Fuji X-Pro 1 first look

Fuji X Pro 1

Canon have been on the record to say that the only rival they fear is Fuji (because of their expertise in sensors). Canon want to fear them and I want to like them. If only the GH2 was this good looking.

Unfortunately I am having quite a hard time liking my X-Pro 1 when she is sitting side by side with the superb Sony NEX 7.

Does it offer enough over the Sony NEX 7 to justify the price tag?

Read moreFuji X-Pro 1 first look

The Shires – SLR Magic CINE 50mm T0.95 first look – the Leica Noctilux for cinematographers?

http://vimeo.com/38339934

The Leica M Noctilux which costs $11,000 is a full frame F0.95 photographic lens. The SLR Magic HyperPrime CINE T0.95 is a full frame F0.92 lens designed for cinematographers with Leica M mount which retails for $3,000 – a third of the Noctilux.

It is quite a different lens to the Voigltander Nokton 25mm F0.95 for Micro Four Thirds. It covers a full frame sensor and APS-C mirrorless cameras like the Sony FS100 and NEX 7 whilst the Nokton vignettes on anything larger than Micro Four Thirds. I shot the above film on the Panasonic GH2 with Iscorama 36 anamorphic attached to the SLR Magic CINE but I am also using it on my NEX 7 and Fuji X Pro 1.

Read moreThe Shires – SLR Magic CINE 50mm T0.95 first look – the Leica Noctilux for cinematographers?