Slothorp
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Posts
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Reputation Activity
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Slothorp got a reaction from omega1978 in Best gimbal for Pocket 4K?
I have seen users complaining about that but never had this issue with the older firmware (1.9).
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Slothorp got a reaction from Geoff CB in Z Cam E2 will have ONE HUNDRED AND TWENTY FPS in 4K??
New S35 or full frame camera coming from Z cam (ef mount most probably). Pre-order soon and delivery in september / october.
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Slothorp got a reaction from Emanuel in Blackmagic Pocket Cinema Camera 4K
I have shot a plenty blue sky in CDNG and Braw and didn't find any macro blocking. So, before jumping to the conclusion that it's a camera issue, everyone one should do it's own test. (As I was the first to raise the red clipping issue, months ago, and felt the sweet anger of many BM fanboys who couldn't believe that the camera could have its flaws, I know what I'm talking about...)
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Slothorp got a reaction from Kisaha in Z Cam E2 will have ONE HUNDRED AND TWENTY FPS in 4K??
New S35 or full frame camera coming from Z cam (ef mount most probably). Pre-order soon and delivery in september / october.
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Slothorp got a reaction from Emanuel in Z Cam E2 will have ONE HUNDRED AND TWENTY FPS in 4K??
New S35 or full frame camera coming from Z cam (ef mount most probably). Pre-order soon and delivery in september / october.
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Slothorp got a reaction from tonysss in Blackmagic Pocket Cinema Camera 4K
Good luck with the noise with the old BMPCC, once graded.
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Slothorp got a reaction from tonysss in Blackmagic Pocket Cinema Camera 4K
That's not what I have seen from my tests.
Pictures shot with same lens, at same aperture, at native iso (800 for the BMPCC, 400 for the BP4K) :
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Slothorp got a reaction from kye in Blackmagic Pocket Cinema Camera 4K
That's not what I have seen from my tests.
Pictures shot with same lens, at same aperture, at native iso (800 for the BMPCC, 400 for the BP4K) :
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Slothorp got a reaction from Adept in Blackmagic Pocket Cinema Camera 4K
That's not what I have seen from my tests.
Pictures shot with same lens, at same aperture, at native iso (800 for the BMPCC, 400 for the BP4K) :
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Slothorp reacted to Papiskokuji in Blackmagic Pocket Cinema Camera 4K
My review is finally online ! I hope it will help people and answer a few questions ! Let me know what you think of it ! It took me so much time and yet I just have shaky footage to show... I'll shoot something decent soon, a real project !
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Slothorp got a reaction from deezid in Blackmagic Pocket Cinema Camera 4K
That's not what I have seen from my tests.
Pictures shot with same lens, at same aperture, at native iso (800 for the BMPCC, 400 for the BP4K) :
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Slothorp got a reaction from MattH in Blackmagic Pocket Cinema Camera 4K
From the zoom in the pictures, it seems that the BMPCC4K has actually more resolution than the GH5S. The perceptible difference that leads us to think the opposite is due to the sharpening process in the GH5S that is not applied in the BMPCC4K.
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Slothorp got a reaction from deezid in Blackmagic Pocket Cinema Camera 4K
Attached you can find some dng files taken from the test. And in the link below, you can download the same test but shot in prores.
A002_10130258_C022_000225.dng
Blue 400 iso.dng
blue 3200 iso.dng
red 400 iso.dng
red 3200 iso.dng
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Slothorp got a reaction from MattH in Blackmagic Pocket Cinema Camera 4K
I dit another test with a simple domestic RGB led (hence the flickering) to show how the BMPCC4K reacts in the red channel, both in raw and prores. With other colors, when overexposed, there is a gentle roll-off, but in the red, it clips with a very harsh way, and a strange color shifting. There is also much more noise in the reds.
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Slothorp got a reaction from MattH in Blackmagic Pocket Cinema Camera 4K
Well, if you don't want to show the red clipping, by preventing it with your exposure, you can. It is not the purpose of this test. The purpose is to show how the camera reacts specifically in the red channel, by comparison with other colors (and the problem is still there at 3200 iso). And I find it problematic in some situations : a night street scene, with its many red car lights will cause many problems, with disturbing hyper saturated red blotches all over your image (whereas the greens, the blue and the yellow react normally). You can bypass it if you shoot in raw, but it will affect the entire image if you shoot in prores.