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Found 5 results

  1. Hello everyone! I'm a french film school student (however we don't practice often it's just mainly theoretical courses and film analysis) and we had recently to create a short fiction (we were to do around 7 shots). We had the plan with my teammate to explore an old abandoned coal washing facility and decided to make something with it, so here it is! Sound is important so play it loud Now some explanation. I don't have a lot of money, and our school doesn't have any gear to loan, so we made it a 0$ budget short ahah (well the only thing we paid for was the gas mask). For the prep we had only a few days, so we thought of a story, and we only did the storyboard for the first half of the short (until he enters the factory), as we didn't know what it looked like inside, and we had to improvise on set. It was really run'n'gunning as we only had 9h on location, and some shots are quite rushed... I shot it with a sony a6000 in AVCHD, with for the most part in exterior the sony 18-105G F4, then in interior the Sony 35mm F1.8 OSS and a Leica Summicron 90mm F2 (pre-asph, which I found in my dad's old camera gear). For the lighting setup we used an outdoor LED floodlight (which is what the actor is holding inside the factory) and a 200*160 5in1 reflector to bounce some light back. I edited everything and made the soundtrack on Sony Vegas, then graded everything on DaVinci Resolve Lite. I'm kinda in a love-hate relationship with it haha, during the edit and post-prod there was some moment I just wanted to delete everything, and I was noticing every little mistake or imperfections, but considering the time limitation, budget the result is fairly ok, and initial feedback was good so I wanted to share it more with people working in this field! I'd love any advice or feedback from you!
  2. hello, I am looking to get a camera for shooting some video, so i thought i would post a topic. recently i have been a bit slack on keeping up with video camera / dslr news as i have been busy this past year with work and things, so i feel a bit out of touch and a little lost. should i stay with dslr, should i go mirrorless, or whatever, i have honestly no clue. i have a nikon d700 at the moment, which i have used primarily for stills, and now that i need to shoot a few vids, obviously since the d700 has no video function, i need to sell it and get something else. i have a few nice lenses, nikon 50mm, 70-200, 24 1.4, and a schneider 90mm, so i do have some investment in lenses in the f mount, which i guess i could sell to buy into something else, but obviously id probably rather keep my lenses, as it just easier. and id prefer to keep my lenses because i do still need to shoot stills. so, if you were me, what would you do? the options as i see it are: 1) sell d700 and buy a d750 or some other nikon body 2) sell d700 and lenses and then buy some other system 3) keep the d700 for stills and just buy something different altogether for video, a sony a7r, or a g4 or something else (i have no idea tbh) 4) sell d700 and get a a7r and an adapter for my lenses .... so, as you can see im in a bit of a pickle with how to proceed, so if you can give me some ideas, that would be great. also just for fun, lets pretend i didnt currently have a d700, or any lenses, and i wanted to buy some stuff for video, if you were going to spend $3000 ish on a new setup for video, what would you choose and why? ps i have some lights already, well, i have some studio strobes that i think can double as constant lighting, so just camera only please. Thanks. ps thanks !!!
  3. Good Day! I'm new to the site and new to video work, but I've been lurking around the forums and Review Articles for a while now, trying to figure out what camera I should pick. While totally new to serious videography, I've been doing photography and very light video on the side for about 6 years, so I wouldn't say I'm blind to the more enthusiast thresholds of acceptable quality. With that in mind, I've narrowed it down to two models. Well... one. Two. Maybe just one. Possibly two. GX7. Or GH3. Currently I'm heavily leaning towards the GX7 as: - I assume focus peaking for someone that isn't trained in the art of manual focusing would be nothing short of magical(?). - I will not be needing high quality external audio (for the foreseeable future) (I'll probably mostly be doing artsy montages with music on top,heh...). But I've seen the GH3 recommended over the GX7 for video quite a few times because of: - Bitrate - Codec I have read Mr. Reid's (predominantly positive) thoughts on the GX7 and that strongly weighed into me currently leaning towards it. My question is: Has anyone who has tried both the GX7 and a more codec-competent (higher bitrate) solution ever been strongly frustrated with the former at any point? Like going "THAT WAS THE PERFECT SHOT! GOD HIMSELF PARTED THE SKIES AND UNLEASHED THE MOST HEAVENLY RAYS OF LIGHT THAT DUCK HAS EVER SEEN. YOU HAD - ONE JOB! " when you came home to realize that the water ripples in your perfect shot created the occasional blocky codec artifact? I guess my question can mostly be boiled down to "Bitrate Vs. Focus Peaking". I hope it isn't overly redundant. Any advice and personal input would be really really appreciated. Like... ...this much > [ ]
  4. Hello all, Firstly thank you for taking the time to open this and at least read this far. For those of you that aren't here to give constructive advice and help please look else where to spread your negativity. If you've carried on read then thank you. I was an animator, film maker, director and editor a few year ago, but since the economic downfall I've now found a new career path in working with young people. I use my skills and knowledge base to engage the otherwise forgotten about youth of Birmingham, UK. I've researched over the last five years the possibility of creating a wedding videography business. I'm not thinking of it as a full time career, not as yet any how. But I really miss the create elements involved in producing creative pieces of film and I'm fed up of seeing the terrible quality of the videographers in my local area charging a small fortune. Since I've been out for a while I've done quite a bit of research on equipment and I'm finding so many conflicting reviews. It's proving difficult to narrow down and actually buy some equipment. Here's what I'm thinking so far: Canon 5d mark 2 with lens 1 £1,500 Memory 2 £440 Lexar Professional 128GB 800X 120MB/s High Speed UDMA CompactFlash Memory Card Steady Cam 1 £500 Steadicam Merlin 2 Mic 1 £150 Rode VideoMic Pro Camera Monopod 1 £130 Manfrotto Fluid Video Monopod Total £2,720 I'm interested into what you guys think and if I've missed anything out equipment wise. I'm looking for a DSLR that is suited towards video shooting full HD at least 50fps. I've read that the panasonic GH3 hacked are the best for video but over the past few years the Mark 2 still seems to be a strong favourite. Thank's in advance for your time and help Regards
  5. Hi anamorphic lens buffs,   I've just purchased a GH3 and want to get involved in the wonderful world of anamorphic lenses... but after extensive reading and looking on ebay, I'm confused. Apologies if some of my questions are idiotic.   It seems the consensus is that iscorama is the best - but with none currently on ebay I can't find how much one should be. How much should a 36 go for, or a 54, and where might I source one?   What are the Isco Optic Ultra / blue star? Are these related to the iscorama? Some on ebay are labelled Isco Iscorama - is it the same company? Are these wrongly labelled? Here is an example of one:   http://www.ebay.co.uk/itm/Anamorphic-Lens-RARE-Isco-Iscorama-2x-MINT-DSLR-GH3-GH2-5D-Canon-COMPACT-Sharp-/171168616302?pt=Camera_Lenses&hash=item27da71cf6e   Also many of the pictures of the lens have a ruler showing how long they are. How does the length affect them?    This one for example (though it has no ruler) is marked as 120mm. What does that refer to?   http://www.ebay.com/itm/isco-optic-120mm-with-schneider-super-cinelux-anamorphic-lens-/121211839272   One of my main concerns is getting a lens which will fit over my taking lenses. I have a Voightlander 35mm (which has a 52mm thread), which should be fine... I'm assuming I'd struggle to use my Rokinon 24mm, which has a lens circumference of 77mm, both because it is so wide at the front, but also cause it would vignette badly.   On the GH3 the 35mm lens becomes roughly a 70mm. With the anamorphic adaptor, does it effectively become a 35mm again?   Please could people give me their opinions of the following choices, and their pros and cons? They vary a lot in price and size.    http://www.ebay.com/itm/Kowa-Bell-and-Howell-2x-Anamorphic-Lens-Perfect-Condition-w-Lens-caps-RARE-/181235078150?pt=Camera_Lenses&hash=item2a3273d406   http://www.ebay.co.uk/itm/Bausch-and-Lomb-Anamorphic-Lens-2x-Cinemascope-lens-holder-for-15mm-rods-/231089701199?pt=UK_Lenses_Filters_Lenses&hash=item35ce05014f   http://www.ebay.com/itm/Isco-Optic-Ultra-MC-2x-35mm-Anamorphic-Cinemascope-lens-DSLR-Micro-4-3-/121210681244   http://www.ebay.co.uk/itm/SANKOR-ANAMORPHIC-16C-16mm-WIDE-PROJECTION-LENS-/221311304014   http://www.ebay.co.uk/itm/KOWA-16mm-Prominar-Anamorphic-16-H-LENS-52030-/281127357879?pt=LH_DefaultDomain_0&hash=item41747f0db7     I'm also interested in the SLR Magic anamorphic. Does anyone know when that will be available to buy?   Lastly, people seem to recommend the  Helios 44mm a lot. Why is this?   If it makes a difference to my choice, I think I prefer blue flares over brown, and the nearest focal distance the better... I guess thats what everyone wants!    Thanks for reading my rather long post! All advice gratefully received.   Many thanks all,   Jules              
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