Search Results: anamorphic (335)

EOSHD has in the last few days been talking to Human Target and Final Destination Director of Photography Rob McLachlan about the Panasonic GH1 and HDSLR shooting. Robert McLachlan ASC,CSC is a leading cinematographer based in Vancouver. Rob shot 1st unit on Final Destination, Dragonball Evolution and Fox’s network TV…

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[vimeo]8058326[/vimeo] A quick update! I am working on an HDSLR Wiki, an EOSHD iPhone / iPad app, a new short film and some new reviews including the Isco Centavision footage! But nothing new is ready just yet, especially for the weekend. So I’ve decided to round up the most popular…

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[vimeo]11349060[/vimeo] Full screen it here – http://www.vimeo.com/11349060 On location in – Hong Kong Music by – Radiohead, Karma Police Equipment – Panasonic GH1, anamorphic LA7200 adapter + 10-22mm EF Canon, Super Comat F1.9 c-mount, kit lens (14-140mm), Zeiss 85MM F1.4, Canon 35mm F2 SSC FD Check out the Wiki on…

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(Above: Bella regrets buying a 7D so close to the launch of the 550D) People have many varied opinions on the HDSLR revolution, some criticise the hype. The most regular line is that a good camera by itself doesn’t make a good film and that ‘content is king’. That’s easy…

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16:9 is very 2009. EOSHD.com recently came across a video (at the bottom of this page), which shows a Panasonic LA7200 anamorphic conversion lens on a Canon A1 camcorder. This is shot in 16:9 but converted to Cinemascope style 2:35 with the anamorphic lens. As you can see when you…

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