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Papiskokuji

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Everything posted by Papiskokuji

  1. I usually don’t like to say negative things on forums that are not constructive but this video of Gerald... « c’est chaud ! » ? as I would say in french. I have to agree with webrunner5 on this one. It’s ugly as shit. Even the artistic choice argument is barely acceptable here. It’s a shame because it’s the first time he takes some risks to express his artistic/technical skills and I appreciate the effort. Maybe it has to do with the fact it was his first time with the camera... Boy, I have to say something nice now, I don’t want to turn into webrunner5
  2. I told exactly the same and added great dynamic range and log profile with LUT display and good monitor for focus ! Form factor : either FS5 (for compactness) or FS7 (to go easily on the shoulder).
  3. I find this test to be very poor ! Testing skin tones in a forest with green reflexion everywhere, or in backlit situations... Nevertheless I think Max is being honest. I’m puzzled by the permanent suspicion toward people. Regarding his supposed Sony bias, he used to shoot with two gh5. He made a very positive review about the X-T3 and the blackmagic pocket 4K as well. And he’s in his own right to shoot with Sony like many pros do. He won’t be switching cameras between every video and the workflow that comes with it. He settled on Sonys (which I’m not even sure). Caleb shoots on the GH5s, Matti on Canon... Everytime you say something nice about a camera, you are biased. I have every camera brand, I just did a review (mostly positive but fair) of the bmpcc4k and it didn’t miss. You always get the « he works for blackmagic » comment... If only. It’s ridiculous. Max tests are always questionned. But I always come to the same conclusion with his sharpness, low light and autofocus tests. Sometimes his tests lack details but it’s almost impossible to cover it all. I remember all the suspicion his gh5 vs a6500 AF test raised. It wad insane. People couldn’t accept the simple fact that the GH5 has a terrible autofocus and Sony PDAF is way ahead. Canon being the best. Give the guy a break, his last video is not his best but his tests have been very useful for a lot of people and take a lot of time to do. There are way worst youtubers out there !
  4. Thanks ! The website is back on !
  5. Papiskokuji

    GH5 firmware

    Hello ! Panasonic support website is down right now. Would someone have the latest firmware update file by any chance ? I have the GH5 for the weekend and I wanted to try the HLG profile. Thank you !
  6. Oh yes ! My bad ! But I still think the pocket is a lot better than the 5D in low light I’ll do a long post about the cameras as soon as I’m on a real computer ! Typing english on a french iPhone is a pain ?
  7. Interesting read ! Even more so that I have the same set of cameras ! I share most of your thoughts although there’s a slight contradiction in what you say about the low light between the 5D and the XT3. You say at 3200 it’s the same between the two but the 5D has fixed pattern noise. So it’s not the same at all ? ! And I concur ! I love the 5D raw image quality but fixed pattern noise shows quite easily ! And the Fuji has also the edge in termes of dynamic range. That being said all three cameras have a wonderful image quality. They all have their pros and cons. In low light, the bmpcc4k is great ! Even without noise reduction. It’s enough for me. With noise reduction, I’d even say it performs better than the X-T3 thanks to its more robust codecs. Maybe I’ll write a longer report about all those cameras so we can argue a bit more You can tell the difference between 8 bit and 10 bit when shooting in Flog ! 10 bit 4K long gop at 200mb/s is as good as I want it to be ! No macroblocking, almost no banding. HLG is even cleaner ! If you shoot with film simulations, it matters a lot less...
  8. Nice work, thank you ! I'll buy it as soon as I get my X-T3 back !
  9. That's what I try to tell Blackmagic since their first camera. There's no logical reason not to put one (except for cutting costs). Some dslr don't have one because they have such a large amount of pixels it can mitigate any undesirable effects of not having one. I think I'm not the only one who would pay more to have one right off the bat. And you can always argue "why don't you just add one afterwards". I always do, but it can void the warranty, it is not designed by Blackmagic, it's not easily available, and so on... The battery life, the lack of OLPF and the red harsh clipping (I did a shoot in Prores, there was a red candle in a shot, ugly...) are the only three real weaknesses of the camera. Otherwise it is unbelievable, especially for the price !
  10. First time I bring my BMPCC4K on a pro set ! I did prep last week and tomorrow we shoot some digital ads for a famous sushi chain. It's a low budget film so the production wanted to use TV's for monitoring. Unfortunately I discovered that the signal sent by Blackmagic can only be read by Pro displays such as my Atomos recorder. I don't know if it has to do with the 10 bit output but it's frustrating to have only the drawbacks of hdmi without its perks (being to be able to plug it to any monitor or tv). Someone here has plugged its blackmagic to a TV successfully ? Maybe HDR TVs can accept the signal, but regular pc monitor and tv's can't. I don't see what I could change in the output settings of the camera that could fix it. Any ideas ?
  11. Hi guys ! Quick question, I just got myself a Fuji X-T3. I noticed that when I gently shake the body (I didn't do it on purpose in the first place), I hear something wobbling inside. I can't remember having that feeling with the previous X-T3 I had the chance to try a few weeks ago. I tried to block the back lcd screen, but it wasn't it. Can you also hear something moving a bit when you shake your camera ? No lens attached, body turned on or off. (maybe I have the first XT series with IBIS, and that's the sensor moving !) And also, what are the shortcomings I should be wary about ? I remember a few members of this forum having quality control issues with theirs, especially @DBounce if I'm not mistaken. Thank you guys !
  12. Here's a little slow mo test I recently shot with the camera for those interested. Also a good test on how to get a vintage look for the ones who miss the old bmpcc feel. The blacks are crushed on purpose obviously ! The original files are clean as a whistle !
  13. I understood it was the opposite. The external files were the defective ones. I know there's the same problem with Sony external recorded files. The luminance range isn't the same (I knew the fix, to go from video range to full range, or the other way around). And there's also a slight shift in color. I've developped my "looks" for h264 files from my Sony's. I just bought the Ninja V (despite Jeromy Young's crazy act ) and I can't get the same skin tones with externally recorded prores files. They are more orangey and weird after applying a rec709 lut to the slog2 footage. I'd like to get the exact same starting point when I record externally. Anyone knows if I can use @Attila Bakos 's LUT ? Maybe you have a fix ? You seem to know much about these issues. Do you know if Sony's color difference between internal/external is the same interpretation problem from the NLE as with Fujis ? Anyway, very interesting video. It's a shame not more people talk about this issue which is big to me (external recording with all these cameras having a shift in color and gamma).
  14. I shot a bit more using braw these last days. I still have mixed feelings for it. I like the shadow roll off better in braw. I always thought the shadows were too crushed in cdng. I also like the choice of color space (don't know why you can't chose rec2020 with cdng for instance...), it gives me better colors, a less aggressiv red especially. But the two main caviats are the possible increase of moire and I recently noticed some minor macro blocking noise. The noise in braw is less pleasant, sadly. And that's a big deal (at least to me), it is what differs raw from compressed codec footage. That's the whole point of having raw. I know, in the end it's not crucial, but still... I think calling braw a raw format is a bit of a stretch. Don't get me wrong, the image is still gorgeous, it is better than any mirrorless camera and I can still add noise/grain in post. I also like the braw control panel. It's such a pity they had to remove cdng, and we can't have both on the same firmware. Also when you shoot with Constant Quality, the estimated time left on the card varies widely from a take to another ! It started with 38 min available. I shot one take, it gave me 56 min ! And then another one, then I got 28 min left ! hehe I'll give braw one more chance before rolling back to firmware 6.1
  15. So I tried a bit of BRAW. I'm not too worried about the very slight loss in sharpness everybody's talkin' about. I actually kind of like the braw management tab in Resolve. The only thing I noticed though, is it seems the footage has more moire than in cdng. And that's a BIG concern, at least to me ! (When will blackmagic finally add an OLPF ? :/ ) Some people talked about the fact that BRAW acted like some kind of low pass filter (just like the PRORES did on the original bmpcc). But it seems to be the opposite. And the superman video Emmanuel linked tends to confirm my first impressions. This only could make me go back to firmware 6.1... The big thing besides gaining disk space with braw is the possibility to choose rec2020 color space. When you use a lut to go back to rec709, you can get rid of these extreme reds, the color are way more natural and pleasing !
  16. So I tried a bit of BRAW. I'm not too worried about the very slight loss in sharpness everybody's talkin' about. I actually kind of like the braw management tab in Resolve. The only thing I noticed though, is it seems the footage has more moire than in cdng. And that's a BIG concern, at least to me ! (When will blackmagic finally add an OLPF ? :/ ) Some people talked about the fact that BRAW acted like some kind of low pass filter (just like the PRORES did on the original bmpcc). But it seems to be the opposite. And the superman video Emmanuel linked tends to confirm my first impressions. This only could make me go back to firmware 6.1...
  17. FS7 does it too and it's a quite popular camera. Don't blame it all on Blackmagic. It might have to do with the frame rates. All Sony mirrorless cameras can't record in Pal and NTSC on the same card. There must be some kind of software limitation. It's like the clips you can't delete. At first you think it's poor ergonomy, and then you discover there are reasons behind it (for safer media for recording in the second case). But i'm no engineer, maybe someone more qualified can chime in and tell us more about it.
  18. How do you lock the auto white balance with the X-T3 ? Nice feature ! and it’s a shame that the natural live view has auto white balance and you can’t preview your custom WB. It defeats the purpose ? but the preview is nice though, so much better than sony’s view assist. And it would be great if it didn’t go away while recording. It seems to be designed more for photography than video. Hearing about allo your QC issues with the X-T3 is worrying ! I guess I had the chance to get a good copy. It’s funny to hear about the flimsy built quality because I used the BMPCC 4K these last days so when I had the X-T3 in hands, I told myself how robust it feels ! It’s all relative ?
  19. Does it ? Because I haven’t found it in the menus. It’d be nice to have a view assist or at least to be able to change quickly from flog to other film simulations to get a better idea of what you shoot ! And although colors and footage are gorgious with this camera, I agree with snowbro, sometimes skin tones look a little bit waxy (the fuji illness...), with not many shades. And thanks for the LUTs, they work great ! Just like the fuji Wide DR lut but without crushing blacks and blowing out highlights !
  20. Thank you guys ! That’s good to know !
  21. Hi guys ! I’m about to buy a Fuji X-T3 and wanted to know if someone tried to record 4K at 400 mbps on a sandisk extreme pro SDXC UHS I 95MB U3. You know, the common ones recommended for sony 4K. I know it’s better to have UHS II cards but since i manage to record Prores HQ 4K on those with my bmpcc4k and i have a ton of those cards, I wanted to know if there’s a possibility my cards would be enough ! Has someone already tried it ? Will fuji prevent me to chose 400mbps in the menu if I don’t put an UHS II card like sony does ? And if so, do you have suggestions for a good cheap UHS II card that would do the job ? Thank you !
  22. I don’t own native lenses. It was with the canon 24-105 and the Viltrox EF-M2. So with an adapter indeed. BTM_Pix seemed to have the same issue with mft glass though ?
  23. The oldest available. 2.3 if i remember correctly. IS is still greyed out but if you turn on IS on the lens, you can hear it work and stop when turned off.
  24. None so far ! Yes, it is almost accepted first BM buyers are like beta testers. But it’s actually quite puzzling. Even though I have sympathy for this brand, it’s not professional to release a camera not finished. It reminds me of my first minutes with my RX100 V. I was only browsing menus and then I had this overheating warning almost right away during my first clip... Shocking !
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