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About thehebrewhammer

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  • My cameras and kit
    Panasonic GH5, S1

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  1. Thanks, I have to admit that I was ready to put down my GH5 too quickly to get all my equipment a bit more aligned within one system - for what, better highlight roll-off? And that was the wrong call. It's a great camera and I never miss a shot with it.
  2. I made a decision to return my camera. Hopefully the seller (amazon, third party) takes it back without issue. I found the focus peaking to be totally inadequate for manual glass, coming from the GH5 or S1 or even an old Canon with magic lantern.
  3. Unfortunately all of my lenses are fully manual, so one-shot AF won't cut it. I'm looking at a Zacuto but it does feel ridiculous to go back to optical loupes and 30 minute record limits after so many years.
  4. I'm actually debating returning the camera. My eyes aren't that bad but the viewfinder is really not cutting it. Peaks are not great. Focusing was easier on my old 6D with magic lantern, and that's saying something.
  5. Well, I wanted something lighter and more nimble than my S1, and to replace my GH5 as a second camera, so I picked up an S5. Coming from the S1's big beautiful viewfinder, the S5 is much harder to use. I think an eyecup or loupe might be the solution. I have a rubber eyecup on both my S1 and my GH5, and I'm not seeing anything similar available for the S5. It almost looks like the rubber eye piece is screwed in. Anyone have insight into this?
  6. Can't you use paypal with crypto now? If you're in the US?
  7. I also had the inclination toward a C100, but when I owned one I found the codec too thin and found it was hard to operate in very cold environments due to lcd lag. Then I got a Gh5, felt like I was getting a similar image, but the trade off was the file sizes. I think what I end up choosing will be totally determined by what's available in my local second hand market.
  8. I think they'll be doing documentary work in the far north. Likely pretty rough on gear. I don't think they need 4k, but they seem to want it. At this price the options are pretty interesting for 1080 cameras - including even something like a c100. I don't think they will rely on AF. Regarding your sound points, I have to admit I've never been great at sound. I was thinking of getting them a Deity V3 and calling it a day, just so they can start with something better than in-camera sound.
  9. I'm trying to get a new filmmaker set up with a camera and a lens, and have about $1,400 USD to spend. I'm looking at a used Panasonic G85 or XH1 if I can find it. I like the idea of IBIS but I suppose that's a bit of an extravagance. I'd like to save a bit of money for a shotgun mic, an ND filter, and some batteries. What are some alternatives? How would you kit out a new filmmaker on this budget?
  10. I switched to Panasonic in the first place for the GH5 because it was a great camera with very few software driven limitations and lots of support from the company after release. Panasonic kept improving it. In full frame, it seems like that strategy of releasing the most capable gear per price point has already been abandoned. Panasonic is playing a game of cynical market segmentation (like Canon, etc.) and they won't sell people on a whole new system this way. I'm now an S1 owner and I already am frustrated by Panasonic. The S5 addresses design flaws of the S1, and is getting features the more expensive S1 doesn't have - and that Panasonic hasn't said they'll implement via firmware. The S5 is similarly compromised, possibly by design but possibly to protect products further up the line, mainly in the viewfinder choice and 30 minute recording limit for 10 bit. I simply cannot afford an S1H, but I know my S1 is being deliberately limited by its firmware. It can't be hard for Panasonic to offer some kind of firmware to bridge the gap between the S5 and S1H with the existing S1. If L-Mount is to thrive, Panasonic needs bodies that bring in features you can't find elsewhere. I appreciate the build quality, and the XLR adapter that works across many cameras, but I want full in camera encryption and built in electronic NDs. I don't want to go backwards and buy a camera that limits recording time. As it stands, I'm only investing in vintage glass and converting it all to EF mount. I'll switch systems if the right camera comes along, because Panasonic's thinking here seems like a dead end.
  11. For Contax Yashica Mount? Beautiful soft rendering, with the potential to be really sharp slightly stopped down. Great colours. Hands down my favourite lens. Used one for years on Canon Full Frame cameras without issue.
  12. The Voigtlander 17.5mm and 25mm are both good options if you are looking for a prime. Otherwise sigma 18-35 with Speedbooseter - especially if you already have the lens and don't mind the weight.
  13. I wonder if the GH5s will keep or remove ETC mode. Not sure how a lower resolution sensor or a native 4k sensor could crop in and still produce a 4k image...
  14. Very interesting results... I didn't have vignetting issues on the regular 0.71 speedbooster with this lens. I did have IBIS issues though using the nikon mount, unless I set it manually to different parts of the zoom. This seems to confirm that IBIS communicates properly with the camera through the canon adapter. Tempting.
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