Iscorama owners! Convert your lens into a cinema anamorphic with the Andrew Reid / Andrew Wonder group conversion

Iscorama anamorphic

Iscorama owner or simply interested in anamorphic lenses?
Join the EOSHD Anamorphic Forum here

The Iscorama is a wonder of vintage optics. No focus breathing, a unique patented focus mechanism, small size and sharp at fast apertures. The beauty is the sheer number of primes you can use it with. Whilst an Iscorama may look expensive at $3000 a pop (used!), a full set of Zeiss master anamorphics cost an eye watering $305,000 ($43,600 per lens).

Now it’s about to become even better, but only if we club together as Iscorama users to make this happen…

Read moreIscorama owners! Convert your lens into a cinema anamorphic with the Andrew Reid / Andrew Wonder group conversion

SKIN – First professional short film to use 5D Mark III Magic Lantern raw, a guest post by Andrew Wonder

Turning blue blood green with raw on the 5D Mark III. A dying woman wakes deep in a strange place, a wounded dancer wanders crumbling hallways. All footage was shot between 1250 and 5000 ISO.

Andrew Wonder (Undercity / blog) has just released a narrative short film shot in anamorphic (a modified Iscorama called the Wonderscope) on the 5D Mark III in raw. Here is a guest post from Andrew on the making of – and his take on the DSLR raw revolution.

Read moreSKIN – First professional short film to use 5D Mark III Magic Lantern raw, a guest post by Andrew Wonder

First 4K Canon 1DC drone flight (and FS700 / C300 also gets airborne)

The Canon 1D C has taken to the skies for the first time thanks to Perspective Aerials founder Anthony Jacobs, who has just stepped up their drone to fly heavier cameras. The new rig has a custom built RC follow focus by Anthony Lenzo of Air Sea Land (ASL).

Read moreFirst 4K Canon 1DC drone flight (and FS700 / C300 also gets airborne)

All aboard the Juice Train, an anamorphic train journey from Florida to New York

Check out more of Andrew Wonder’s work here

Director, cinematographer and DSLR user Andrew Wonder talks to EOSHD about his latest anamorphic spot for G.E…

The technology behind the shoot is rather interesting. Two Sony F3 cameras mounted on the front of the train, remotely controlled and recording to e-sata drives in the control carriage, kitted out with Joe Dunton / Panavision anamorphic lenses from London.

Joe Dunton is a British Bafta winning camera equipment guy who has always held a great fascination with anamorphic lenses, and was one of Stanley Kubrick’s closest collaborators after A Clockwork Orange in the 70’s and provided Kubrick with his lenses on Eyes Wide Shut.

Read moreAll aboard the Juice Train, an anamorphic train journey from Florida to New York

Filmmaker Andrew Wonder on anamorphic and modding his Iscorama 36

Filmmaker Andrew Wonder (Undercity) has had some interesting modifications done to his Iscorama. Not a cheap modification but re-housed as a cinema lens by Van Diemen and optimised for closer focus.

The test above is shot on the 5D Mark III and there’s more from Andrew below, on his ‘Wonderscope’ anamorphic.

Read moreFilmmaker Andrew Wonder on anamorphic and modding his Iscorama 36