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Andrew Reid

Canon EOS R5 - What Panasonic, Sony and Fuji can do to fight THE 8K BEAST

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1 hour ago, Mako Sports said:

Despite them having a really nice image from what I've heard Ursa's aren't nearly as reliable/durable as other picks like alexa for cinema use and Sony F5/F55 for high end doc/TV etc. 

For the price it would be more reliable and cheaper to get two Ursas as opposed to any of those others (not that that's what anyone should do) just in terms of failure chances.

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3 hours ago, Super8 said:

The URSA can't hold a candle to Arri. What quality do you sacrifice by using the URSA vs an Arri ?

 

It also depends on the budget for the commercials being produced.  The FS7 is used a lot and so are RED's, so I don't think Arri dominates on the commercial side because of reduced budgets. 

If you're making the next bond film are you going Arri or with the URSA mini ? It's laughable that you would even bring uo the URSA mini.

Obviously it depends on the budgets.... 

The image from an Ursa Mini is not far off from an Arri, depending on which you are talking about. Dynamic range is quite a bit better on any given Arri camera. But you usually aren't pushing dynamic range that far especially on high end stuff where they actually light things.

Anyways my point is Arri is the cream of the crop next to film. Arri doesn't have an 8K camera, not even a 6k camera. No auto focus or talk of it, way behind the times. But high end productions don't need any other that. RED is putting out the Komodo which is not an appeal to high end productions its an appeal to small guys. 

I'll also stick to my point that the image off an Ursa Mini 4.6k if graded properly has negligible differences from any given Arri in most practical situations. To be fair you could probably say that with a lot of cameras though. 

 

2 hours ago, Mako Sports said:

Despite them having a really nice image from what I've heard Ursa's aren't nearly as reliable/durable as other picks like alexa for cinema use and Sony F5/F55 for high end doc/TV etc. 

Yeah another reason why Arri's are top pick in comparison to RED. Probably also a reason Canon is favored for DOC work over RED, though Canon's are much more usable in general for that type of thing.

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29 minutes ago, thebrothersthre3 said:

Yeah another reason why Arri's are top pick in comparison to RED. Probably also a reason Canon is favored for DOC work over RED, though Canon's are much more usable in general for that type of thing.

Yeah tbh "cinema" cameras are kinda cancer for run and gun doc work unless you have a crew of 3 or more.

FS7 and C300mkii are the real top dogs for doc work. Can't beat built in NDs and XLR inputs if your a small to no man crew

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13 minutes ago, Mako Sports said:

 

Yeah tbh "cinema" cameras are kinda cancer for run and gun doc work unless you have a crew of 3 or more.

FS7 and C300mkii are the real top dogs for doc work. Can't beat built in NDs and XLR inputs if your a small to no man crew

Yeah, I don't really do much Doc work but I do weddings which can be similar(probably worse lol). I have used the URSA on doc work, depends on the subject matter. Used the S1H for some doc stuff and it was really nice honestly. The IBIS plus a Canon 24-70 just worked for everything, used the S35 mode which was easy to switch to, getting that extra range. 

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