-
Posts
470 -
Joined
-
Last visited
Reputation Activity
-
Ty Harper got a reaction from sanveer in New Tascam FR-AV2 giving Zoom F3 competition?
Looks promising!
https://tascam.com//us/product/fr-av2
https://www.bhphotovideo.com/c/product/1852610-REG/tascam_fr_av2_32_bit_float_recorder_timecode_generator.html
-
Ty Harper reacted to KnightsFan in New Tascam FR-AV2 giving Zoom F3 competition?
Tascam did a great job with the feature set on this. I'll definitely buy one if reviewers don't find anything silly, and the sound quality is comparable to the F3. Timecode is great, plus builtin wireless monitoring eliminates one more device to mount and power. If it weren't for the FR-AV2, I considered a Sennheiser EW-DP SKP, but one of these is way cheaper than a transmitter/receiver setup.
My goal is to have two boom mics, where each has a recorder directly on the boom pole, and the op uses wireless headphones (one will continue to use my F3). What I have found on amateur sets is that
A. boom ops are not skillful enough to consistently swap back and forth during dialog. Training an extra person on the day of the shoot and having independent booms does actually sound better than an intermediate-skill person booming 2 people.
B. lavs don't work perfectly--we simply don't have the skill or resources to hide them securely and properly
C. it's impossible to understate the efficiency value of each boom mic being completely wireless. Letting a boom op put their mic down and quickly help with something else speeds us up. Wireless headphones are an important part of that!
D. gain staging--wireless in particular--is difficult for beginners to nail every time. Wired 32 bit is easy to nail every time.
I know all the audio pros are going to squirm reading that, lol. But for my triangle of price/required skill/output quality, this might be it.
-
Ty Harper got a reaction from KnightsFan in New Tascam FR-AV2 giving Zoom F3 competition?
Looks promising!
https://tascam.com//us/product/fr-av2
https://www.bhphotovideo.com/c/product/1852610-REG/tascam_fr_av2_32_bit_float_recorder_timecode_generator.html
-
Ty Harper reacted to BTM_Pix in New Tascam FR-AV2 giving Zoom F3 competition?
What stood out for me is that it can do both regular timecode as well as wireless with the Atomos UltraSync Blue system.
If it can convert the incoming timecode from the UltraSync Blue into regular timecode to output to the camera (and vice versa which is more unlikely) then that would be very useful.
To do this otherwise would need an UltraSync One which is roughly 75% of the total price of the FR-AV2.
The bluetooth headphone monitoring can easily be replicated with cheap add ons for other recorders but its good to see it integrated.
The additional $100 over the F3 isn't onerous and if I didn't have an F3 then this would be my choice.
-
Ty Harper got a reaction from Juank in New Tascam FR-AV2 giving Zoom F3 competition?
Looks promising!
https://tascam.com//us/product/fr-av2
https://www.bhphotovideo.com/c/product/1852610-REG/tascam_fr_av2_32_bit_float_recorder_timecode_generator.html
-
Ty Harper got a reaction from kye in Who here loves Pancakes?
Love the EF 40mm f2.8 pancake. It lives on my R5C for basic run n gun and gimbal stuff.
-
Ty Harper got a reaction from eatstoomuchjam in Who here loves Pancakes?
Love the EF 40mm f2.8 pancake. It lives on my R5C for basic run n gun and gimbal stuff.
-
Ty Harper got a reaction from andrgl in Who here loves Pancakes?
Love the EF 40mm f2.8 pancake. It lives on my R5C for basic run n gun and gimbal stuff.
-
Ty Harper got a reaction from ntblowz in Who here loves Pancakes?
Love the EF 40mm f2.8 pancake. It lives on my R5C for basic run n gun and gimbal stuff.
-
Ty Harper got a reaction from Emanuel in Who here loves Pancakes?
Love the EF 40mm f2.8 pancake. It lives on my R5C for basic run n gun and gimbal stuff.
-
Ty Harper got a reaction from zlfan in Who here loves Pancakes?
Love the EF 40mm f2.8 pancake. It lives on my R5C for basic run n gun and gimbal stuff.
-
Ty Harper got a reaction from KnightsFan in In-Line Preamp to struggle with poor quality preamps
Yeah def gotta do what makes sense for your workflow. I get by np with this being the consistent core of my setups - so obviously very easy to swap batts out.
-
Ty Harper reacted to eatstoomuchjam in In-Line Preamp to struggle with poor quality preamps
Battery life can be impacted by settings, keep in mind. If you don't need phantom power, you could be getting up to 2x the battery life of someone who does need it.
On a fresh set of 8 AA batteries, the F4 is estimated to get 4-6 hours. However, turn on phantom power? 2-3 hours. That's why I power mine from V-mount. I haven't noticed a hum on the F4 yet when doing that - would be a surprise since the d-tap is going directly into the DC power in port, just like it would be when using the wall adapter.
The F3 could be a whole different thing, of course. Though Zoom do advertise power by USB as one of its features.
-
Ty Harper reacted to KnightsFan in In-Line Preamp to struggle with poor quality preamps
I get a couple hours on the F3, max. Not enough to get through an 8-hour shoot without changing them. I mean it would be okay to use AA's exclusively, but considering the placement of the battery door, and my preference for completely solid rigging, it's sort of a pain to change them at all. I think I would be annoyed having to move things like @BTM_Pixshowed, and then tighten it back down and all (not to say it's worse, just that it's not for me).
This is my setup now. The F3 and battery plate are bolted onto a bracket with a NATO clamp on the other side. For all-in-one setups, I slide it onto the camera cage. For separate audio, I also have a NATO rail on the boom pole, so we can quickly move the whole unit from camera to boom. It would be nice to shave the NPF's weight but the ease of use wins out for me at the moment.
-
Ty Harper got a reaction from Davide DB in AI = lower lens prices? Or complete collapse of lens market?
I would have to disagree there. In no scenario would it be prudent to invest in DSLRs. Not when a beginner can get an R7 for prices roughly $1K USD or even lower. Pickup a cheap adapter (or the 0.71x for another $300 used) and now they're pretty much set for the forseeable future.
-
Ty Harper got a reaction from kye in a full frame camera with the best ibis?
Pretty much!
I made the mistake of buying a used R5, specifically for its IBIS, to pair with my R5C, and ended up regretting it bcuz the difference between IBIS and the R5C with internal DIS and/or IS lenses was not worth the advantages of getting acsecond R5C will never do that again. Luckily I was able to resell the R5 and get a second R5C for about the price as the used R5.
Currently I use my R5Cs exclusively with EF lenses that have IS and have no complaints whatsoever (I use DIS now and then but very rarely). Basically, I know the cam's limitations and respect those limitations. For shots that require something beyond the stationary tripod-styled look I invested in an RS3 Pro (using it with IS stablized lens gives me the best results). For R5C users, the RS2/3/4 Pro are pretty much the best/only options - and many R5C users who tried to go for something more affordable ended up regretting it.
So in 2024 it's still a horses/courses/practice-practice get to know your gear approach.
-
Ty Harper got a reaction from zlfan in a full frame camera with the best ibis?
Pretty much!
I made the mistake of buying a used R5, specifically for its IBIS, to pair with my R5C, and ended up regretting it bcuz the difference between IBIS and the R5C with internal DIS and/or IS lenses was not worth the advantages of getting acsecond R5C will never do that again. Luckily I was able to resell the R5 and get a second R5C for about the price as the used R5.
Currently I use my R5Cs exclusively with EF lenses that have IS and have no complaints whatsoever (I use DIS now and then but very rarely). Basically, I know the cam's limitations and respect those limitations. For shots that require something beyond the stationary tripod-styled look I invested in an RS3 Pro (using it with IS stablized lens gives me the best results). For R5C users, the RS2/3/4 Pro are pretty much the best/only options - and many R5C users who tried to go for something more affordable ended up regretting it.
So in 2024 it's still a horses/courses/practice-practice get to know your gear approach.
-
Ty Harper reacted to kye in a full frame camera with the best ibis?
100mm on MFT is definitely a pretty long telephoto for sure, but remember that in my case I had IBIS in the camera and the OIS in the lens both helping with the stabilisation. Depending on what camera and what lens you have, they might not work together like this, so you'll get less effective stabilisation.
I find stabilisation to really be a bit of a gamble - you can get good comparisons from people and they're likely to be good information but until you actually test a setup yourself you're not going to know in what situations you can get a stable image.
I've found that there are lots of things that can impact your ability to get a stable shot, for example all the following will have an impact:
if you're tired if the ground is level and solid or not what sort of shoes you are wearing and if they're comfortable what pose you're in if it's windy your caffeine levels how tired you are if there are bright lights shining in your eyes (obviously) if you're moving or walking, but even then there are all sorts of techniques involved and how much practice you've had at them, etc Perhaps the best advice once you've bought your equipment is to practice as much as you can, know what you can and can't do, and have a backup plan in place for when it gets difficult.
-
Ty Harper reacted to BenEricson in OPEN AI VIDEO TECH ONE YEAR LATER...
https://www.fxguide.com/fxfeatured/actually-using-sora/
Cool to see some transparency. Pretty interesting read. Having worked on video demos in the the tech space, I am not at all surprised.
Absolutely mind blowing tech, but stuff like "300:1 ratio" for editing and "10-20 min for 480p" was not mentioned in the demo notes. $$$$$$. 🙂
-
Ty Harper reacted to IronFilm in OPEN AI VIDEO TECH ONE YEAR LATER...
The end is near:
https://petapixel.com/2024/04/16/the-trailer-for-the-worlds-first-fully-ai-generated-film-is-here/
Kinda irrelevant.
Even if prices jacked way up so that the price matches the costs, that's still going to be dirt cheap vs the price to make a film the traditional way.
Plus you're just thinking about the costs today.
What was the cost of a gaming machine to run Doom back in 1997??
Kinda pricey! $$$
What does it cost these days to run Doom? Next to nothing is the cost
https://doomwiki.org/wiki/Can_it_run_Doom%3F
-
Ty Harper got a reaction from kye in Firmware updates could become subscription model?
This strategy might've worked at the onset of the DSLR revolution when there was still a lot of room for cam improvement around essential features. But given where we're at with cam tech and needing for very little to tell a fantastic story - that is no longer the case. Right now, we actually seem to be arriving at a point where AI will disrupt our dependency - not just on using cameras to capture the world - but on the idea that we ALWAYS need cams/audio devices to tell visual/auditory stories that can 'authentically' capture our real world. That last part to me is one of the big things being blurred/contested. Either way, if you play it out, this particular type of subscription-based strategy will likely only work/make sense for large media companies, who for legal/tax reasons, do not buy gear from the used market.
As someone who works for a large media corporation, what I am seeing/hearing first/second hand, is an increased interest in PTZ cams, along with AI apps that can cover multi-cam switching duties (a quick google search showed me one by CognitiveMill). In that case I can definitely see the subscription model working, bcuz PTZ's (from what I can tell) require no camera people per se - moreso tech support people who make sure these PTZ's are ready to go for any given multi-platform show, on any given day, and are on standby to troubleshoot any daily issues that come up. So in a case like that I definitely see the subscription model working - albeit at the expense of the loss/shrinking of jobs/shifts for camera people, etc.
-
Ty Harper reacted to MurtlandPhoto in Firmware updates could become subscription model?
Kinda, sorta, but not really. Those are examples of one-off costs to unlock features permanently within the product, whether it stays with the original owner is sold off. Imagine having to pay monthly to have V-log in your GH5. Or pay Sony monthly to have shutter angle in your FX3. I'm actually OK sometimes paying for a firmware update past a certain point in the development cycle. It's logically how some manufacturers can recoup development costs on older tech they've moved on from. But, a subscription??? No way for me.
-
Ty Harper reacted to MurtlandPhoto in Firmware updates could become subscription model?
I legitimately think that the consumers will eventually abandon any manufacturer that tries this. And, if they all try it together, I see a mass revolt against new models and perhaps even a movement to “older” cameras.
-
Ty Harper reacted to kye in Firmware updates could become subscription model?
I recently bought a new treadmill and was amazed that the high-end ones required a subscription model.
I wouldn't be averse to buying a GX85 updated firmware, but to buy and re-buy the damned thing over and over again is ridiculous.
Yet another reason to snap out of the specifications trance that everyone seems to be in and focus on making better videos, rather than making the same videos with better spec'd equipment.
-
Ty Harper got a reaction from kye in Firmware updates could become subscription model?
As a hobbyist whose day job intersects with the film world, I can say that there is no way I would ever buy into a subscription system - and I can say that because the two R5Cs with their current features are literally all I need for any and all present and future projects. I'll maybe get an R7/R6 MKII/R5 to fly on my RS3 Pro (bcuz the R5C cannot be used wirelessly with that gimbal) - and maaaybe a C70. But honestly I'm at the end of the road for camera purchases. But also I think the current cam selection is so amazing nowadays that a move to a subscription-based model will likely push even more people to the used market - and aside from storage media, every piece of gear (cam, lights, etc) I've ever bought in my hobbyist career (10+ years at this point) has been from the used market.