EOSHD on YouTube is back. In this video we discover Jeromy Young mysteriously vanished after a Wallabies Rugby match and that the company has a new CEO from Apple.
EOSHD looks into where he went to, with this story of super yachts, coronavirus hotspots and why I’ll never buy another Atomos product.
Panasonic S1H owners today can start recording in high-end cinema camera standard 6K 12bit ProRes RAW via HDMI to the Atomos Ninja V.
Unlike many ProRes RAW HDMI outputs this one is a full pixel readout from a native 6K sensor, with dual gain circuitry and incredible low light performance.
Most cameras have to pixel bin to achieve 12 bit colour depth in their 4K RAW outputs from a higher resolution sensor, but not the Panasonic S1H. This should result in the cleanest and best ProRes RAW output on the market.
Above you can see an advert for RAW on the S1H shot in my home town of Manchester. Coincidentally these streets were where I shot with the Panasonic GH1 for the first time. I have fond memories of 10 years ago in the months leading up to EOSHD’s first blog post, taking my GH1 out on the same streets as featured in the Atomos video. Always great to see how cinematic the city is.
Now at the start of yet another decade, Panasonic is upping image quality again with HDMI RAW on the S1H. What makes this implementation of RAW unique is that it has an anamorphic RAW mode. The Canon EOS R5, 1D Mk III, Sigma Fp and Nikon Z6 aren’t anamorphic enabled in RAW mode.
The Nikon Z6 RAW video update has been a shambles from start to finish. With myself a disappointed early adopter of both the Z6 and Z7, the story isn’t reflecting well on Nikon…
Convincing rumours are doing the rounds in the filmmaking community, thanks to a slip by Canon USA on Twitter. The official account offered a poll asking whether followers would like to learn more about Canon EOS R external RAW recording at NAB, or the C200’s existing RAW Light codec.
This is a really surprising by Nikon, as I expected Sony or Panasonic to do this first. Nevertheless the Z6 and Z7 will be the first mirrorless cameras to offer 4K RAW via HDMI to an external recorder – namely the Atomos Ninja V.