Jump to content

FranciscoB

Members
  • Content Count

    165
  • Joined

  • Last visited

About FranciscoB

  • Rank
    Active member

Profile Information

  • My cameras and kit
    a7s 2 canon EF primes

Recent Profile Visitors

The recent visitors block is disabled and is not being shown to other users.

  1. I'm a resolve studio user and I don't get the new version every year. It has bugs everytime and needs fixes with firmware updates. How about delivering a solid product, on time? And how about a good solid version every two years or so? Editing rarely needs constant updates. The color page is already pretty amazing. Fairlight is my only advice to be better, with more incorporation in the edit page. Better eq's and native tools.
  2. Yes. Andrew is right. Clog 2 is dangerous when you underexpose. Clog 3 is better for low light as it is a more contrasty curve. You need to give more light to your pictures in order to overcome the noise barrier.
  3. I haven't checked the movie so I won't comment on that. I say kudos to that man. Investing 700k in his own project is huge. I would argue that investing 10k or 700k on him is the same but it's not. The principle is the same tough. Believing in yourself and finding ways to do your own thing in, with your own small fortune, is not easy. Even if I dislike the movie, that man has my respect. Because we all know that most of that budget is spent on crew, actors, food, expenses, renting and other needs. Thats not "glamorous". It's passion.
  4. I'm finishing a documentary project with 3 episodes in resolve. It's heavy with over 2 years of footage and with a 2015 pc laptop. 4k Sony a7s II files. Always with playback on half resolution and color correction disabled until the final touches. It's been working for me even tough its not a flawless performance. But that's mainly due to my old pc and not resolve. Had to leave premiere in the middle of the project as it was too unreliable. Did some xmls and never looked back. My main issue was learning Fairlight audio tools. The rest is solid. Never bothered with the cut page. I hid most of i
  5. Don't want to sound like a dick but what's with the picture covers on youtube? Everybody does the same thing. Funny face and the product smashed in front of it. Is there an agreement on this or just an established trend?
  6. FranciscoB

    RED Komodo

    I think it's a great feature. If that doesn't limit the DR.
  7. Shit. Almost there. Give a guy an hdmi out and we're good to go. While you see trough the evf, someone else can see on an monitor with the hdmi out. The more expensive model previously released has a fan and is noisy... Hope they dont do that mistake again.
  8. FranciscoB

    RED Komodo

    What a shitshow of a promotion for this camera. What happened to specs, good footage and NON 6 HOURS videos?
  9. Yes, it is. But it isn't necessary for him to leave. Just for both of them to respect each others opinion.
  10. Off course, you're right. When the episodes are released, I'll share with everyone
  11. Yes, it was based on how the aspect ratio is perceived, on how it could help with the sensation of people being left behind and the conversation about wildfires in our country being the same for the last decades. It's an old subject that keeps getting worse. Its very much a subjective choice but I'm happy I went with it. I'm releasing the first two episodes in a few weeks but if you want a sneak peek, I can send you the links in exchange for your honest opinion. I would offer the same to everyone on the forum but I havent't developed the subtitles.
  12. Obrigado @Emanuel I used a sony a7s ii with canon yellow ring lenses. I like the 4:3 aspect ratio and it seemed appropriate for the subject and feel of the documentary. Luckily, filmconvert nitrate was release and I got a few more lessons on resolve so now I'm much happier with the final images. I did a new test with handbrake and with quality to 15, x265 and medium speed ( was pretty slow ) I got a 3gb files from a 53gb. Much better quality.
  13. Off course you can, why wouldn't you? https://www.youtube.com/user/franciscobfroes/ Judge away That was one of my questions about youtube uploading. So it's definitily worth the extra step?
  14. Is there a x264 plug in for resolve? I'm aware of the YouTube and vimeo guidelines for awhile. I've got better results from x264 than h264 so that's why I've kept doing it. Maybe now I will start with x265. I know YouTube compression will always deteriorate video quality. I asked this because of differences on quality by uploading 4k instead of 1080p. Does that still make a difference? And yes... I can't control where people see their videos so I'll just upload the best file I can get.
×
×
  • Create New...