tonysss
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Posts posted by tonysss
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11 hours ago, Oliver Daniel said:
CineD skintones - finding it hard to get it where I want. Looks very odd off the bat. I need to work more on this as V-log isn't always the best profile to use.
Yes, I see it anyway , I no longer use cineD ,
My current setting for Run and go , without others complicated adjustments , with perfect skin tone:
Profile 709L , 0,-5,-5,-2 , luminance level 16-235 , Master Pedestal Level +5 , White balance AWB (A5,M1)
exposure 0 , zebra 95 %
last jobs is 709L , I bought yesterday V-log ,not yet tested...
My channel VIMEO: VIMEO , (https://vimeo.com/user9259559)
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gx85 to gh5?
In: Cameras
I have them both and I need both of them :-) GH5 Sigma 18-35 Gimbal + on a neck GX80 with Pan 42,5 f1.7 best combo !
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I Also, It's great and I love it... For the money, there is no better machine
GH5 has no limitations :-)
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7 hours ago, Thpriest said:
Ok. How do I adjust the exposure compensation? I've looked in the menus and I'm lost!
Press the rear upper wheel roller ,
Too, I did not know it was going to press :-)
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(GX80) When I record by HDMI to BM monitor assist 5 ", there is much more noise than the internal recording GX80 , something is wrong there :-(
(noise reduction -5)
GH5 has HDMI output is absolutely clean !
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17 hours ago, Jonesy Jones said:
Here's a before and after still from my GH5 last night.
What profile is used? V-log ?
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On 24. 6. 2017 at 7:58 AM, Orangenz said:
As Andrew as pointed out, calling this 360fps is incorrect.
Some further clarification: If 180 frames are recorded then 180 can be played back. If conformed to a 50p timeline you will get a slow down of 3.6 times. If conformed to a 25p timeline you will get a 7.2 times slowdown. You can only get more frames than 180 in this case if you either copy frames (which means it does not get visually slower) or create frames where the new frames are interpolated by particle vector mapping and the like (optical flow in premiere).
So using 50p to record is probably a waste of time and the title is incorrect.
To get 14x slowdown; record 180fps at 25p with a fast shutter (90 degrees?). In premiere right click clip on timeline and adjust the speed to 50% and make sure optical flow is enabled on render. The less motion blur the better for this effect I think.
Nice rain drops!
Yes, you are right
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1 hour ago, rainless said:
http://www.eoshd.com/comments/profile/42019-tonysss/
Would've been nice if you could've fit a guy running through the fields with a chainsaw in there...
next time :-)
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"Hackine D" today test on GX80 and Pany 20mm 1.7 , 1080/50p
By mistake Sharpness is set "0" :-( And it can be seen , I always set up for panasonic sharpness -5
- Devin Bunn, ted ramasola, BTM_Pix and 4 others
- 7
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1 hour ago, tonysss said:
My current setting GH5 :
Cine D 0,-5,-5,-5, 0
iDynamic : standard
WB : Auto A:5 M:4
and luminance levels 16-235
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According to my experience, with (GH4, G80, GX80, GH5) Expose maximum to 0 ,but mostly better slightly negative, If even slightly overexposed the colors disappear and the predominant yellow (waxy skin) , and mainly in combination with negative contrast !
In this test it is clearly visible, exposure +1 and red from the skin is out !
http://www.thehurlblog.com/panasonic-lumix-dmc-gh4-vlog-l-latitude-test-cinematography-education/
my exposure Zebra max. 90% in skin
My current setting GH5 :
Cine D 0,-5,-5,-5, 0
iDynamic : standard
WB : Auto A:5 M:4
and 0 and mostly slightly negative exposure.
Panasonic and ETTR It does not fit me, sorry...
Before that I had the Sony, and that ETTR was ideal. (a6000, a5100, A7S , a6300)
- Fredrik Lyhne, TwoScoops and ntblowz
- 3
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On 10. 6. 2017 at 5:04 PM, ibd said:
From what I have seen, the region can be switched only when turning OFF the 4k30p hack. This is when the user is presented with a menu that let's them choose one of four options. I have a European GX80, at least that was the case for me. Did you mean that you can't switch the region at all, or that you can't switch to the Australian one?
Can not to go to initional settings, If before I'm not in service mode.
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6 hours ago, BTM_Pix said:
And you switched the camera to Australian region too?
at initial setting, offers only E (Europe) region :-( it is GX80 Europe version, switch to Australian region is not possible :-(
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10 hours ago, BTM_Pix said:
Octopus boot up mode and change to Australian region should be your friend for that
Switch to service mode (PAL-NTSC) with an exclamation point icon on shutdown. It does not work for me, still 29:59 limitation
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4 hours ago, jase said:
CinelikeD with 0/-5/-5/-5.
Thank you
I want hack, stupid record time limitations for Europe (29:59) Please :-)
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57 minutes ago, jase said:
What's your favorite setting ?
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Here it is used on GX80 cinelike D, GH5 (12-35) - wide angle, slow motion (cinelike D) , GX80 - Longer lens (pan 42.5 1,7 ) cinelike D
GX80 shot - 0:34 , 1:16 , 1:43 , 1:46 , 1:59 , 2:11 , 2:13 , 2:16 , 2:21 , 2:42 , 2:44 , 2:45 , 3:15 , 3:17 , 3:19 , 3:23 , 4:32 , 4:44
all shot on GX80 is handheld ,one hand, the other hand holds the gimbal with GH5 :-)
- ted ramasola, jonpais, BTM_Pix and 1 other
- 4
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19 minutes ago, Orangenz said:
I really like the colour from Natural, but I think it is for low contrast situations and has less dynamic range and lower saturation than other profiles. Reduced luminance will make high contrast situations worse for natural. Master Pedestal is for matching different cameras. Changing it will also reduce your available dynamic range. Reducing saturation in natural profile is not ideal.
As @hyalinejim suggests the Leeming Lut One for Cine-D gives you a starting point for any grade or tweaks that is really solid. It also fixes the black and shadow areas without touching the masterped.
Three questions would be
how do you do white balance (auto is ok)
are you using a calibrated monitor - eg. spyder5
and how do you play back files (in browser, vlc, other players) and if you take a tiff frame export from your timeline does it look the same as what you see in the video viewers.
i have Mac Retina, FCPX, and camera mostly Auto WB.
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13 hours ago, hyalinejim said:
Maybe you could consider purchasing Leeming Lut One for Cine-D? It will give you accurate colours straight out of the box.
By using A:6 you're pushing all hues to orange. But the relationship between them will still be just as skewed. Leeming's luts will reallocate the spread of hues and saturation to match a standard Colorchecker.
It should solve the green skin problem.
Leemig Lut One, I bought it a few weeks ago :-) and the picture is dark! And the fact that GH5 is set to a higher exposure (Leeming requires it) Then are wrong with Panasonic skin tones !
Yes, But the GH5 has a completely different sensor like the G80, believe me, I also had the G80And my GX80 has better skin color as GH5 :-) And cinelike D on GH5 makes radioactive green and the picture is yellow! And dynamic range is not growing, only iDynamic "secretly" turns on, I think.
Cinelike D (GH5) I think, does nothing but lightly pull down the highlights, and pull up shadows using iDynamic. Important for GH5 is Luminance level 16-235, the all dynamic range of the sensor , is squeeze them values 16-235 ! With this setting I have the greatest dynamic range and real skin tones. I have G80 and GX80 and GH5. Pan G80 and gx80 is the same , but GH5 is different. Sensor and processing.
I'm probably going to buy Canon :-)) Or try V-log
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5 hours ago, jonpais said:
Where did your file disappear to? i was just about to download it...
I shooting something publishable with this setting, I'll send a link
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Highlight/Shadow -1/0
Master Pedestal +5
i.dynamic - standard
i.resolution - OFF
Luminance level 16-235
Photo style: NATURAL 0,-5,-5,-2,0
And important - AWB adjust. A:6 !!!
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Then I just add saturation in FCPX, (bigger saturation in GH5 is not so natural)
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26 minutes ago, jonpais said:
Share some clips when you have a moment?
If you use a corrective LUT, you can restore the proper color balance and take advantage of the extra dynamic range if you don't need V/Log.
I want to have the best colors directly from the camera, and I then lightly corrected with LUT.
In today's fast time I have to give my client a job right now and do not tune colors for 3 weeks :-)
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Just now, Davey said:
Isn't Master Pedestal the one thing that nobody really understood and roundly advised not to change when the GH4 came out?
What does it do?
Black becomes grayer :-) Better look for me
An adventure into the Panasonic GX85/80 begins - and a look at the Leica Nocticron for Micro Four Thirds
In: Cameras
Posted
:-) my wedding "combo" GH5 Sigma 18-35 and spot shoot GX80 - Pan 42,5 f1.7