Marcio Kabke Pinheiro

6 hours ago, Eric Calabros said:

Some people in that comment section are saying they did 60p outdoor with no overheating. I guess the base temp at the time they trun on the camera is important. Wedding shooters use the camera all day, so when they start recording 4k60p the base temp is already high. 

In fact, all environmental data is important when comparing overheating issues, for all brands.

What was the current temperature outside? What was the humidity level? The camera was in shade or inder the sun? What was the filming load before the overheating (aka, the camera was already hot?).

As I said before, reports (not only from the A6700) are all over the place. It is bad testing methodology (if there is any), or the QC on these cameras are all over the place. Or both.

Finally got some time to navigate all the menu and do some quick tests. Call me impressed.

Surprise one: one little old desire (that nobody mentioned in the reviews) was that now the "3d" electronic level could be enabled pemanentely on the screen / EVF; in the X-S10 - and I guess in all the last generation's Fujis - only the horizontal level was permanent, the 3D version should be activated by a custom button, and disappeared after taking a shot.

Surprise two: a new focus assist tool, only in video mode - Focus Meter. Is a "needle gauge" that shows where to turn the focus ring to bring the image in focus, and that could be used in conjunction with peaking. Works very well and very accurately.

And finally, the AF. The face / eye AF interface and working mode was completely changed form the 4th gen Fuji's. In these (X-S10, X-T4, etc), when face / eye AF is on, the camera selects a face / eye and shows it on the screen in green, the other faces are marked with grey boxes, and you could change the face to focus with the joystick. In theory, a good system - until you hit record, and the camera goes haywire changing the face focused at will. For me, with more than one face on the frame, was unusable.

Now, you choose a area box (that you could resize), and the camera will focus on the closest face of the box. Period. And tends to stick quite a bit in that face before switching to other. Not a perfect system - did not tested the worst situation, with all other people standing in place and the focused person going to the edge of the frame, far from the box, which in theory will make the camera changing the face focused - but if you keep the subject in the same spot of the frame, or move the box with the joystick, works perfectly.

There are more subtleties to discover - one test was filming my wife's father, my wife and my daughter playing in our living room, tracking my daughter (an electric 4 year old), a case which the X-S10 failed completely; the focus point moved from person to person if they are close. With the X-S20, started tracking my daughter, and NEVER let her go. Focus spot on 100% of the time. And with an unexpected behaviour when my daughter got very close to my wife's father, instead of jumping faces, the old gray box appeared on his face, but the AF was kept on my daughter. One touch on the joystick, and then he was in focus - even with my daughter closer to the AF box. Another touch, returned to my daughter. Just as I wanted to be.

The detection is much improved too. In the X-S10, if the person turns and the face did not appear, the camera reverts to the original AF mode. The X-S20 recognizes the back of a head - when the person turns, it starts tracking the back of the head. The person turns back, it revert to the eyes again. And the face / eye detection works in much farther distances than before, and gathers eye / face instantly.

Is a completely new behaviour, much, much better than before.

On 8/12/2023 at 2:25 AM, MrSMW said:

Not great and getting worse every year.

Glasses wearer; varifocals for every day/work and reading glasses for editing.

Ideally I’d like laser at some point but not happening any time soon.

Lower light especially it really begins to deteriorate…

I am actually debating right now whether to go with the weight of a small monitoring screen for my principle video (S5ii) unit just because of this.

Never been a fan of rigging stuff out too much as a hybrid shooter but right now, I am more back in the camp of using my 3 units as:

Static/gimbal pure video

Roaming video

Stills plus occasional video

So having the biggest, brightest and most detailed rear LCD is quite important to me, mainly for the MF video side of things.

Thinking about varifocals, how is your experience? And some glass lens recomendations?

(old guys derailing a thread...)

On 8/10/2023 at 3:08 AM, MrSMW said:

Another disappointing (to me) rear LCD resolution. 

Dealbreaker? Not sure but as someone who exclusively works off the rear LCD for stills and video, it’s something of importance to me.

The original camera intrigued me though being something of a fan of the rangefinderesque styling and this/these new one’s may be of interest…

Hope your eyes are good. My X-S20 have a much better lcd than the X-S10 (1.6m x 1.0 mdots), I could see that the screen info is a bit sharper but...even with glasses, the image looks almost the same 😑

16 hours ago, Ty Harper said:

I was a club hip-hip deejay in another life and grew up thinking the record store (like these forums) would always be the community meeting place for all things pertaining to deejay culture. Then the digital revolution came and changed everything. But it didn't happen overnight. We just started going to the record store less and less as it became clearer and clearer that Serato had disrupted the vinyl-spinning era and deejaying as we knew it. Then Serato started added more features that rendered the skill sets deejays had spent their entire careers honing (like beat-matching, beat juggling, transitioning to acapellas etc, etc) and coveting, completely irrelevant. Fast forward almost 20 years later, and now streaming (and soon AI) have made being a deejay super-accessible, but also super hard to monetize, while rooting it in motivations and incentives that share little with what it meant to be a 'real deejay' pre-digital revolution.

All that to say that I think what some are feeling/seeing is a similar shift, a transformation, a departure from the online filmmaking/video culture we've been familiar with, to something else. 

 

 

Yep, it is a similar story too.

I had my (very amateur) dj days too, albeit being a Traktor guy (already in the middle of the transition). But learnt to mix with vinyl, MUCH more rewarding. 🙂

And after a loooong wait (courtesy of the customs, which delayed the delivery to the store for almost 3 weeks,) the camera arrived today.

As expected, very similar to the X-S10, charging the battery now. This was the first surprise - included in the box was a very good USB-C to USB-C cable, and a very good 3A 15w charger, with 4 interchangable wall plugs. Dunno if this will be the norm around the world, but was welcome.

As reviews already said, most of the buttons have a higher profile and the clicks are more pronounced. The ISO/ Q buttons are much better, always hated them in the X-S10, now they are very good. All the dials have greater resistance between clicks, whick I liked too - had a lot of involuntary turning on the back dial of the X-S10. The on-off switch is stiffer too, will have to see if this will be a good or bad point, but the switch is higher and easier to access too.

The grip is a bit beefier too, albeit in a very small margin considering how bigger the newer battery is - good job, Fuji. In hand, the 1st impression is that the feel is better too, but is very subtle.

Joystick still too small (for my tastes, all the new units should have the X-H2 newer joystick), but the clicks are a bit stiffier too.

Good first impressions. Still too few buttons and switches to my taste, but that was expected.

6 hours ago, IronFilm said:

Video however is rapidly getting to the point where photo gear is at, when there is no noticeable major improvement from one generation to the next. 

I'd even arguably say we're already there!

Indeed. My X-S20 just arrived, and have 6k 10-bit 4:2:2 with good(ish?) AF and IBIS in a body roughly bigger than a GX85. 4-5 years ago, it was unthinkable.

But ergos are all over the place - this a thing that could improve. I've taken my GH2 out of the dry box to use it to test the last m43 lenses that I'm selling. First, this thing is freaking small - since the GH3 we forgot how small it was. And, even small...look at the image.

Left dial, focus area, with a lever to switch the AF mode. Main dial (with 3 custom positions!) with two lever, one to set drive mode and other is the on-off switch (in a amazing position, very easy to access with the thumb). 

I miss this a lot.

(and good internal mics - the GH2 mics are VERY good, much better than all the other Pannys that I had (never had a GH5 or G9, though).

On 8/4/2023 at 8:08 PM, Eric Calabros said:

1- the rate of decline in engagement in all of the photo/video forums and websites is depressing. Even comment sections are mini ghost towns compared to same place ten years ago. Maybe social media is stealing a lot of that free time usually spent on traditional web in the past. 

2- many of those people who could write informative blog posts are now like "why bother writting any more when no one reads any more?". Today they're making videos, and try hard to make it 10 min long, which means they have to add a lot of water to the milk. 

3- I don't see any other industry with so much negativity about the major brands of that industry. Telling people they don't need and shouldn't buy new released products is a norm in our corner of internet fora! There is hype moments before and after press release days, but overall discouragement is way bigger. But look at car enthusiasts or audiophiles online communities...They're constantly encourage each other to buy more!

4- lack of communication between experienced users and newcomers is hurting everyone, and sometimes it's sad. Many people who are upgrading from smartphone, are making mistakes related to misunderstandings that discussed and explained and solved seven years ago. They just don't know where to find the knowledge.

5-  a tendency to reduce everything to "matter of taste" has emerged to the point that the whole concept of critique apears as moot point, like there is no wrong way and right way of doing things!

 

Maybe its overthinking. I don't know.. just wanted to share my thoughts. 

1 - Yep, they are. As I said sometimes here, I'm in a Telegram group that have a lot of younger "content creators", mostly talking about gear shopping, but sometimes giving filmmaking hints to each other. NEVER in this almost 8 months there I saw a link to some forum or webpage. Ever. All links are to Youtube or Instagram.

2 - Which leads from the previous point. People want videos, nobody reads anymore. Even some blog guys like Gordon Laing or Robin Wong are putting more efforts on Youtube.
I like Youtube to see some tests like AF, recording the camera screen to show how the detection is ocurring, but few people do that. Or to show some ergonomics. The rest, I prefer text, but is a dying preference.

3 - Fanboyism is a long staple in camera community. For me is a human necessity to prove themselves right - I bought this camera / lens, and I will defend that I made THE BEST decision. And as @MrSMWsaid, there is a ‘you don’t need anything new’ mantra - which, specially for stills, is very true. Video is still being improved, but for stills the only tangible upgrade was in the AF section. 

4 - For experienced people to comunicate with newer genrations is hard - because these people tend to lend long explanations telling just not HOW to solve a problem, but also WHY that was the solution. Which is a good thing - it increases the knowledge of the reader.
But nowadays people wants FAST solutions, don't want to even search for themselves. Last week in the already mentioned Telegram group, one guy made a very basic question, and I gave him the solution.
THE NEXT message in the channel was another guy...making THE SAME question. Yeah, he not only did not made a previous search, but did not even to bother read THE PREVIOUS MESSAGE. And this is the norm.

Not to defend Sony (did not have a Sony camera, and their overheating history is not the best), but the guy in the video did not give too much info:
- The overheating threshold was set to "High"?
- The back screen was flipped outside the camera (which improves the heat dissipation)?
- And using that live cropping mode for sure increases the camera processing (which is not invelid to test, lost of people could use it).

Telling that beacuse I'm monitoring the X-S20 situation (my unit had not arrived - maybe this week) and the overheating reports are all over the place. One person said that the camera overheated just navigating the menus. Other people recorded 30 mins in 6.2k open gate 10-bit 4:2:2 in Malaysia under the sun (the place is humid as hell) and the camera never even get a warning.

Or the QC of these cameras are all over the place, or there is a lot of variance depending on the modes / resources used.

28 minutes ago, MrSMW said:

Cost cutting and I suspect 99% of users won’t experience overheating etc.

I think somewhere like here with a mix of pros and keen enthusiasts, we consider these things more.

I was ready to rubbish a stick on fan, but having looked at it, and the preorder price, thought it was quite decent actually and if it works and can make something like that new Sony better, then great.

The Fuji option looks good also.

But yes, part of me would like to see everything included but then every bit of kit would probably cost too much and could not exist in the marketplace?

S5 II have internal fan and is one of the cheapest FF video cameras - and Panasonic have the best heat management, the GX9 that I had never even get warmer recording 4k (probably best chipset design).

Since it is SO cheap, I've got one for my X-S20 (when the camera arrives arrives).

Don't have high hopes, though. The fan is kinda small, blows it to "open air" behind the fan, and not certain about the suction cups.

Probably will mod it to be like the Fuji fan - put a metal plate on the back (which help is general dissipation) and attach using screws.

On 7/14/2023 at 11:31 PM, kye said:

Hopefully that will get better over time.  Overall I view it as a good thing - if you're willing to go to fully-manual lenses then the budget Chinese manufacturers have drastically reduced the price of lenses over even the last 5 years, and they're now doing the same to anamorphics.  

Yep, it is good. And they have all the conditions to improve - just look the latest Viltrox lenses, mile sbetter than the 1st ones (I have the 13mm f/1.4 and the 75mm f/1.2 and both are amazing, the 75mm is mind blowing)

Good news - but saw some reviews of their Af lenses, and specially the zooms do not look stellar.

My 2 cents after seeing some reviews as a targeted consumer of this camera - hybrid-enthusiast-amateur. Yes, because if doing videos was my work, don't even would think about this one.

It is a rollercoaster of features: some very "high" (good) and some very low (bad). Mostly comparing it to the Fuji XS-20, which looks like the closest competitor.

High:
- 4K60 and 4K120 available in this price point - and, importantly, the image in these modes are VERY good. (I'm looking to the 1080p 240 from you, Fuji).

- Card slot on the side, not on the battery door.

- No idiotic filters / effects on the mode dial;
- Arguably the best AF on the market, and good to use use manual focus too with the Focus Map feature (never tested it, but looks amazing and almost no one talks about it).
- Dedicated switch between stills and video - much better than turning a mode dial.- Small - in the videos I got the impression that the camera is bigger because it looks thicker, but is even smaller than the X-S20. Heck, even smaller than a Panasonic GX85.

Low:
- Horrible 1080p video, if you want it;
- Bitrates looks bad, 100 mbps for 4k24 (but never used XAVC-HD to have an opinion);
- Terrible LCD panel for 2023 standards;
- No focus joystick - and yes, was just the case to put one on the place of the AF-ON button, and moved the button up.
- Bad burst still numbers;
- No open gate or DCI 4k;
- Dunno if the C modes on dials could be used for video too;

About overheating: for people like me (hybrid normal user), and most the "content creators", it is almost a non-issue. Slow-mo is not used a lot, and when used, is for small takes. In fact, for Youtubers, the bad 1080p is more of a concern - a lot of these people still uses 1080p. Overheat could pose a problem for hybrid wedding shooters, I guess. In this regard, the fan of the X-S20 is kinda of a good solution - but if I wanna use Fuji for any professional use, would get a X-H2 or X-H2s.

I liked the camera. But, if the X-S20 have AF good enough, is a much better proposition - in fact, Fujifilm released a firmware update yesterday that enhances the AF performance (but, again, no general wide / area tracking). And you have open gate and even the option to get an external recorder and shoot RAW video, for $100 less than the Sony. And, for stills, you have Fuji colors.

All goes down to AF performance. For "content creators", is the most important thing - and the reason that ZV-E10 sells like hotcakes.

The Canon R7 looks slight ahead than both these ones, but...where are the lenses?

The A6700 is terrific for the intended public - and for the boatloads of the A6xxx users, is a no brainer. This one will sell VERY well.
 

10 minutes ago, SRV1981 said:

AF is such a basic necessity on these cameras I sold my Fuji. I I’ll never return till AF is as good - not nearly as good - as Sony and canon. Not even a question. 

Just got a reply from the local vendor, my X-S20 should arrive only in July 25th. 😐

Fuji AF got better in this last generation - not on par with Sony, Canon or even PDAF Panasonic - but could be enough for me.

But not having a Wide  / Tracking mode in video is inexcusable. Even OM Digital have a (poor) one. Even Fuji have it for stills, but not for video.

Of course Sony could not deliver everything at once - front dial is there, but no joystick on the back. Ok, since their AF is so reliable, you could always go for tracking and recompose, but a miss anyways.

$100 more than a X-S20 (which I guess it is its primary competition). Better in some ways, wors in others.

- Back LCD: VERY bad, 1.0 million dots, compared to the 1.8 million of the X-S20. Fuji wins
- EVF: both have (probably the same panel) 2.36 mp. The magnification is better on Sony, 0.7x against 0.62 on Fuji. Sony wins.
- IBIS: 7 stops on Fuji, 5 on Sony. But all these must be seen in real world. Both are usually bad for video.
- Weather sealing: Sony have (even a light one), Fuji not.
- As stated, Fuji have joystick, Sony not (only the LCD trackpad). 
- Video modes: 6.2k open gate on Fuji, not open gate AFAIK on Sony. The bitrates are higher on Fuji too, 4k until 360mbps, 100 mbps on Sony - albeit dunno if there is a huge difference on quality. Since is the same quality of the other Sonys, probably not.
- SD card slot on the side for the Sony: always a plus.
 

Looking good for Fuji, my X-S20 is on the way, but...this one is the 1st tempting Sony for me. 

First, a personal reason: I prefer "rangerfinder" bodies for not-being-noted reasons. Second: because Sony already have a AF mode perfect for me, that ONLY Fujifilm does not have for video: have a single AF point on the frame, half press, track the subject. No more worries tracking a person in frame, with a lot of people behind.

Ths X-S20 have (kinda of a lot) things better in my opinion: open gate, Film Simulation for stills, AF joystick, maybe a better IBIS (some user reports are saying that is much better for video now). But the video AF in the Fujis is currently my worse problem - and looks like that a general tracking in video will never be implemented.

And there are some user reportings emerging about overheating in video with the X-S20. Will test when mine arrives.

But reliable AF in a rangefinder body is starting to make me thinking about Sony.

6 hours ago, IronFilm said:

"Tascam has announced the DR-10L Pro, this is the newest addition to the DR-10L family. While the Pro version maintains a similar form factor and functionality, it adds the ability to record in 32-Bit Float and offers Atomos Wireless Time-Code-Sync Support."

https://www.newsshooter.com/2023/07/06/tascam-dr-10l-pro-with-32-bit-float-recording-timecode-support/

Battery life has gone up from 10.5hrs to 24.5hrs (based on two AAA lithium batteries)

Has a high-visibility OLED display, with lots of physical menu buttons for navigation. 

Has a headphone output so you can monitor the audio before/during/after recordings. 

Has an app for Android and iOS phones, you can add metadata (including project name, scene name, and take number) to the audio file. The app also gives you visual confirmation of the input audio with a waveform display over time. You can name each DR10L Pro via the app, for easy identification. 

The DR10L can now take MicroSD cards sizes up to a massive 512GB. (previous limit was 32GB) 

Comes with a free copy of iZotope RX Elements. 

Available now to preorder:

https://www.bhphotovideo.com/c/product/1773575-REG/tascam_dr_10l_pro_personal_recorder.html

Don´t remember if I already asked you: I know that 32-bit float give a lot of room (in fact, almost make it impossible) to sound do not clip.
But if the sound already comes clipped from the microphone (recording a loud concert that exceeds the SPL of the mic), the recovering of the clipping is impossíble, right?

13 hours ago, MrSMW said:

I like a rangefinderesque style camera and Fujis XPro1 and then 2 were my working cameras for stills for about 5 years.

They screwed it up for me a bit with the rear LCD on the 3 and the more DSLR-like bodies were/are more practical, especially for video/hybrid use.

There were rumours of Panny & Leica bringing out something but I suspect it was pure wishful thinking, but it would get my interest at least.

Sigma though are arguably in the game with their FP and FP-L and but for a couple of things, would be my tools of choice.

I’m still hoping for a successor that is not crippled to death…

But Sony’s 6XXX line has always been for the enthusiast so there’s going to be compromises and they do have to continually bring out new models because that’s how business works.

Yep, I'm a (each time less) "enthusiast" 🙂

If this is my work, for sure would be using FF too. But just want to get good images, document family and trips.
And when you're travelling and want to shoot on streets, nothing better than a "rangefinder" - noboy cares. You pull a DSLRish camera, everyone start to notice and get grumpy. And is perfect to record concerts, never was barred by security with a GX.

Already said that a GX10 with a decent EVF, 10 bit video (even with 30 min limit) and PDAF would be a perfect camera for me. But...each day becomes more clear that m43 for Panny looks like GH and (maybe) a G9 sucessor. No more GXs. For OM Digital, god only knows. Lenses - only big Pro ones. All that I don't want.

Waiting for my X-S20, arrives in a 2 or 3 weeks. Not rangefinderesque, but small enough to be perceived as a P&S. Solved or mitigate most of the problems that I have with the X-S10 (horrendous battery life, better af,  better IBIS, with 10-bit I finally could try F-log), but kept one of the worst problems, common to all Fuji: no old school object tracking in video. In which Sony is very good.

Than Sony releases a rangefinderesque camera with better ergos, amazing AF, probably the same sensor in a Bayer version...for sure not now, but in the future, could make me switch. Still hoping that Fuji hire some Olympus guy for IBIS and some Sony guys for AF, but is just hope.

8 hours ago, IronFilm said:

Probably shares the same sensor with the FX30

And good parts of the body, judging from the first image leaks in Sonyalpharumors.

Sony are completely tools for me, zero feeling. But this one get my attention - a "rangefinder" body (which looks like, with the looking death of the GX line by Panasonic, and the rumors that there will not be a X-E5 from Fuji, will be the only one in the market, together with the A7C), good AF, dual dials (finally)...

Update: pre-ordered it, probably will be in my hands around July 15th.

Recording a school party of my daughter was the decisive point: can't stand the battery life of the X-S10 anymore. Taken 15 stills, made two 4k24p videos (both around 6 minutes), and the first battery was already with one bar.

Just hoping that I don't get tempted for the upcoming A7600 from Sony.

On 6/24/2023 at 12:52 PM, TomTheDP said:

Open gate and oversampled 4k will look virtually identical aside from the slightly larger field of view. 

Really? I guess that when you downsample a 6.2k area to 4k you have some (maybe minor) benefits on the image.

On 6/22/2023 at 5:09 AM, ac6000cw said:

The X-S20 User Manual is available now - https://fujifilm-dsc.com/en/manual/x-s20/x-s20_manual_en_s_f.pdf

One thing I have noticed is that none of the current Fuji cameras (including the X-S20) support plug-in power on the mic sockets, which is very annoying for me as I have several mics that need it... aargh!

Good point.

15 hours ago, PannySVHS said:

Exactely! Have bragged about that a dozen times, GH10bit in a GX body! GX7 or GX85 like, not the big ole GX8:)

Same here. And it is not impossible - the Fuji X-S20 have a bigger sensor (APS-C), a bigger battery, and now have 10-bit video. Put a bigger battery sideways, like the X-S10, bring the mount a little closer to the grip, and you have space for a good EVF on the side.

https://camerasize.com/compare/#908,770

A GX with 10-bit video, good IBIS (the GX9's IBIS is already better than Fuji's for video, personal experience), PDAF, a non-field sequential EVF (even the X-S20 2.36mp would be enough) - would be perfect.

But looks like that "rangefinder" styled bodies are negleted form the manufacturers. OM digital does not have one, Panasonic is quiet (and I guess a new GX camera will never exist), Fuji dumbed down the X-E4 and there are a lot of rumors that a X-E5 will never exists...only Sony looks like that will release the A6700 and the A7C II, but with that atrocious commands.

On 6/16/2023 at 6:14 PM, newfoundmass said:

Out of all the mirrorless mounts it makes the most sense that they'd go with the L-mount due to its open nature. There aren't really many alternatives. 

I don't think that it is a open mount - in fact, only Panasonic, Leica and Sigma offers AF lenses to L-mount.

Sony have Sony, Sigma, Tamron, Viltrox, Samyang, Yongnuo with AF lenses.

Already said that in the forum - I'm an amateur (each day more amateur, in fact...), and started seriously in stlls / video with MFT; a GH2, in fact. Still have it here, and will never let it go (part because of nostalgia, part because the value is so low now - and its colors have something).

Compactness and discretion were (and is) my motto - and MFT still the champion in ths regard. And, for years, was more than enough for me.

First problem was PDAF. Never bothered my old use cases - travel, concert shooting, streets. CDAF and Single AF worked very well in all these situations. But then I became a father, and a child running around soon reverted all that - Continuous AF became mandatory, specially in video. My loved GX9 was out (albeit its eye detection works even better than current Fujis). Only PDAF cameras in MFT: the Olympuses, E-M1s and E-M5 MKIII. The latter would work very well for me, despite video being not on par with Panasonics.

But I sensed that OM Digital and Panasonic wanted to make the format a niche one. Adventure / wildlife for OM, video only for Panasonic. And looks like I was right. OM put all efforts in a wildlife / adveture body (the OM-1), and all the new lenses are big zooms and big Pro lenses, a lot of them bigger and heavier than APS-C ones. Panasonic released the GH6 (the first GH model full target to video, for stills the GH5 and specially yhe G9 are better), and the only new lens was the 9mm (terrific, would buy one in pre-order if already in the system) for the vlogger crowd, prior to that were only the big f/1.7 zooms.

The body size advantage was gone; and now the lenses too. Had to forcefully moved to Fuji.

Still have the GH2, my E-P1, and kept the Oly 45mm and the 12-32 zoom to use with them. Maybe will get a used E-M5 MK III or OM-5 used in the future, and always keep looking for a Pen-F, the most beautiful digital camera ever made. But I guess that Panasonic will give a last try with a GH with PDAF, if not suceeed will leave the format. And OM will stay small, surfing the wildlife crowd to the last possible moment.

Lots of missed oportunities in the format - market claiming for a X100V and Panasonic not taking the oppportunity to a new LX100, a smaller and MUCH more versatile camera. Or a new Pen F with a new pancake fast lens. Or newer zooms without OIS, smaller and lighter, like the Sigma 18-50 f/2.8 APS-C.

Would like to see a future for the format besides a niche one, but I can't.