[vimeo]16049056[/vimeo] Dailey Pike has just shot a interview with cinematographer and DSLR shooter (he also does a few Hollywood films like Terminator Salvation on the side) Shane Hurlbut. Check out Shane’s latest blog here, about the Kessler Crane CineSlider
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Kirsten Lepore’s animation shorts on Vimeo made my week, here EOSHD.com delves deeper into the mind of Kirsten Lepore!!
And so it begins [vimeo]9450989[/vimeo] Karen Abad (Website | Blog) is a talented filmmaker who has worked with Vimeo and lately Zacuto. Karen works with a huge variety of formats including 35mm and 16mm film, as well as DSLRs. Here Karen shares her thoughts on the creative process, cameras and her filmmaking experience so far.
[vimeo]17749667[/vimeo] Earlier this year EOSHD has varying degrees of success with the Canon 5D Mark II and Panasonic LA7200 anamorphic adapter – variable between unusable and not very good. I found the adapter worked best on the Panasonic GH1, where I was able to achieve an extremely wide angle with it. Typically for an anamorphic however, it still did not work well with shallow depth of field at fast apertures…
Above – genius, behind the Panasonic GH2. The leader of Panasonic’s digital imaging development team has admitted that resources have been diverted from global shutter development in order to satisfy market demand for 3D gimmickry.
At 43Rumors.com, VK has been interviewed regarding the GH2. Please do read the interview in full. Although it contains quite a few contradictions, technically it is quite illuminating.
[vimeo]14642823[/vimeo] My name is Trey Vollmer and I’ve been pursuing filmmaking for three years now – I could not love it more! I also work as a full-time personal trainer here in Jacksonville, Florida. Believe it or not I have found that flexibility, strength and endurance play a key role in operating a camera. If I need a high angle I will get on top of a roof or climb…
Above: Canon’s Masaya Maeda on far right In line with Nikon, Canon Japan has also now gone on the record about their intentions to create smaller high quality DSLRs. But it’s unlikely to be mirrorless, or as small as the Sony NEX 5.