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Interested in the OM5ii for video? Get the E-M5iii instead.


John Matthews
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That or the G9 II - it seems to be not much bigger (a little taller and the hand grip + EVF protrude just a little more) and it barely costs more used.

This one seems to be another example of OM system taking an existing camera, upgrading the processor, and adding computational photography features.  The CP features are pretty neat, but it'd be so much better to see OM systems invest in something more interesting/revolutionary.

Also, at least in pictures, the limited edition "sand" finish looks cheap and tacky.

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2 minutes ago, eatstoomuchjam said:

That or the G9 II - it seems to be not much bigger (a little taller and the hand grip + EVF protrude just a little more) and it barely costs more used.

This one seems to be another example of OM system taking an existing camera, upgrading the processor, and adding computational photography features.  The CP features are pretty neat, but it'd be so much better to see OM systems invest in something more interesting/revolutionary.

Also, at least in pictures, the limited edition "sand" finish looks cheap and tacky.

That cheap and tacky finish might work in your favour, if your into a less obtrusive style of street photography or videography. It wouldn't be my first choice but  I think i'd take it, over a fire engine red one, any day of the week. However i happy enough with the em-1iii so its all kinda irrelevant to me.

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And remembering that this camera (and predecessors) only have 8-bit color.

The problem with Olymṕus is their codecs - they have high bitrates but are much softer than other companies, since the E-M5 MK II days. If you like the look (I had a concert video form the E-M5 MK II that you clearly see that is far from perfect, but it looked fantastic), could be a compelling option, but it probably falls apart very quickly with grading.

The thing that amazes me (and the only explanation is that it have a VERY good patent) is that no other company implemented Live Bulb - it makes long exposures a breeze, you see the image "developing" on screen, you just pause when I think it is good. It the feature that I miss the most from my Olympus days (and the IBIS perfectly tuned for video).

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I've had the E-M5ii and E-M5iii. I've also had the E-M1ii, E-P7 and E-PL9. All of them had decent images in 4k. The E-M5iii and E-M1ii were definitely a step up when you turned on its picture mode (I forget the exact term). Shooting in 4k in the other normal modes wasn't bad, but a little "soft" for extreme detail. The major problem I had with the E-M5ii was absolutely horrendous moiré issues. For AF, both the E-P7 and E-PL9 did way better continuous AF in video than Panasonic contrast detect.

The OM5 series could be so good if they could just put a little better processing in it and 10-bit.

The beige looks like puke. Maybe it would be stealthy for a safari or desert situation. Also, OM System is thinking they can way more for this camera, but they will soon realise the contrary. It costs 1299 euros and 200 cheaper in dollars. I get the feeling OM System is asking the europeans to pay those effing tariffs for the Americans rather than asking the Americans to pay. The price gap is too much, especially since the dollar has been in a rather large decline since January 2025.

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