Nikon Zr is coming

[Jahleh]

It seems if you set Resolve color management like Sidney Baker-Green describes earlier on this page, duplicate your NRaw clips, rename the other as R3D, and take both to timeline, you get Red’s tone mapping and highlight rolloff controls to NRaw clips as well. They just work from Project settings to all clips at the timeline. As a bonus you have your regular NRaw raw controls as well. 

[Danyyyel]

1 hour ago, Jahleh said:

It seems if you set Resolve color management like Sidney Baker-Green describes earlier on this page, duplicate your NRaw clips, rename the other as R3D, and take both to timeline, you get Red’s tone mapping and highlight rolloff controls to NRaw clips as well. They just work from Project settings to all clips at the timeline. As a bonus you have your regular NRaw raw controls as well. 

If it is true, for me, the pefect workflow for RAW use, will be the 4k Nraw converted to RED raw. As it should be around 350 Mbs, which is very good for RAW. The only thing I don't know is how do they get this from a 6k sensor. In Gerald Undone, it did look a bit mushy, but I don't zoom 400% in my shots. The 4.1 k from my Z9 is perfectly usable. But in this case it is just half of the pixel.