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Everything posted by androidlad

  1. It's the automatic HLG to SDR conversion triggered by metadata. Right click the clip(s), "Disable Masterclip Effect"
  2. Controlling camera parameters and most importantly, pulling focus on Fuji native lenses via USB, require some complicated "reverse engineering". Interestingly, a Timelapse tool VIEW did it a few months ago: https://www.newsshooter.com/2018/12/24/timelapse-view-intervalometer-is-now-compatible-with-fujifilm-x-series-cameras/ It allows full control over most Fuji X cameras.
  3. DJI "officially announced" in a forum post by staff account that Ronin S will support X-T3 via a future firmware update. Regarding X-T2 and X-H1, they are "not sure". https://forum.dji.com/thread-151303-2-1.html
  4. @Attila Bakos Fujifilm Tokyo has responded to the use of BT.601 tag in internally recorded files: ¯\_(ツ)_/¯
  5. 1. Signal format displays 59.94 instead of 60. 2. Default color temperature changed to “Native” 3. Signal format display and battery info display can be individually turned on/off. 4. User LUT supports 33x33x33 format upload 5. Add “Saturation” adjustment in calibration menu. 6. Fixed other bugs. Tool: SD card, FAT32
  6. It has many lower resolution versions - within itself, by binning (2x2, 3x3, 4x4, 6x6)
  7. Let's all marvel at this particular piece of cutting edge engineering. It's the one sensor to rule them all. There's 8K 30P, 6K 60P, 4K 90P, 3K 120P, 2K 240P. Ultra high sensitivity RGB binning mode is available for 4K up to 60P and 2K up to 180P. 16bit ADC readout is available for video framerates for the first time.
  8. @BrunoCH New firmware for CM-55C released. Copy these two files to the root directory in a FAT32 formatted SD card, turn on unit and follow instructions. JTH5501_UN108v01.bin JTH5500_UN108v01.bin
  9. No, the lithography node (300nm, 90nm) refers to ADC circuitry, it has nothing to do with the photodiode and does not affect photosensitive area no matter how big or small the number is. It's the reason why Sony has achieved 16bit ADC on recent generation sensors. The datasheet actually tells you how much DR it has. Using the formula 20/6 x Log10(FWC/RMS) We can calculate that at ISO100 it has a pixel-level EDR of 12EV.
  10. For a 36x24mm FF sensor, 300nm vs 90nm process really make very little if any difference to image quality. There are more important contributors. CMOS sensors are not CPU, there's no constant need to shrink the die.
  11. This 63MP FF sensor from Canon (35MM63MXSCD, FSI with 300nm process) is a response to Sony's 61MP IMX455 (BSI & DTI with 90nm process), which recently entered mass production and will be sold to Nikon and Pentax.
  12. DJI Mavic 2 Zoom: D-Cinelike profile -> GH5 Cine-D PRE -> GHa Daylight Linear -> Contrast adjustments
  13. Crane 2 has its own focus motor, while Crane 3 Lab/Weebill Lab have their own motors for both focus and zoom, at the same time.
  14. Zhiyun Weebill Lab/Crane 3 Lab support it, by providing two motors for zoom and focus control.
  15. Tilta is showing a cage designed for X-T3 (the one on the right).
  16. Higher frame rate involves a lot of vertical cropping and/or dropping readout bitdepth.
  17. It's the same "Movie Digital IS" on EOS R. The Japanese text says: "When shooting movie, the built-in gyro sensor provides 5-axis image stabilisation with a compatible lens."
  18. I've seen a couple complaints regarding F-log banding/blocking on DPReview forum. Most people don't care though, not everybody is an image quality purist. Doesn't look like a hardware problem so bad copy is very unlikely.
  19. Yes this issue was discussed extensively on this forum, see my post comparing F-log and HLG. There's something wrong with Fuji's F-log implementation, could be flaws in the encoding parameter. The solution is to shoot HLG instead, it's completely clean and in my opinion also offers better colourimetry than F-Gamut. Please report this issue to Fujifilm by sending these photos along with a description http://www.fujifilm.com/contact/ We have to get Fujifilm's attention for a possible fix.
  20. Observation from preliminary testing GHa on X-T3: With F-log, even at 10bit 400Mbps, applying two LUTs (F-log to V-log then GHa linear) produces noticeable banding in the footage. The F-log banding issue was discussed in other threads but using two LUTs really accentuate these artifacts. HLG works amazingly well, the GH5 HLG preparation LUT is a perfect match (BT.2100 HLG is a standardised colour space so shouldn't come as a surprise). Again as discussed in another thread, HLG on X-T3 removes the magenta hue. Shades of blue have that Alexa signature cyan tint.
  21. https://www.lindy.co.uk/ Lindy makes some of the best cables and they are reasonably priced.
  22. It is the A7 III/Mavo LF sensor IMX410, without PDAF mask of course. The 8K one is IMX455.
  23. They made it very clear that it's Cineform RAW, a wavelet compressed highly efficient RAW format.
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