Jump to content

Interested in the OM5ii for video? Get the E-M5iii instead.


John Matthews
 Share

Recommended Posts

EOSHD Pro Color 5 for Sony cameras EOSHD Z LOG for Nikon CamerasEOSHD C-LOG and Film Profiles for All Canon DSLRs

That or the G9 II - it seems to be not much bigger (a little taller and the hand grip + EVF protrude just a little more) and it barely costs more used.

This one seems to be another example of OM system taking an existing camera, upgrading the processor, and adding computational photography features.  The CP features are pretty neat, but it'd be so much better to see OM systems invest in something more interesting/revolutionary.

Also, at least in pictures, the limited edition "sand" finish looks cheap and tacky.

Link to comment
Share on other sites

2 minutes ago, eatstoomuchjam said:

That or the G9 II - it seems to be not much bigger (a little taller and the hand grip + EVF protrude just a little more) and it barely costs more used.

This one seems to be another example of OM system taking an existing camera, upgrading the processor, and adding computational photography features.  The CP features are pretty neat, but it'd be so much better to see OM systems invest in something more interesting/revolutionary.

Also, at least in pictures, the limited edition "sand" finish looks cheap and tacky.

That cheap and tacky finish might work in your favour, if your into a less obtrusive style of street photography or videography. It wouldn't be my first choice but  I think i'd take it, over a fire engine red one, any day of the week. However i happy enough with the em-1iii so its all kinda irrelevant to me.

Link to comment
Share on other sites

And remembering that this camera (and predecessors) only have 8-bit color.

The problem with Olymṕus is their codecs - they have high bitrates but are much softer than other companies, since the E-M5 MK II days. If you like the look (I had a concert video form the E-M5 MK II that you clearly see that is far from perfect, but it looked fantastic), could be a compelling option, but it probably falls apart very quickly with grading.

The thing that amazes me (and the only explanation is that it have a VERY good patent) is that no other company implemented Live Bulb - it makes long exposures a breeze, you see the image "developing" on screen, you just pause when I think it is good. It the feature that I miss the most from my Olympus days (and the IBIS perfectly tuned for video).

Link to comment
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now
 Share

  • EOSHD Pro Color 5 for All Sony cameras
    EOSHD C-LOG and Film Profiles for All Canon DSLRs
    EOSHD Dynamic Range Enhancer for H.264/H.265
×
×
  • Create New...