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androidlad

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Everything posted by androidlad

  1. It's the infamous F-log banding/macro-blocking, discussed before.
  2. Image quality wise, in daylight Air 2 will be very similar, if not slight better than the Pro. Of course it won't be as good in low light, and it doesn't have 10bit and D-log M.
  3. It's official: https://www.newsshooter.com/2020/04/28/dji-unveils-mavic-air-2/ It supports HEVC/H.265 codec but only at 8bit. Initial review suggests significant image quality improvement over the original Air, including low light.
  4. Well I guess it's called bleach for a reason... I'm sure you can fix it with your nice package of tools
  5. Yeah HDR photos, video and panorama (multi-exposure blending) 34min flight time, 68km/h max speed, 10km max signal range.
  6. Mavic Air 2 confirmed to have 4K 60P @ 120Mbps video, also 1080/240P and 8K timelapse video.
  7. https://support.apple.com/en-gb/HT200321#proresraw Not yet in Apple's list but should be there by the time the camera ships.
  8. S1/S1H are based on IMX410, the A7 III sensor, also seen on Z6, MAVO LF and ZCAM F6, it's extremely popular. Yes the 60MP one is IMX455.
  9. With no surprise, the sensor is based on IMX309, the one used in Nikon D850 and Z7.
  10. Meant to type "can't" on the phone. you can't just add cyan to any footage make them look high end.
  11. It's actually called - cyan. There is indeed a general cyan tint in high end camera footage, but it's not the sole characteristic of their colour science, you can just add cyan to any footage make them look high end.
  12. Fujifilm just released F-log to Bleach Bypass LUT, it's only included in X-T4 folder but it can be used on all F-log capable Fujifilm cameras: https://dl.fujifilm-x.com/support/lut/F-Log_LUT_E_Ver.1.16.zip
  13. androidlad

    RED Komodo

    Just dropping this here with all the R5 buzz: RED Komodo sensor was co-designed with and manufactured by Canon, it's literally an APS-Cish crop of the full frame sensor on R5.
  14. R5 will have Canon's fastest on-chip ADC from 1DX III with readout speed at 174Kp/s @ 12bit, compared to Sony's current gen of 180Kp/s. With this data, the 45MP sensor can scan DCI 8K at 40fps so rolling shutter will be around 25ms.
  15. https://dronedj.com/2020/04/22/new-dji-mavic-air-2-price-and-photos-leak-online/ It uses the 1/2" Quad Bayer 48MP IMX586 sensor, the same one used on Autel EVO II 8K. It shoots 4K video and 48MP stills. Retail price $799 Full official release on the 27th.
  16. @Andrew Reid 1DX III owners/shooters, some might not know this but here's how you can bring back the legendary 1DC colour science:
  17. Tariffs ended yes, but the product categorisation still exists, changing digital stills camera to video camera requires assigning new serial numbers to every unit sold, it's not possible to do this.
  18. https://news.samsung.com/global/editorial-rivalling-the-human-eye-how-samsung-is-opening-up-the-possibilities-for-image-sensor-technology
  19. Would be nice to have full sensor height anamorphic mode, but the vast majority of anamorphic lenses are designed for S35 coverage. 15.7mm
  20. BRAW is not RAW, it's a compressed, partially debayered codec.
  21. Since the Alexa was tested using ProRes codec for 14 stops of DR, it's only fair to test compressed codec for all other cameras as a standardised metric.
  22. C300 MK III DGO only scored 12.8 stops using ARRI standard. https://www.cinema5d.com/canon-c300-mark-iii-lab-test-pre-production-dynamic-range-rolling-shutter-and-latitude/ For reference: C300 MK II: 12.3 stops C500 MK II: 13.1 stops
  23. Nikon (and Fuji) specify some of the design and Sony Semicon manufacture them.
  24. Those ones have CRI between 70-80, enough for residential lighting. If you want cinema/broadcast quality CRI, you can replace the LED ribbon inside it with a high CRI, daylight balanced one.
  25. Sony Semicon and Sony Alpha are completely different entities.
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