Rinad Amir

Stop changing words and post your work like everyone requested here.

We are here to share and learn...But lately i see just complete bullshit from fake users that claim their pro colorist with their science 
Post your work and talk.

We are here to share and learn...But lately i see just complete bullshit from fake users that claim their pro colorist with their science 
Post your work and talk.

We are here to share and learn...But lately i see just complete bullshit from fake users that claim their pro colorist with their science 
Post your work and talk.

You must have some proof of your client work no? Vimeo reel 

Show us your work please so we can learn from you.

You must have some proof of your client work no? Vimeo reel 

You must have some proof of your client work no? Vimeo reel 

I am starting to think that as well. As @Super8 is ignoring my questions and completely missing the point 

That is the Ursa Mini 4.6k, completely different sensor from the Pocket 6k.

Its a little hard to take you seriously when you say the Sony Venice looks like its colors are painted on. You aren't just arguing against people online when you say that, you are saying the people who engineered it must have had no idea what they are doing as well as the productions that use it. 
 


 

Ive used Nice709 alot 
Even wirh 1dx miii works like charm

Never said that isn't the goal. 
But what is "best", how do you judge that? How do you assign a number to this, or is it just your subjective opinion?? (and is "best" a universal truth that is always true under all conditions? Or does the truth of what is "best" vary from project to project?)

Yes, I'm sure if every production could shoot on an ARRI then they would! But often there are budget/time/workflow considerations which prevent that. 

How then do you determine which out of say Panasonic Varicam LT vs Sony FX9 has "best"? How do you determine which out of Panasonic S1H vs Kinefinity Terra 6K has "best"?
 

Yeah, as far as the prebuilt luts, the Nice709 is probably my favorite.
In fact, the other LUTs in that varicam lut library are basically unusable, IMHO. I don't know, though. Maybe someone smarter than me can put them to good use (and there are lots of people out there smarter than me. just ask my wife.)

Ive used Nice709 alot 
Even wirh 1dx miii works like charm

https://na.panasonic.com/us/panasonic-cinema-cameras/varicam-lut-library

Nikon 1 V1 (but only for half a second).    Does that count?

How can you use viewfinder while the mirror is locked up during recording. 

No i cant use viewfinder in liveview its off .
What reaserch you talking about? It works in 24p 4k but it doesnt work in 60p 4k its clearly bug! the ninja v worked flawlessly with my old gh5 gh5s s1h so its clearly not atomos here.
 

Cinematographer Griffin Conway  also mention this issue... id suggest you email Canon support.

Yes i had S1h for about 6months before i sold it for 1dxmiii.
S1h with ninja v 

Totaly agree S1H Dr crushes even 1dx miii and for some reasons i prefear colours of S1H .

Totaly agree S1H Dr crushes even 1dx miii and for some reasons i prefear colours of S1H .

Colour is subjective (I actually prefer Panasonic colour science since EVA, S1 etc), the rest of these you're just guessing, IBIS and DR of the S1, SH1 are going to be hard to beat.
Hope you're right as progress benefits all of us but your Canon love in and trashing of the BM Pocket is a little OTT

No there he can land easily...
In this one we manage to take 3 attempts before he missed and he was in the lake😂