Posts Tagged ‘5d mark iii’

I’ve had the A7S for over a week now and can share my initial thoughts, even some firm conclusions. Here’s one I’ve come to already – the Sony A7S is the best consumer camera Sony have ever made.

For $2500 the video performance of the A7S sits between the FS700 ($8000) and F5 ($17,000) yet the full frame sensor lends more character and allows for groundbreaking low light performance.

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Dilemma of the century. Do you take the advantages of raw or 4K? Do you take the full frame sensor or the crop? Do you take the DSLR form factor or the advantages for video of mirrorless?

This is something I’ve been really trying to draw a conclusion on in recent weeks for my own sanity!

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Grade original 4K MOV files from the pre-production Panasonic GH4 here - https://copy.com/EoeMcoA2T9L4

Is the GH4 a match for full frame in low light? The answer, surprisingly, is yes…

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Tip jar EOSHD just $5 if you think this article is useful

Nerd alert!

I’m afraid it’s time to put the creative urges to one side and get down to the nitty gritty. Just exactly how does the GH4′s image stack up against the competition?

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Aside from Blackmagic there’s only one other company endeavouring to give us affordable cinema cameras at the moment and that’s Kinefinity. The MINI is a smaller cut down version of their S35, shooting 2K uncompressed raw to SSD from a Super 35mm sensor. It has an option for 4K to an external record (Q1 2014) and it’s a powerful piece of kit, though I have some reservations about usability.

Is the KineRAW MINI the early stages of a new Arri? A Chinese cinema camera industry?

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The EOSHD Panasonic GH4 Shooter's Guide
The EOSHD 5D Mark III Raw Shooter's Guide
The EOSHD Sony A7 Series Guide to Full Frame Lenses
The EOSHD Panasonic GH3 Shooter's Guide
The EOSHD Anamorphic Shooter's Guide - Second Edition
More EOSHD Guides