omega1978

Thanks,
i have allways DIS on when i work handheld.
the entire video was shot in this mode(only the pan is on tripod), the downside is when you go to near to an object,
you have a similiar effect that make the warp stabilizer(distortion on the second layer if have small Dof).
But all in all is a nice combo with this lens i love it  
When maybe a hack make possible to shot 4k50p on this cam, that where a dream !

the RS in 4k without DIS is extrem for handheld.
manual focus is fly by wire and very long.the touch focus is more intuitiv, also for focus pulls...

https://vimeo.com/189667893
 

From testing on Photokina AF tracking loose very fast subject and transition was very harsh on 12-120

From testing on Photokina AF tracking loose very fast subject and transition was very harsh on 12-120

i have had in hand the em1 II yesterday on Photokina with the 12-100.stabilization is impressiv even on 100 mm.the AF with face detection works strange with very harsh transition

hey guys, please find below my first serious attempt of shooting with samsung nx1. It's just a travel film but i wanted to be more like a manifesto for the people in Nepal that stood straight before a cruel fate. Did my best to put the edit together and to grade the footage the way i saw it. Comments are much welcome :
 

under costum foto profil sharpness -10, contrast -5. levels 16-235 and i check the zebra to avoid clipping highlights.
in post apply a rec709 lut 

https://vimeo.com/179306887
NX1 -16-50S vasile 5.01 140mb, 4K 25p mixed with 1080-50/100p,only first scene on tripod, rest handheld, still a small amount of banding, maybe from variable ND.

Here is the most recent video I shot:
 
Shot mostly with the Rokinnon 35mm 1.4 lens.  Still using @ricardo_sousa11 video settings.  Tried some additional things this time, like sharpening and film grain.
 

Pw: Omega
This time i have tested to export 4k/25p footage direct from cinelight to prores lt with add saturation and denoise.after i grade it in CC with S-curve and basic adjust.export in h265. noise level is way better and the colors seems correct.
What do you think about?

under costum foto profil sharpness -10, contrast -5. levels 16-235 and i check the zebra to avoid clipping highlights.
in post apply a rec709 lut 

Cant wait to see what you are referring to in my quote

Thank you, i like colours there are near reality.
With normal gamma i find the NX1 has the best colour rendition(only DR is limited).
All scene are with DIS, only 3-4 inital are on tripod..
If you have an object very near you can notice DIS very well(same as warp stabilizer) in a bad way...
 

Thank you, i like colours there are near reality.
With normal gamma i find the NX1 has the best colour rendition(only DR is limited).
All scene are with DIS, only 3-4 inital are on tripod..
If you have an object very near you can notice DIS very well(same as warp stabilizer) in a bad way...
 

https://vimeo.com/179306887
NX1 -16-50S vasile 5.01 140mb, 4K 25p mixed with 1080-50/100p,only first scene on tripod, rest handheld, still a small amount of banding, maybe from variable ND.

https://vimeo.com/179306887
NX1 -16-50S vasile 5.01 140mb, 4K 25p mixed with 1080-50/100p,only first scene on tripod, rest handheld, still a small amount of banding, maybe from variable ND.

in premiere CC with the new lumetri is simple.
click on the color you will remove, expand the amount and then desatured this color.

My workflow is to export premiere compatible cinema dng from cinelight, cut the proxys in CC and replace it with the RAW footage.it works very well 
pw: omega

Samsung NX1 16-50S Hack: Vasile 5.01 150mps Normal Gamma, Costum profil, Premiere CC with R709 LUT, Filmconvert Grain 50%

Finally, It was long and painful but I made it after 2 years of work. Here is my Miami video. Enjoy


Unlike cities such as New York, Paris or Dubai, no one ever did a real hyperlapse video of Miami so I had to fix this.

I started this project 2 years ago with hyperlapse experimentation. My first attempts were very bad and most sequence went to the trash bin. It took me a while to capture the hyperlapse sequence correctly (must be very very accurate) and then do the post-stabiliation frame by frame.
Hyperlapse is very time consuming. In average, one second of video takes 1 or 2 hours of work and I don't even count the failed attempts (either I fucked up, light was wrong or something/someone messed with my sequence on site).


Techniques:

The video is 75% hyperlapse, 5% timelapse and 20% drone and aerial (rented plane and helicopter). I had a massive volume of video and photo (RAW of course) and I only used the tip of the iceberg.
I failed many times during my learning process but I now master the most complex type of sequence such as HDR Hyperlapse of Holy Grail Hyperlapse.


Gears and software:

Here is what I used:

► Hardware:
- DJI Phantom 3 Pro with Mars Lite & Mayday Board
- TBS Discovery Pro with custom GoPro 4 lens
- Polar Pro Filters
- Dynamic Perception Stage One & Stage R with NMX controller
- Panasonic GH4, Lumix 12-35 f/2.8, Canon FD 50mm f/1.4 and custom made gimbal (Alexmos)
- Canon 6D, Samyang 14mm f/2.8, Sigma 24 & 35mm f/1.4 Art, Canon EF 50 f/1.4, Canon EF 24-105mm f/4L,
- Cessna 172 & Bell-206

► Software:
- Adobe Premiere & After Effects
- Adobe Lightroom
- LRTimelapse 4
- SNS-HDR Pro


How many pictures ?

Honestly I have no idea of the number of pictures taken and I find this point completely irrelevant. The number of shots and TB of hard drive is not a good metric and does not give any indication regarding the quality of the final video.
What I can tell is that I finally achieved a good ratio of shooting attempts / keeper sequence. When I started hyperlapse I had to discard 80% of my sequence, now I can keep 70-80% of my clips.
I also have a lot of unused sequence that I shot but didn't make it to the final video. I prefer to squeeze the best out of my project and not fall into the trap of "clips stacking" for the sake of it. This video is already long with its 4 minutes duration.


Aerial Shots & Safety

I used a DJI Phantom 3 Pro for the aerial shots along with a TBS Discovery Pro fitted with a GoPro 4 black. I modded the lens in order to get a longer focal. Some shots were taken from airplane (C-172) and I also rented a Helicopter (Bell-206).
In terms of safety, the drone shots were line of sight only and below 400 feet following the AMA & FAA guidlines. 90% of the drone flight occurred over the water even if it's not visible because of the framing. For the remaining 10%, I flew over parks and empty area with the Phantom. I follow a precise scouting of the place before each flight and perform a thorough checklist.
And because shit happens, I also installed a Mars Lite parachute with a North UAV Mayday board (special thanks to Kyle) on the Phantom in order to prevent any damage/injury is something goes wrong.
Last, I had to notify the airport manager in some places before my flights and I stayed away from Class B airspace of Miami (I couldn't get clearance despite my request).

Special Thanks and Credits:

► Intro & Opening tittle by michaelcparadise.com/

► Music: Daft Punk - Derezzed (The Glitch Mob Remix)
theglitchmob.com/
facebook.com/theglitchmobmusic
instagram.com/theglitchmob/
twitter.com/theglitchmob
soundcloud.com/theglitchmob

► Special thanks:
It would be hard to detail the list of all the people involved in this video but here are the main one who inspired or helped me to make this project: Artem Pryadko / Zweizwei, Aaron Priest, Dimid, Gunther creator of LRTimelapse, Jeff Colhoun, Jay Burlage & Dynamic Perception, Marco from Timelapse Network, Team BlackSheep, Aufmschlau, b-zOOmi, Keith Loutit, Dustin Farrell, Rob Whitworth, Dominic Boudreault, Michelle, Guille, Mariana, etc.

You can also follow me at:
facebook.com/Oliver-KMIA-1622032868057530
instagram.com/oliverkmia/
twitter.com/OliverKMIA
Some behind the scene photo




 

Samsung NX1 16-50S Hack: Vasile 5.01 150mps Normal Gamma, Costum profil, Premiere CC with R709 LUT, Filmconvert Grain 50%

Samsung NX1 16-50S Hack: Vasile 5.01 150mps Normal Gamma, Costum profil, Premiere CC with R709 LUT, Filmconvert Grain 50%

Samsung NX1 16-50S Hack: Vasile 5.01 150mps Normal Gamma, Costum profil, Premiere CC with R709 LUT, Filmconvert Grain 50%

Samsung NX1 16-50S Hack: Vasile 5.01 150mps Normal Gamma, Costum profil, Premiere CC with R709 LUT, Filmconvert Grain 50%