Tim Sewell

Horrible 24 hours in the States.
We have a new Orange president.
What does this mean for Canon, Red, Panasonic, Sony, Arri?
Well the dollar may crash.
Maybe it won't - actually seems like it won't. 
So no one knows what's going to happen to trade.
Will it help Red that manufactures in the States?  
Again, who knows?
One thing we do know - this was a useless post.
 

Those are, to me, very cinematic images. What ISO were you shooting at?

Unfortunately, this is a camera marketed for handheld use in unpredictable shooting situations - so let's hope for a firmware solution!

Unfortunately, this is a camera marketed for handheld use in unpredictable shooting situations - so let's hope for a firmware solution!

https://cgi.tutsplus.com/tutorials/davinci-resolve-fundamentals-power-windows-and-masking--ae-25585
https://library.creativecow.net/devis_andrew/AE_Creating-Masks/1
https://helpx.adobe.com/premiere-pro/using/masking-tracking.html

Ianiro are the original redheads and are still competitively priced (http://www.ianirouk.com/categories.php?CategoryID=40) - even better if you can pick up a used kit on ebay!

Hi @mercer - sorry for the delay. I've only just had a chance to look at the camera.
First off I have to thank you - while I was fiddling through the menus the lens unstuck itself, so I now don't have to get it fixed!
Unfortunately, except in HFR mode, there's no indication of framerate anywhere - however I found this on dpreview:
So that seems fairly conclusive.
https://***URL removed***/forums/post/50747107
Sorry not to be the bearer of better news. The video sure does look nice, though, even within the limitations of framerate and bitrate. I always shoot it at 1/50 and motion is as good as I'd expect from this kind of camera.

Only in America...

Nice colours, but every clip I've seen from it has had horrible motion.

I'm out of "Likes" for the day, so consider this reply as me liking your comment. 
Honestly, I used to have fun shooting video. I just got the shot the scene required and I moved on. Now I am so worried about this technical element and that technical element that every creative element I used to prioritize I am now, instead, resting on my laurels.
I only recently started enjoying it again when I got my D5500. I think I went into it not expecting much and I was pleasantly surprised with what I ended up with. 
To address your comment though, I had the FS or FX something... It was the model under the LX5 and I loved the video out of it. The b&w footage was beautiful, that step zoom function was great and you could take it anywhere and shoot a scene or get b-roll. Does the LX7 have 24p? 
Would love to see that... I love old Corman movies. Is it online anywhere?

Yeah, but at the time, the Brothers Duplass were using the best Mini DV they could get. And I think that's the lesson, use the best you can get, but use it to its strengths. Hell, you could probably go get a DVX100 for less than 500 bucks and shoot an awesome movie with it... You may even be revered for doing so. Look how much street cred Ed gets for doing his hipster video tests.
To add, I personally wouldn't mess with mini DV tape now because it literally takes forever to ingest into the computer, but there are definitely some other options that would give a similar look, using SD cards. Just look for a cam with 3 CCDs instead of a CMOS sensor, I'm contemplating buying a point and shoot and making a short with one just to take all of the technical headaches away... I will probably call it Point & Shoot as well. Lol. But I'm serious. I may look to one of the old Panasonic P&S cameras like the LX7... That little camera made some cool ass video in the mjpeg codec.  

Some landscape shots from a country walk yesterday. 4K CLog ETTR at ISO 500 to 1000. FilmConvert Kodak 5213 Vis3. Very pleased with sky v foliage v skintone colour separation using FilmConvert on XC10 footage.
 

Ha. Yeah, well I don't think it's gonna go to 3 or 4 stops (else Arri would have a problem here) - but, coming from a Canon stills experience, there is a depth to the underexposure in their imager that gives you tonality rather than just noise soup. Canon log, especially, seems to retain colour in underexposure that can give you really painterly tones. I'm experimenting with it now.

Hey guys - yeah, I know. I'm chasing  that super 16 feel with this, so I'm selecting that grain structure - but I'm dialling it down to around 60% as I find the filmconvert implementations to be a little aggressive (plus, we're, like, in the digital age, right?). Thanks for the thoughts though - I respect the work you put out and I'm always happy to hear your comments.
Coming from you I take that s high praise indeed - I love your stuff and aspire to be able to create anything even half as good! I thought that was pretty cinematic too - the beauty of this camera is that it has a depth in underexposure that allows you to grade to the image, not to the noise, which is kind of like... film!

A couple of stills from my Disneyland trip (don't ask!) that I've graded in FilmConvert with the new profiles. 5207 Vis3, 60% film colour, 65% Super 16 grain. Tweaks to curve and saturation. Edit: shot in Canon log at ISO 500 (apart from the last one, which I think was at 2000.
I'm really loving the image I get this camera - it may not be for everybody, but it matches my sensibilities. Knowing it is capable of producing exactly what I want and that it's so easy to use makes me want to shoot a lot more, which is - obviously - the best way to get better at anything!
 

A couple of stills from my Disneyland trip (don't ask!) that I've graded in FilmConvert with the new profiles. 5207 Vis3, 60% film colour, 65% Super 16 grain. Tweaks to curve and saturation. Edit: shot in Canon log at ISO 500 (apart from the last one, which I think was at 2000.
I'm really loving the image I get this camera - it may not be for everybody, but it matches my sensibilities. Knowing it is capable of producing exactly what I want and that it's so easy to use makes me want to shoot a lot more, which is - obviously - the best way to get better at anything!
 

A couple of stills from my Disneyland trip (don't ask!) that I've graded in FilmConvert with the new profiles. 5207 Vis3, 60% film colour, 65% Super 16 grain. Tweaks to curve and saturation. Edit: shot in Canon log at ISO 500 (apart from the last one, which I think was at 2000.
I'm really loving the image I get this camera - it may not be for everybody, but it matches my sensibilities. Knowing it is capable of producing exactly what I want and that it's so easy to use makes me want to shoot a lot more, which is - obviously - the best way to get better at anything!
 

It would kill the 80D and GH4 for stills. 
Check that, murder the 80D and GH4 for stills.
Scratch that, kidnap and torture, preform experiments and then make a 4K snuff film of the murder which it sends to the 80D and GH4s families.

A couple of stills from my Disneyland trip (don't ask!) that I've graded in FilmConvert with the new profiles. 5207 Vis3, 60% film colour, 65% Super 16 grain. Tweaks to curve and saturation. Edit: shot in Canon log at ISO 500 (apart from the last one, which I think was at 2000.
I'm really loving the image I get this camera - it may not be for everybody, but it matches my sensibilities. Knowing it is capable of producing exactly what I want and that it's so easy to use makes me want to shoot a lot more, which is - obviously - the best way to get better at anything!
 

A couple of stills from my Disneyland trip (don't ask!) that I've graded in FilmConvert with the new profiles. 5207 Vis3, 60% film colour, 65% Super 16 grain. Tweaks to curve and saturation. Edit: shot in Canon log at ISO 500 (apart from the last one, which I think was at 2000.
I'm really loving the image I get this camera - it may not be for everybody, but it matches my sensibilities. Knowing it is capable of producing exactly what I want and that it's so easy to use makes me want to shoot a lot more, which is - obviously - the best way to get better at anything!
 

A story without words about the demobilized soldier watching with drone for the neighbors

Inspired by Fargo (TV series)
Budget: 15$

All work in Davinci Resolve Studio 12
Shot on Canon 5D Mark III with Magic Lantern (ML RAW) and DJI Phantom 3
Thank you for watching

Apparently the flavour of c log in the XC10 puts a dull white at around 65 IRE, so you may find your highlights easier to recover if you set your zebras to 70%, and keep whiteish elements just looking like they're clipping.
For myself, I'm currently trying a different, simpler approach, which is to expose so that the exposure meter shows around 1 stop over. I haven't had an opportunity to grade anything shot this way yet, but the ungraded files look to have a good tonal range. I'll post some still grabs once I've had a chance to look more closely and play with them.

Imagine how great this camera would be with the FS5 auto ND!
I'm still finding my way with post on this, but my best results so far have been getting it legal manually then applying rec709 looks. Canon log seems to be really really easy to deal with and the results just knock me out - super 16 vibe with enough resolution that you can afford to throw some away. I'm grading it for colour and exposure, then adding a filmconvert layer with the colour dialled to zero but with super 16 grain to 35% or so and it's making me wet my pants.

Got my XC10 this morning. Still playing with it when I really should be working! As promised I slapped an Isco pre36 on it to see if it's usable. Shots below are at 24mm, 80, 240 and 80.



There's slight vignetting at 80mm, which turns to pronounced white vignetting when pointed at a light source. Nevertheless, it's nice to have the option of a stabilised 80-240 anamorphic, even if it is at 5.6 on a 1" sensor.

Imagine how great this camera would be with the FS5 auto ND!
I'm still finding my way with post on this, but my best results so far have been getting it legal manually then applying rec709 looks. Canon log seems to be really really easy to deal with and the results just knock me out - super 16 vibe with enough resolution that you can afford to throw some away. I'm grading it for colour and exposure, then adding a filmconvert layer with the colour dialled to zero but with super 16 grain to 35% or so and it's making me wet my pants.