Why you’re better shooting video in stills mode on the Sony A7S

a7s-50mm-lenses

After a while now shooting with the Sony A7S (final part of my review coming soon, review part 1 here) I have found it’s better to shoot video outside of the Sony movie mode on the dial. Here’s how to set up the M stills mode on the dial for movie recording and get two important advantages over Sony’s movie mode.

Read moreWhy you’re better shooting video in stills mode on the Sony A7S

Grading the Sony A7S with S-LOG 2 and some EOSHD cinematic looks for download

Only a few years ago S-LOG was a $3800 upgrade for the Sony CineAlta F3, itself a $15,000 camera. S-LOG made its debut on the Sony F35, a workhorse of Hollywood.

Now Sony have put this on a $2500 consumer camera along with the best full frame sensor I have ever used for video. How good is it? Very!!

I am sharing a pack of LUTs for the A7S which can be applied in Premiere, Resolve, etc. for an instant cinematic look to your A7S S-LOG 2 footage.

Download

Three LUTs are provided in the zip. Dynamic – for best dynamic range, will suit a low contrast shot requiring high dynamic range and plenty of shadow detail. Also good for low light. Vivid will give a punchier look to those shots that benefit from it like a sunset and where some dynamic range can be scarified for higher contrast and saturation. S-GAMUT is for when shooting S-LOG with the Color Mode of S-GAMUT and compensates for the purple tint to reds I find I am getting in this mode. For the Dynamic and Vivid LUTs you must set the camera colour mode in PP7 to ITU709 Matrix.

Read moreGrading the Sony A7S with S-LOG 2 and some EOSHD cinematic looks for download

Good news! Super 35mm mode on Sony A7S dramatically reduces rolling shutter

All footage by Ed David on the EOSHD forum

I’m surprised at how nice the quality is from APS-C (Super 35mm) mode on the A7S. I expected it to be a lot softer! There’s no signs of significant moire or aliasing either.

The smaller window from the sensor allows the shutter to expose the whole pixel readout more quickly than in full frame 12MP mode, so less jello for us.

Read moreGood news! Super 35mm mode on Sony A7S dramatically reduces rolling shutter

A more realistic impression of the Sony A7S low light performance at ISO 12,800

Sony A7S rig

All the high ISO footage from the Sony A7S so far have been highly compressed and streamed on YouTube. Here we have not one but two stages of very aggressive noise reduction being applied to the images. If you want to see it without the heavy compression removing all trace of noise, here’s a full resolution JPEG shot at ISO 12,800 from the camera courtesy of DCFever

You can download it below…

Read moreA more realistic impression of the Sony A7S low light performance at ISO 12,800