Video Hummus

Well, in any case. A very good used car price.

hmm, I still think this is hype and we will see the usually bizarre crippling but if it is true... I might invest in RF and canon. 8K is more than I’ll ever need. If they can deliver no crop 4K up to 60p (120p is icing on the cake) with dual pixel auto focus, 10 bit Clog, IBIS and color science then good on Canon. The S1H is that now but without good AF. Which is a real shame because they make great cameras and give the people what they want and I trust them more than Canon. But autofocus performance, if not sorted out, will kill any future Panasonic cameras I’m afraid. But man oh man, those RF lens prices pucker the ol’ b-hole. Say $2799 for the new R5, $2,299 for 15-35, and $2,799 for 70-200... Thats $8K...

Last time I checked, my phone didn't have a fan and is extremely compact. Let me check again....Yup. Yet, RED has a heatsink on their sensors....and feels it's important to give you temp readouts for their sensor. MY guess, is that the DSPs they are using are still stuck on old process nodes, even as old as 55nm. Compare that to the latest Apple and Samsung devices at 7nm. A lot less heat and voltage at 7nm.

I like how they are now stepping back from the original article "rumors" hype. I really do think the Fuji X-T4 is going to shake things up. It really is going to put a hurt on MFT and Panasonic, not so much the FF crowd.

That’s not Caleb, 😂

They are still working out a deal to get 24p in 1080 on the 1DX3.

I did not know the FZ2500 had a built in ND. Dreaming of having a sweet little ND selector on the GH camera! Please, panny!

@wolf33d 's wait may finally come to an end! 😁 3 long years....

Vlog does have the custom view assist .VLTs...otherwise, I don't see many drawbacks to shooting CineD.

Apple should make a FCPX Lite for the iPad that allows you to preview footage, mark, cut, trim, favorite, and keyword footage and then bring it into FCPX on Mac with a few clicks and the iPad within a couple feet of the desktop Mac. Like a seamless project airdrop. It would make categorizing and find your selects in the field much easier when its fresh.

I'm curious as well.

Must be the new Mavic 3 Pro with 35mm sensor.

I counted 3, maybe 4 shallow depth of field shots in that entire gorgeous film.

At what, like 5Gbps.... Have fun with that.

Shots fired. I said it before, but I think the S1H is going to be a cult favorite, especially if Panasonic continues to improve it through firmware upgrades. It would have been a run away success if they fixed the damn autofocus once and for all. But I’m kinda exhausted with all the new stuff. I’m ignoring all the shiny new toys this year and instead diverting that excitement and energy into creating.

I’m buying that EOS R5! Oh, someone pinched me...I’m back in the reality. Im just going to keep my GH5S and hope for a late 2020 announcement of a GH6, perhaps the last MFT camera from Panasonic. Should be good for the next 3 years 🙃

Canon traditionally released under whelming spec’d cameras and now suddenly has the fastest readout of any sensor, better IBIS than Panasonic and Olympus, and 8K 30p RAW in a mirrorless form factor? Why isn’t that in the C500, their flagship cinema camera?

I’ll believe it when it’s released and in peoples hands. Highly doubt Canon would sell you an R camera with better specs and less money than a C500.

Some of the best times was milk runs in my Ferrari. It’s only down the street but it only takes 6 seconds to go from 0-60.

75% lightning and composition, 20% lens, 5% camera with any camera made after 2016. I mean with the new way of filming... https://www.slashfilm.com/the-mandalorian-stagecraft-photos/ They probably could have filmed the Mandolorian with a GH5 and nice cinema lenses, definitely an S1H. You don’t need Alexa levels of Dynamic range when the background is a digital HDR screen.

I really hope they give us the tilt + flip in the next MFT camera. Sometimes I just want a tilt screen as well.

Yep! I mean it has a pathetic wimpy MFT sensor so maybe 1,800 😉

I think this is why the Netflix cert. actually means something. Netflix tested it, they approved it, most likely it will be more than sufficient for Sub-Netflix productions.

I think they already have a really great target to hit...The S1H. Just delivery a MFT little brother to the S1H. Mainly: 1. 5.9K 16:9 video with their lovely internal codecs 2. Full Vlog 3. 13.5 -14 stops of dynamic range 4. Dual gain sensor ISO 640 / 3000 5. The EVF and tilty and flippy screen. 6. No crop 4K60/96/120p unlike the S1H. 7. Of course the excellent MFT IBIS. Lastly, If they can deliver some kind of ND solution they’ll have hit it out of the park and into the parking lot smashing Sonys windshield Internal RAW is great, but it seems the 10-bit 4:2:2 codec Panasonic has been iterating on is quite impressive. Good enough for Netflix. Hold up to normal grading with stellar results. I’ve come around on 6K. I think it’s the perfect middle ground between the massive overhead of 8K and offering flexibility in post and a truly crispy excellent 4K deliverable (4K is just now catching on for online video). I think delivering a no compromises S1H in MFT form factor is very doable.

Well, with a 15 min recording limit. How does Fuji manage to pack so much horsepower into their cameras? They must have competent SoC engineers. After a bit of digging. I can find most of the DSP and CPU designs (all ARM based and from third parties except for Fuji’s. Which are probably in house. Sonys are in house too.