 is an engineering marvel. Along with the Apple Watch this has been the most impressive feat of miniaturisation of 2014 so far. To take both of these products travelling would be extremely liberating relative to taking a clunky DSLR and a standard smartphone. If the application of the technology is impressive, wait to you see what is being applied. The specs are outstanding for a camera of this kind, with the large Micro Four Thirds sensor of the GH4 sitting behind a Leica 24-75mm F1.7-2.8 lens, with 4K video, 11fps continuous shooting, and the same 4 core image processor as the GH4.
I’ve selected the key video specs an enthusiast or aspiring filmmaker will look at in 2014 and compared the 7D Mark II with the three best cameras for video in 2014, the Panasonic GH4, Sony A7S and 5D Mark III.
UPDATE, the original article refers to 4K video – turns out it is only 15fps so more like a continuous stills burst mode than a video mode
The iPhone 6 Plus hasn’t even been released yet, but as of today it has been made obsolete for photos and video by the Panasonic CM1. This is quite simply a new benchmark for the camera phone, with an overall camera spec that beats every other smartphone on the market. The Android powered CM1 delivers 4K video and 20MP stills with full manual control from a large 1″ sensor, sporting a Leica DC Elmarit 10mm F2.8 prime lens.
The Panasonic FZ1000 (see my first impressions here) is an absolutely fantastic camera for video. I’ll bring you my full review and footage later today. However it had one very important omission at launch, the lack of 24p. The European model had 25p but the prospect of importing it and shooting PAL for US shooters didn’t appeal. Panasonic has recognised this and will add 24p to the camera in a soon to be released firmware update. The update also adds Panasonic’s new 4K Photo Mode which allows shooting of 4K video in multiple aspect ratios (3:2, 4:3 and 1:1) plus a …
This is a bombshell announcement, a massive upset and a surprise that the NX1 has a 4K H.265 codec. With this model, Samsung have taken technological step-change to the market, adding the first ever High Efficiency Video Codec (HVEC H.265) along with 4K 24p and Ultra HD at 30p to a $1499 mirrorless camera with Super 35mm sensor (APS-C). The codec is a successor to H.264 and is capable of providing ProRes quality at less than half the file size.
I’m heading to Photokina today (Monday) for the 2014 show, here are the new developments to expect on the cinema and video side of the show.
This official Nikon D750 video I received as part of the PR pack of media was directed by the excellent Jeff Pinilla. Watch some of his Emmy award winning filmmaking work here Let’s be clear. The Sony F5 was a sensible choice… What were they supposed to use without Nikon being in the cinema or video market?