a7r ii Archives - EOSHD.com - Filmmaking Gear and Camera Reviews

User reviews and test films for EOSHD Pro Color and Pro LOG

February 1, 2020September 26, 2017 by Andrew Reid (EOSHD)

https://vimeo.com/235267436

Special offer: Pro Color 3.0 & Pro LOG Premium Bundle – just $37.99 ($49.99)

Above: EOSHD Pro Color 3.0 and Pro LOG comparison shot on the Sony FS5 by Ethan Alexander

These magic settings are a MUST HAVE.

Don’t take my word for it though. I am biased! Other filmmakers and Sony users have been busy shooting with EOSHD Pro Color 3.0 and Pro LOG. It’s interesting to take a look at some of the reviews, tests and films shot this way.

New EOSHD Pro Color 3.0 and EOSHD Pro LOG comes to Sony cameras

September 16, 2017September 15, 2017 by Andrew Reid (EOSHD)

Special offer: Pro Color 3.0 & Pro LOG Premium Bundle – just $37.99 ($49.99)

I am pleased to announce that a year after the original, there is a major update to EOSHD Pro Color for Sony cameras.

In addition to the new Pro Color 3.0 with additional profiles, I am launching EOSHD Pro LOG as well. This takes all the advantages of Pro Color into an easy to grade C-LOG-like profile for your Sony camera. Pro LOG also comes with 25 EOSHD Film LUTs for an instant cinematic grade in post.

Inspired or insane? Switching from the A7S II to the A99 II

June 3, 2017 by Andrew Reid (EOSHD)

[pullquote]Comment on the forum[/pullquote]

Does it make sense?

The Sony A7R II and A7S II go medium format

February 22, 2017 by Andrew Reid (EOSHD)

[pullquote]Comment on the forum[/pullquote]

Mattias Burling on the EOSHD Forum is giving us his impressions of the new Kipon / BavEyes medium format focal reducer for Sony’s full frame cameras.

If all goes well, this will give the prized medium format look on full frame.

Now available – EOSHD Pro Color for Sony Cameras including a7S II, a7R II and a6300

April 27, 2017November 26, 2016 by Andrew Reid (EOSHD)

Download now for just $14.99 ($29.99 usual price) Introducing EOSHD Pro Color EOSHD Pro Color is a highly optimised in-camera profile for your Sony camera, to deliver punchy Canon-like 4K and 1080p straight out of camera. Dump the default settings and fix a host of colour issues. Apply once. Shoot. These colour correction settings are easy to apply and fundamentally change the image processor’s approach to color and white balance, lending an artists’s eye to the camera and the way it handles ambience and colour separation. The advantages include: Truer, deeper reds Greater separation of green hues for more natural looking foliage and landscapes Greater separation …

For those in love with the FULL FRAME look which system gets closest in 4K?

August 27, 2016 by Andrew Reid (EOSHD)

[pullquote]Comment on the forum [/pullquote]

The video crop factors of the current 4K cameras, and an easy way to calculate crop factors…

All EOSHD Shooter’s Guides are now half price for 7 days

July 4, 2016June 28, 2016 by Andrew Reid (EOSHD)

I reduced the price of the Panasonic GH4 Shooter’s Guide last week to just $9.99 and it has sold well, therefore I am extending the half-price sale to the entire range of EOSHD Shooter’s Guides for the next 7 days only. If you’re looking to dive deeper into your camera knowledge or are even just curious about what the books offer – now is the perfect time.

Sony FS5 codec problems and 4K ripped edges bug

January 4, 2016 by Andrew Reid (EOSHD)

[vimeo]http://vimeo.com/150618927[/vimeo]

[pullquote]Comment on the forum[/pullquote]

The Sony FS5 has had a largely warm welcome from the video community but there has been one thing bugging a lot of owners and potential buyers alike – the quality of the internal codec.

Just how good or bad is it?