Browsing: 5d mark iii

Above: notice the detail on the girl’s hair and shirt collar in the 1D X shot Pre-order the 1D X at Adorama – the camera is now shipping in limited quantities – more stock expected soon Dan Chung (watch the comparison video) has had a play with the long delayed Canon 1D X, the flagship pro full frame DSLR which was announced last year. Dan’s find is worth paying close attention…

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[vimeo]http://vimeo.com/44064956[/vimeo] I’ve shot a comparison in Berlin today between my modified 5D Mark III and the standard 5D Mark III. The modified 5D Mark III is similar to the Nikon D800E in that the anti-aliasing filter has been removed. (Which is why the modified 5D Mark III is dubbed 5D3E in the video). But is it any good?

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Above: the potentially Emmy winning sensor which I had to dismantle with cocktails sticks in an attempt to get acceptably detailed video According to Vladimir Koifman at Image Sensors World, an Emmy commission jointly headed by Canon’s David O’Kelly is investigating whether CMOS sensors should be eligible for awards. O’Kelly claims advances in the technology has ‘materially affected’ television. The winner of 5 Primetime Emmy Awards, House notably made use…

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Read the full comprehensive Canon 5D Mark III review at DPReview DPReview have now delivered their verdict on the 5D Mark III, with a contribution to the video section (as an independent voice) by myself, Andrew Reid. I felt it necessary to be frank over the shortcomings, as it is only right you are aware of them on a $3500 DSLR body. But do keep in mind that the 5D…

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[vimeo]http://vimeo.com/42091083[/vimeo] This is a torture test of the low light abilities of 3 cameras. There are three test scenes in a battered old ex-factory in the east of Berlin. The first consists of a completely pitch black room with glowing pearl lighting. The next one is in the roof is lit using a single iPhone 4S torch with the cameras ramped up to ISO 12,800. The third scene is again…

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Canon DSLRs have been busy on the set of Marvel’s super hero flick The Avengers directed by Joss Whedon. “They are great for shooting additional angles that give film editors more options for creating powerfully immersive and kaleidoscopic views of action scenes,” Seamus McGarvey (Cinematogapher, The Avengers)

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