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Posts posted by buggz
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Now, for more GFX speedboosters, please.
7 hours ago, Andrew Reid said:Finally!!
Let's hope the AF is as good as the Fringer EF adapter is.
Yeah, my Fringer works good. I have the first version BTW...
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Hi Andrew,
If you couldn't tell I'm an old stills shooter.
I have soo many different systems, it's crazy, I don't sell or trade, I just keep buying, shrug.Anywho I really need to revisit these, as I haven't used my GFX50R in several months now.
Earlier this year, got a great deal on a super low shot count Mamiya DM33 digital back and plate for my Mamiya RZ67.
Been really diggin' that setup.
Then I figured, I already have these M645 lenses, might as well get an M645 body to go with the digital back and lenses, no?
So I have been using my Phase One DF+ and Mamiya DM33 digital back for several months now.Oh, and I got into video for my niece and family events, for me starting with the Panasonic GH4.
My niece now uses that body, as I got the GH5 when released, and still use it today.I really have enjoyed learning all of the video stuff.
Especially from helpful people here on EOSHD, I have learned a LOT, and still learning.Thanks to everyone here!
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Just for information, not showing off, hopefully someone will find it useful?
My brief run through of my old lenses on my GXF 50R, like discovering old lost treasure.
I have tried my manual Mamiya 645 lenses on my GFX 50R via Mirex Tilt/Shift EF/M645 adapter, then another adapter for EF/GFX.
Yes, a round about way, but it seems to works okay. I may get a simpler adapter in the future?
- 120/4 macro works great.
- 35/3.5 N works great. The 35/3.5 N focuses pretty dang close.
- 80/1.9 N works great.
- 55/2.8 N works great.
- 145/4 Soft Focus works great.Quick test of Contax Yashica Ziess lens with a Canon EOS-EF adapter.via the TechArt Pro EF-GFX adapter,
- 35/1.4 CYZ - very slight soft vignette,
this lens is also amazing close focus on the 50R.
I see this one is going to be another rediscovered treasure gem.
Sure to be used often.
- 35-70/3.4 Macro CYZ - Starts vignetting anything lower than 50mm.
Progresses to total tunnel vision super hard at 35mm.
However in macro mode, NO vignette, amazing, also amazing close focus in macro mode.
- 100/2 CYZ - non macro model - imperceptible vignette, if any?M mount lenses:
- Voigtlander Heliar 75mm f/1.8
works good, just some slight vignetting and dark corners that should be easily corrected.
- Voigtlander Nokton Classic 40mm f/1.4 SC
hard vignette in the corners, not much soft vignette, still usable.
- Canon RF 50mm/0.95 converted to M mount, forgot the vignette.Via Fotodiox Minolta (SR/MC/MD) mount adapter.
A quick test shows all my lenses are vignetting almost exactly the same.
That's kinda strange, but cool, I'll take it!
Not too bad, but definitely visible.- MC W Rokkor-X 28/2
- Zoom 35-70/3.5
- MD Rokkor-X 45/2
- MC Rokkor-PF 58/1.4
- MC Rokkor-PG 58/1.2
- MC Rokkor-PF 85/1.7
- MC Tele Rokkor-PF 100/2
- Minolta MC W Rokkor-HH 35/1.8 in Minolta SR mount, it vignettes the same as rest, slight, but noticeable.II have two more adapted to Canon EOS-EF mount.
28/2
85/1.7The Minolta EOS-EF mounted lenses seem to vignette slightly less than the native Minolta SR mount via Forodiox GFX adapter.
Oh, and the Minolta 28/2 is super close focusing, I had forgotten about this.
All of these works great.Canon FD/FL mounts, Fotodiox FD/GFX adapter...
- FL 55/1.2 - heavier vignette than the Minoltas, which were slight but noticeable,
still should be easily corrected.
- FD 85/2.8 SF - slight vignette, similar to the Minoltas, maybe a touch more?
- FD 500/4.5L - similar to the vignette of the FL 55 above.- Konica Hexanon 57/1.2
Using the GFX - LM adapter, then an LM - AR adapter.
It seems to vignette more than the Minoltas, similar to the Canon FD 55/1.2Canon EOS/EF AF lenses via Techart adapter.
- 50mm/1.0 AF works, I have forgotten what the vignette was ..
- 200mm/1.8 AF works, very slight vignette, I have forgotten?- Contax N 85/1.4 converted to EOS/EF mount, via Techart adapter, AF did *NOT* work, but manual focus works, can't remember vignette.
- Faithfully submitted, Douglas C. Niedermeyer...
- Juank, heart0less and Andrew Reid
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Just for information:
I have used my manual Mamiya 645 manual focus lenses on my GFX 50R many times, via Mirex Tilt/Shift EF/M645 adapter, then another adapter for EF/GFX.
Yes, a round about way, but it seems to works okay. I may get a simpler adapter in the future?
- 120/4 macro works great.
- 35/3.5 N works great. The 35/3.5 N focuses pretty dang close.
- 80/1.9 N works great.
- 55/2.8 N works great.
- 145/4 Soft Focus works great.Wished I could afford a GFX100, but being a simple hobbyist, makes it hard...
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That ban crap is crazy.
Though, the medium format forum have civil people in it...
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Andrew,
Wow, I was going to reply to a thread on dpreview linking this thread for them to read, however they ban EOSHD links?
I was actually trying to help them, however if they want to continue such highbrow stupidity...:
My censored reply to a lot of confused dpreview thread entries below:
>>> Re: GFX 100 may become a monster video camera ....
FYI...
Wow, this website bans EOSHD URL listing.
Stupid and lame...There are a lot more GFX 100 threads in the EOSHD forum.
I have actually learned a lot from the EOSHD site, as for the past many years shooting videos of my families life events.
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22 minutes ago, Andrew Reid said:
The other thing I like about the Sigma 17-70mm F2.8-4 is the overall rendering. It is pretty spectacular for such an affordable zoom. Really nice bokeh and focus roll off. Amazing resolution and contrast in the middle.
I have both the old and new versions of this lens... will see what the difference is.
I would be interested in this outcome, thanks!
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Wow, really cool!
Only thing I have close to MF video is my Fuji GFX50R, which isn't that great for movies.
Though, I have not actually used it for movies.
Wonder how it would upscale with the Topaz Video app... ? -
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15 hours ago, Andrew Reid said:
Thanks Paul
I would like to try the Mitakon 65mm F1.4 on medium format, probably has unique look as well. That lens is £600 and probably worth a look for GFX owners.
Hi Andrew,
BTW, there is a Mitakon 85mm F1.2, and I think is available also in GFX mount.
Not much info about it, reviews, etc.
I always wanted to try one on my GFX 50R, never got to it....
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Cool, I've only used mine in stills. Mine is converted to LM mount.
I don't have any FF movie body options that would take this mount, as I don't count my GFX 50R movie capable, never tried it...
Though, I STILL love my GH5 for the opengate anamorphic mode!
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I am still using the following method, I think I got this information from dvxuser forum:
"You can use HLG natively with Resolve for Rec 709 delivery:
- In Project Settings, under Color Management, Change to Davinci Color Managed
- Under Color Management select:
-- Rec 2020 HLG ARIB STD-B67 for Input Color Space
-- Rec 2020 HLG ARIB STD-B67 for Timeline Color Space
-- Rec 709 HLG ARIB STD-B67 for Output Color Space" -
You can't save these?
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13 hours ago, IronFilm said:
The vaccine will be affordable for all? Good news!
This.
I seriously doubt the common person will be able to get any of these drugs. You can't even get isopropal alcohol...
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Panasonic GH6
In: Cameras
For me, there STILL NEEDS to be some type of focus assist output via HDMI when shooting 6k anamprphic.
DURING recording internally.
I still don't know why this cannot be done.
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7 hours ago, MeanRevert said:
Looks good. I can see a lot of GH5 users upgrading, unless you need anamorphic.
What?
No way, I'll take my GH5 for video over this everytime. I use anamorphic and 6k all the time.
I don't see how this is an upgrade from my GH5.
Though, I do have an X-T2 for stills, now maybe for that...
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Anyone use these?
I think I want one for upcoming beach vacation. This and the Syrup Mini Genie II in tilt and pan.
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No 2020 plans really, all my gear still works great for my needs, Fuji X-T2, Panansonic GH5, Fuji GFX50R, Fuji X-E3, and the ol' Canon 5DMkII still works well, yadda yadda yadda...
However, an excellent deal to get a very low shot count Mamiya DM33 digital back and adapter for my Mamiya RZ67 II Pro was presented, and I jumped.
I am having lots of fun with it.
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6 hours ago, Márcio Kabke Pinheiro said:
More infos from Fuji Rumors:
-No Pixel-shift yet.
-USB PD protocol implemented, as it charged very quickly with a PD 30W USB-C charger. Not so fast with a normal QC charger.
-IBIS can go up to 6.5 stops with some of the prime lenses.
-Priced at 1700 USD.
-Multiple Boost modes including normal / economy / boost AF / boost FPS / boost Res etc.
Wondering about the meanings of boost modes: boost AF - boost Res
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All other bodies disable flash w/ electronic shutter.
This one suppossedly allows flash at 1/30s or less.
If this could be somehow increased to at least 1/125s, it would be good.
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Question about stills flash.
ONLY 1/30 or less is available for flash speeds.
There isn't a mechanical shutter?
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On 1/7/2020 at 12:35 AM, newfoundmass said:
Agreed. It's just hard to go back to a camcorder
I don't know, I'd be willing to try these, IF they AF during recording.
Would be good for sideline sports.
The Big EOSHD interview: Metabones lens adapters
In: Cameras
Posted
More GFX options would be great to have too, PLEASE!