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Bozzie

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Posts posted by Bozzie

  1. 8 hours ago, webrunner5 said:

    Quit posting this stuff. Now I guess we all have to go out and buy a damn BMPCC because you came up with this beautiful video! You are costing us much grief.

    Quit reminding me why I need my ass beat for selling mine, maybe others do also..

    Oh and by the way well done. Looks like we all know what it Can look like, and you made it even better. Thank you I guess?

    Hahahahaaa, love it! This is my kind of humour :) Thank you, @webrunner5. The pocket's such a finicky camera and certainly not a dream to work with in LOG / RAW modes! There's been plenty of times I've been left scratching my head. But with a bit of TLC and patience, it's started to shine a little more each time I've personally used it. More so with the LUT. All the best - B.

  2. Before and After video shot with a BMPCC, Zeiss 25mm + Century Optics Anamorphic Lens Adapter. Graded with just my BozBMDFilm to Rec709 LUT (No other adjustments).

    For anyone interested, you can download the LUT, which is suitable for the BMPCC, BMCC, BMMCC and Blackmagic Ursa (with minor adjustments) cameras recording in Film LOG & RAW for a small donation.

    Download Page: https://bulentozdemirfilms.wordpress.com/downloads/bmcc-bmpcc-bozbmdfilm-to-rec709-lut/

  3. A Short Character Profile - Shot on a BMPCC, Zeiss 24mm & Century Optics Anamorphic Lens Adapter. 800iso. Graded with my own LUT. Forgot to hit record on the external mic so all sound is internal!

    The Century may not have the typical "Anamorphic" aesthetics most people are used to, but it certainly puts a smile of my face :)

     

     

  4. From my experience, BMD CineDNG files always default at Rec709 color and gamma space. Not sure how you'd do it in Adobe (maybe Camera RAW?), but in Davinci Resolve you can decode your footage by using the 'clip' option under the camera tab, then selecting Blackmagic Design Film. Everything will be back to how you saw it in camera and ready for grading.

    This is how I see your original recording:

     

    EosHD Member RAW.png

  5. On 11/01/2017 at 2:57 PM, Snowfun said:

    Apologies for what might be a question derived from ignorance but what settings and/or software do you use to get the slomo? It's beautiful footage.

    Hey, no probs man. We're all here to learn and improve!

    The slow motion was an after thought. Settings wise, I shot at 24p with 180º shutter. Software wise, I used Optical Flow in Adobe Premiere to slow the footage down by around 60%. It can be really good under certain conditions. Ideally I'd have shot at 30fps with a 45º shutter if there was enough light. Hope that helps.

    On 13/01/2017 at 7:55 AM, jbCinC_12 said:

    Thanks for the response back.  Great footage.

    Anytime ?

  6. On 20/12/2016 at 10:44 AM, tweak said:

    Nice!

    Thanks!

    On 20/12/2016 at 8:35 PM, webrunner5 said:

    Wow the music fits that video to a Tee. Love it. Great stuf!

    Thank you. Appreciate it.

    On 26/12/2016 at 8:58 AM, jbCinC_12 said:

    Out of curiosity, what lens used?  Thanks.

    Nikon 28mm Ais.

    10 hours ago, Charlie said:

    That footage looks fantastic!....Id be interested to know the lens also.

    Thanks, Man. Appreciate it. Nikon 28mm Ais. Cheers.

    Apologies for the late responses. I haven't been getting any notifications for comments! Cheers.

  7. ​I have been thinking this lens for a while, and see how good it is for its $1k price.   Do you have any chance to compare this anamorphic lens to other 1.33x?  I just curious about the image quality.

    ​Got it. The image quality out of this adapter is the best I've personally seen for a 1.33x. It benefits from a built in diopter wheel that allows for near and far sharp focus even at around F2.0. That's pretty impressive considering most anamorphic adapters struggle in the F4.0-5.6 range. Look at it this way, in the UK a used LA7200 goes for around $1k (Plus cost of diopters). It's a bargain in comparison! Hope that helps.

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