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Found 5 results

  1. Hi all, Hoping someone can help with this edit workflow question: I currently shoot video on Canon DSLRs (in H264 MOV format), and edit on a late 2009 iMac (2.8ghz i7 processor, 16gb memory). The films I make are mainly for web rather than TV broadcast, and beyond basic colour grade / tidying up, have minimal effects added (no CGI). Until recently, I used Final Cut Pro 7, using FCP's Log & Transfer function to import and edit footage in Pro Res 422 format. Having just moved to Premiere Pro CC 2017, I'm trying to figure out the most efficient workflow with the best
  2. Good Day! I'm new to the site and new to video work, but I've been lurking around the forums and Review Articles for a while now, trying to figure out what camera I should pick. While totally new to serious videography, I've been doing photography and very light video on the side for about 6 years, so I wouldn't say I'm blind to the more enthusiast thresholds of acceptable quality. With that in mind, I've narrowed it down to two models. Well... one. Two. Maybe just one. Possibly two. GX7. Or GH3. Currently I'm heavily leaning towards the GX7 as: - I assume focus peaking
  3. Hello, Everyone.   I am debating whether to jump into the Canon 5D Mark III Raw video capture world, but as I have been researching the topic and equipment further I am now considering using Cineform as an editing codec in Final Cut 7.   Up until now I have only work with ProRes, but I have read excellent things about Cineform, so I wanted to ask others what they feel about it as an editing codec.   Does cineform work well in Final Cut 7?   Does cineform require more computer performance in order to edit with?  More RAM?  RAID?  Or would a RAID setup
  4. So I was trying to use my Gopro Hero2 files in Premiere Pro. I recently installed the Protune firmware update and this was the first time I was actually editing some footage.   On MPC-HC, the video files played fine on my brand new PC (Core i7, Asus MB, 16Gb Ram, 128Gb SSD and Nvidia GTX 560). Of course, hardware acceleration with CUDA was activated in Premiere, so I thought I could edit those files flawlessly with Premiere Pro CS6.   Big mistake.   No matter how many things I tried, the video playback began to get choppy after a few seconds. I had to resort to convert the
  5. Andrew Reid

    New H.265

    The future codec for DSLRs is coming. Was sent this by email today, thanks Tero [url="http://techreport.com/discussions.x/23429"]http://techreport.co...ussions.x/23429[/url] This will be more efficient at the same bitrate and this means better image quality. For example 24mbit would look something like 44mbit on current codecs. [color=#000000][font=trebuchet ms', sans-serif][size=3]Over the past few years, H.264 video compression has permeated just about every corner of the tech world—YouTube, Blu-ray, cable and satellite HDTV, cell phones, tablets, and digital camcorders
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