Django

Funny.. I just bought a 5DIII (there are crazy good deals on it right now) although mainly for stills and as B-cam to my recently acquired C100 DPAF. I just love the L glass.. and Canon skin tones. Ergonomics, doesn't get much better then EOS Cxx. A7S2 is seriously good but for it's price i've got a problem with the consumer-y body, horrible menu/ergonomics and battery life. and yeah S-log3 at 8-bit doesn't really cut it in post.. I'd wait a month or two until 5D4 gets announced if you wanna remain DSLR.. especially if you're invested in Canon glass..

Agreed.. something really weird about the motion. Will have to wait for real life tests to get a proper idea. Right now it's looking way too 'video'.
Also am I the only one to find Fuji film simulations a bit over rated? Never been a fan of heavy baked in looks.
It is an interesting concept, at least for still photography but the film simulations have nothing a proper LUT would give you imo.
No IBIS, External F-log, Rolling shutter issues, limited/expensive native lens ... meh.. It sounds to me like Fuji is just jumping on the filmmaker bandwagon, but do they really have the chops? I guess it's still nice Sony finds itself a competitor..
Hopefully a real non-sponsored test will give the full breakdown, I certainly won't be the beta tester for yet another compromised new hybrid system.. hyped up solely on the premise of 4K and some "cool" retro picture profiles..

Agreed.. something really weird about the motion. Will have to wait for real life tests to get a proper idea. Right now it's looking way too 'video'.
Also am I the only one to find Fuji film simulations a bit over rated? Never been a fan of heavy baked in looks.
It is an interesting concept, at least for still photography but the film simulations have nothing a proper LUT would give you imo.
No IBIS, External F-log, Rolling shutter issues, limited/expensive native lens ... meh.. It sounds to me like Fuji is just jumping on the filmmaker bandwagon, but do they really have the chops? I guess it's still nice Sony finds itself a competitor..
Hopefully a real non-sponsored test will give the full breakdown, I certainly won't be the beta tester for yet another compromised new hybrid system.. hyped up solely on the premise of 4K and some "cool" retro picture profiles..

i just bought one few weeks ago ( c100 mk1 + DPAF) and i think it's a great value camera, definitely step above DSLR/mirrorless. DPAF especially a game changer for me. now VS the MK2, do you get a ton more no, but better ergonomics with c300 evf, full swivel screen, better codec options, 60fps, higher ISO range.. small improvements but that make it pretty much perfect..
with the previous pricing, C100 with DPAF was a better deal but now with less then a grand price difference, i'd maybe go with the mk2.. YMMV

I always heard people moaning over EOS C line prices.. and when Canon do a massive price cut... people complain again lol.. but really it's no shocker.. C300 mkII being quite overpriced and C100 mkII  due with an update soon that will surely include 4K (just like the rest of the rumoured 2016/17 pro DSLR range specs) . It's just Canon reacting to the market.. if 4K isn't a priority though i'd jump on the C100 mk2 deal, it's a pretty awesome camera..

I played with one last week... man that rolling shutter has got to be the worst case ever.. i was getting all kinds of jello on slow movements! and i'm not even one to complain about rolling shutter in general.. along with the overheating this camera is imo borderline defective / unusable for most applications it seems geared towards. yeah it's got 4k, good AF & s-log but kinda worthless considering the other issues. i mean what's the point of such a portable camera if it only handles static shots on sticks?! should have at least included IBIS to perhaps reduce the jello or something. i'm dumbfounded by this unit. 
@Grégory LEROY : oublie l'A6300 pour ce que tu fais.. d'ailleurs c'est quoi au juste?! rassure moi, ce sont de vrais militaires??! pas l'air très safe ton truc.. 

There is no doubt FS7 is a superior camera and this is coming from a new C100 owner.. aside for 3 things: color science, ergonomics & autofocus. i suspect the later is why it's being used in above situation. I just shot a run&gun event this week-end with a busy crowd and had to hold the camera above eye level similarly to the screen capture above, well dual pixel AF made the shooting effortless where i suspect i'd be struggling with just about any other cam/DSLR..

^ doubt it's a regional thing.. for example the Full Sail University (FL) tech package consists of an FS5. if you're producing 4K (which most TV productions aren't) then FS5/FS7 really is the only place to go within the under $8K run&gun/doc/ENG cameras. they're definitely out in the wild, NYC homie shot this on a FS7 couple weeks ago:
 

^ doubt it's a regional thing.. for example the Full Sail University (FL) tech package consists of an FS5. if you're producing 4K (which most TV productions aren't) then FS5/FS7 really is the only place to go within the under $8K run&gun/doc/ENG cameras. they're definitely out in the wild, NYC homie shot this on a FS7 couple weeks ago:
 

well i guess i'm fucked cuz i just bought that c100 today! seriously though i can tell you none of my clients have yet required 4K and i've got some pretty damn big clients on the corporate side (i'm not in the US though). and i doubt i'm the only one left delivering 1080p in 2016. in 6 months or a year things could be different. my mate has an A7S2 and has only yet delivered 1080p with it. if i need 4k tomorrow i can borrow or rent whatever 4K camera the budget allows. as for Ursa Mini 4.6K, did you read my previous post? cuz i state quite clearly it's the best IQ for the money. but a rigged up UM 4.6K will run you $7-8K minimum, has a native iso of 800, no ND's etc... and that's without counting the magenta issue plaguing 99% of the units out there. weight wise, i'm sorry but with the EVF, handle and V-mount battery it weighs a ton and would be super impractical for a wedding type event..  i got the C100 for run & gun. stripped down it's friggin tiny yet offers NDs, waveform assist etc..  got it for dirt cheap too so i couldn't pass on the deal (basically the price of a nice lens) at some random camera store that had no clue about video stuff.. they didn't even realise it had dual pix upgrade. i'm not oblivious to the fact i'll probably outgrow it sooner then later, just didn't wanna drop loads at this point on gear i'm not 100% feeling (i.e current Sony / BM products). that's just my opinion though, to each their own...

I'm also looking to upgrade from the D750, which indeed has nice colors & DR but is soft (a la 5D III) and can't be pushed much in post. i tried the ursa mini 4.6k (which btw is useable up until 1600, it's the regular 4K that has base iso 400) and has by far the best image for the asking price. 4K 10-bit internal Raw/Prores recording with 15 DR stops gives you a crazy good image that's super flexible in post. BUT the camera weighs a ton once it's rigged up with just handle, v-mount battery, evf. no ND filters and those CF2 cards cost a leg. It's really a RED/ARRI type cine camera, not meant for small crew run&gun.. The C100II is i find way overpriced for essentially a 2012 cam with added dual pixel AF. the image it spits out is nice and sharp but that 24meg AVCHD codec is weak and of course no 4K. The best investment today for run&gun video imo is the A7S2 / FS5 & 1DX2. But in september it could be different since Canon should be announcing the 5D4 and hopefully C100 III (with 4K). Sony is also rumored to come out with the A9 and perhaps A7R3. These new Sony's would have equivalent or better dual pixel AF (which i feel is the current/next big thing to have in video). So if you can wait it out, there should be some interesting products coming out by the end of this year..

I'm also looking to upgrade from the D750, which indeed has nice colors & DR but is soft (a la 5D III) and can't be pushed much in post. i tried the ursa mini 4.6k (which btw is useable up until 1600, it's the regular 4K that has base iso 400) and has by far the best image for the asking price. 4K 10-bit internal Raw/Prores recording with 15 DR stops gives you a crazy good image that's super flexible in post. BUT the camera weighs a ton once it's rigged up with just handle, v-mount battery, evf. no ND filters and those CF2 cards cost a leg. It's really a RED/ARRI type cine camera, not meant for small crew run&gun.. The C100II is i find way overpriced for essentially a 2012 cam with added dual pixel AF. the image it spits out is nice and sharp but that 24meg AVCHD codec is weak and of course no 4K. The best investment today for run&gun video imo is the A7S2 / FS5 & 1DX2. But in september it could be different since Canon should be announcing the 5D4 and hopefully C100 III (with 4K). Sony is also rumored to come out with the A9 and perhaps A7R3. These new Sony's would have equivalent or better dual pixel AF (which i feel is the current/next big thing to have in video). So if you can wait it out, there should be some interesting products coming out by the end of this year..

It's funny I've had the opposite reaction towards this camera. Thought it was interesting on paper (4K, 422, decent codec & canon log under $2K had me sold) but in actual use it was a huge let down. Number one issue the lens and specifically the unusable focus ring. I see MF listed in the cons of the review but it can't be stressed enough how shitty it is. It seems Andrew may overcome this issue because he considers the AF to be ace but it isn't DPAF good either imo, and goofy MF is a deal breaker for me. I was also far from blown away by the IQ, but this type of lens just isn't my cup of tea I'm afraid.. 

It's funny I've had the opposite reaction towards this camera. Thought it was interesting on paper (4K, 422, decent codec & canon log under $2K had me sold) but in actual use it was a huge let down. Number one issue the lens and specifically the unusable focus ring. I see MF listed in the cons of the review but it can't be stressed enough how shitty it is. It seems Andrew may overcome this issue because he considers the AF to be ace but it isn't DPAF good either imo, and goofy MF is a deal breaker for me. I was also far from blown away by the IQ, but this type of lens just isn't my cup of tea I'm afraid.. 

UM has a faster processor allowing higher FPS, more codecs and the new OS which will be a game changer for BM cams.. hence i'd strongly suggest UM over BMPC4K. 

Just saw this video from Dugdale and thought the conclusions were interesting: 
https://youtu.be/rz_ZjdwtUQ8
I'm in the market for a new camera atm but is the FS5 really worth almost double the price of A7 Sii/Rii considering these findings?

Relax.. never said you had a problem with any religious group.. I was just explaining to you why they close and it's a valid reason considering they're background, hence I don't understand why it should even be brought up as an issue (especially since you seem well aware of it). As i suspected it appears you goofed and are blaming them for getting what you consider late shipping.. anyways B&H / online purchasing is certainly not flawless but i feel this rant is a bit unwarranted.. feel free to disagree.. i'm out of this thread

Relax.. never said you had a problem with any religious group.. I was just explaining to you why they close and it's a valid reason considering they're background, hence I don't understand why it should even be brought up as an issue (especially since you seem well aware of it). As i suspected it appears you goofed and are blaming them for getting what you consider late shipping.. anyways B&H / online purchasing is certainly not flawless but i feel this rant is a bit unwarranted.. feel free to disagree.. i'm out of this thread

LOL i take it OP's never been to the brick & mortar store .. FYI, the staff isn't regular type Jewish.. they're mega orthodox Hasidic (basically Amish level Jewish). Staff actually live in a reserve in NJ and have a special bus bring them into work every AM! May come as a surprise to many but strict Jewish observances is fairly common among NYC businesses.. The upside I guess is they remain open on Christian holidays. Regardless ton of other super stores out there, if this causes such grievance. Not sure about the moderation part either , the URSA mini reviews totally rip it to parts calling it horrible, flawed, etc.. if anything i'd say it's a good place to go if not just for the honest user gear reviews!

LOL i take it OP's never been to the brick & mortar store .. FYI, the staff isn't regular type Jewish.. they're mega orthodox Hasidic (basically Amish level Jewish). Staff actually live in a reserve in NJ and have a special bus bring them into work every AM! May come as a surprise to many but strict Jewish observances is fairly common among NYC businesses.. The upside I guess is they remain open on Christian holidays. Regardless ton of other super stores out there, if this causes such grievance. Not sure about the moderation part either , the URSA mini reviews totally rip it to parts calling it horrible, flawed, etc.. if anything i'd say it's a good place to go if not just for the honest user gear reviews!