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photographer-at-large

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  1. Like
    photographer-at-large reacted to Novim in Which cameras don't have 30-minute limit, and can be powered with USB battery bank?   
    Panasonic GX85 in 4K has no time limit, and also USB battery charge.
  2. Like
    photographer-at-large got a reaction from Chrad in Panasonic GH5 - all is revealed!   
  3. Like
    photographer-at-large got a reaction from Cinegain in Panasonic GH5 - all is revealed!   
  4. Like
    photographer-at-large reacted to Borbarad in The Leica SL as upgrade for Sony A7R II shooters   
    The review is not bad. Most of the cons are about right,  but they got it very wrong on the body design. Complete opposite for me. I think it's a masterpiece. Best DSLR Type body out there.
    And there is one other point I think they misjudged:  Leica has a Start advantage comparable to Canon and Nikon in regards to a professional mirrorless workhorse camera. Count this with the optical outstanding lenses and the partnership with Panasonic in regards to Video the next SL should be a hard one to ignore.
     
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  5. Like
    photographer-at-large reacted to Borbarad in The Leica SL as upgrade for Sony A7R II shooters   
    Lot of wrong stuff in one single post. Leica Hater by the way?
    1.) The viewfinder is 4.4MP  with a 1280×1024 pixel resolution and the Panel is Epson. The optics, design etc. is by Leica.
    2.) The lenses/optics are made and designed by Leica. Panasonic has made the design specifications in regards to Zoom Function and Video AF. That's why it's a joint venture. The whole AF System/ Motor  and how the elements are moving is a Leica own design.
    3) The video functions has been designed mainly by Panasonic and Leica bought also the Vlog knowledge - very similar to the GH4. This has first off all nothing to do with the Sensor.
     
    But its fun to read Leica bashing....
     
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  6. Like
    photographer-at-large reacted to Borbarad in The Leica SL as upgrade for Sony A7R II shooters   
    Nice read!
    The Leica SL is one of the best designed 35mm bodies of all time (borrows a lot from the S System). I'm always torn about to buy or not to buy. However,  I'm an Leica M user (and the M10 is just so damn sexy..... just waiting for the P version) and my second camera is the GH4 soon to be replaced by the GH5.
    But again the SL body is just brilliant and the crystal clear EVF is the best by lightyears. I also cannot understand the success of the Sony. Yes the sensors are great , but everything else form handling, usability and durability is.... plainly awful ....  a 299,- of the shelf horror design.
    What definitely will be interesting is the next SL in about 2 years! That could be a killer if Leica gets their hands on the GH5 stuff.
    In the meantime we will see the next S, a major upgrade.
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  7. Like
    photographer-at-large got a reaction from IronFilm in Valuable insight and interviews with working DPs   
    I enjoy watching Matt Workman's Cinematography Database channel on YouTube.
  8. Like
    photographer-at-large got a reaction from Emanuel in Inspire 2 / 5.2K raw / 4K60FPS   
    Rivals ARRI Alexa image quality
     
     
  9. Like
    photographer-at-large got a reaction from Ty Harper in To Buy, Or Not To Buy: The Canon 1DX mk II   
    Except, sensor in 1DxII is completely different dual pixel design.
  10. Like
    photographer-at-large got a reaction from Cinegain in Inspire 2 / 5.2K raw / 4K60FPS   
    Even their CrystalSky monitors are interesting.....has anyone found pricing info, and can they be used as regular hdmi monitor?
    http://www.dji.com/mobile/crystalsky
  11. Like
    photographer-at-large reacted to Kisaha in Would a Sanken CS-1 be a smart upgrade for me?   
    If you are fine with the Rode sound (and why you shouldn't), then I would advise you to get rid of the Sennheisser, get an NTG-3, and later on buy the Audix. The 3 is very different than the 2, it doesn't replace it per se, and you can always do with a backup mic anyway (I always take 3 boom  mics with me on any job, and at least a lav more that I should, plus a stereo mic just in case).
    NTG3 is different than the 416, I do not know how this rumor is sustained, it took me less than a year of 3 different jobs to realize that.
    Obviously the Rode has a wider polar pattern and less frequency sensitivity to the two extremes (especially the low end is less pronounced than the 416). So, if two microphones have different patters and different acoustic qualities, then they are different in my book. I do not say that it is a bad microphone (it is excellent for the price), but that it is different. I would say that it favors more amateurish behavior on set, as it is more forgiving than the absolute 416.
    After working a full 2 years on 3 TV documentary series with the Rode mic (and blimp) and various other jobs in the middle, I went and bought the 416 with the Sennheisser basket/blimp. Since then I am avoiding the Rode even if I have to offer my 416 for free; not because it is bad, I just prefer what I am getting from the 416. Also, the Sennheisser blimp is night and day against the Rode. I can't even stretch that enough. The new Cyclones are really bad at the moment, they are not ready to compete with the classic zeppelin design yet. I would say Sennheisser -> Rycote (classic design) -> K-Tek -> Rode 
    If you have the power module, ME64/ME66 can be an excellent two way system for exteriors and interiors the same time. That used to be my main set when I started with sound. 
    Since then I followed a bit the hype of the Rode microphones, but if I managed to get rid of the cheap NTG (they sell extremely low for new), I will go for a MKE600 for crude sound work, when the delicacy of the 416 doesn't cut it. Wish I could afford the 30 & 40, which are the mics I usually rent when I have the budget and the time.
    The warmth that you are mentioning is the forgiveness of the polar pattern and less dialogue orientated acoustic quality of those mics. They are just different. Mics are like lenses, of course you can do a feature with a 50mm, but it is probably better to have a few more options. For indoors you need different microphones that those mentioned. A 64, a 40, an Oktava, the Audix, Schoeps (if you can afford them), a DPA e.t.c It is like to do an interview on a 1.5m wide room with only a 300mm lens; you probably need a 35mm for that..
  12. Like
    photographer-at-large got a reaction from TheRenaissanceMan in Aputure: the Blackmagic of lighting   
    120d
    http://www.newsshooter.com/2016/09/11/ibc-2016-aputure-light-storm-120d-is-the-daylight-version-of-their-120t-led/
     
  13. Like
    photographer-at-large got a reaction from damoke in The 4K Fuji X-T2 is here   
    https://***URL not allowed***/fujifilm-xt2-vs-sony-a7s-ii-best-mirrorless-video-camera/
  14. Like
    photographer-at-large got a reaction from Lothar in The 4K Fuji X-T2 is here   
    https://***URL not allowed***/fujifilm-xt2-vs-sony-a7s-ii-best-mirrorless-video-camera/
  15. Like
    photographer-at-large reacted to Emanuel in DJI just slaughtered GoPro with Mavic   
    It is legit :-)
    Here are other links with interesting and useful info on topic:
    http://www.shainblumphoto.com/2016/09/30/dji-mavic-vs-phantom-4-dng/
    http://visual-aerials.com/mavicpro.html
  16. Like
    photographer-at-large got a reaction from Rinad Amir in GH5 10-bit 4:2:2 internal?   
    Please excuse if this link has been posted elsewhere:
    https://medium.com/@theSUBVERSIVE/photokina-2016-panasonic-gh5-part-2-c3a7044d4a0c#.kl60vr9nt
  17. Like
    photographer-at-large got a reaction from Fredrik Lyhne in GH5 10-bit 4:2:2 internal?   
    Please excuse if this link has been posted elsewhere:
    https://medium.com/@theSUBVERSIVE/photokina-2016-panasonic-gh5-part-2-c3a7044d4a0c#.kl60vr9nt
  18. Like
    photographer-at-large got a reaction from Orangenz in GH5 10-bit 4:2:2 internal?   
    Please excuse if this link has been posted elsewhere:
    https://medium.com/@theSUBVERSIVE/photokina-2016-panasonic-gh5-part-2-c3a7044d4a0c#.kl60vr9nt
  19. Like
    photographer-at-large got a reaction from TheRenaissanceMan in GH5 Prototype   
    http://www.43rumors.com/david-peterson-says-the-new-gh5-will-have-full-size-hdmi-and-ibis/
  20. Like
    photographer-at-large reacted to sudopera in Dont forget Olympus (em1ii)   
    Here is an interview with a guy that tested the preproduction model, he has a lot of praise for IBIS, especially paired with the new stabilized 12-100 zoom.
     
  21. Like
    photographer-at-large got a reaction from Chrad in GH5 Prototype   
    http://www.43rumors.com/david-peterson-says-the-new-gh5-will-have-full-size-hdmi-and-ibis/
  22. Like
    photographer-at-large got a reaction from Hanriverprod in GH5 Prototype   
    http://www.43rumors.com/david-peterson-says-the-new-gh5-will-have-full-size-hdmi-and-ibis/
  23. Like
    photographer-at-large got a reaction from Mattias Burling in GH5 Prototype   
    http://www.43rumors.com/david-peterson-says-the-new-gh5-will-have-full-size-hdmi-and-ibis/
  24. Like
    photographer-at-large got a reaction from IronFilm in Aputure: the Blackmagic of lighting   
    120d
    http://www.newsshooter.com/2016/09/11/ibc-2016-aputure-light-storm-120d-is-the-daylight-version-of-their-120t-led/
     
  25. Like
    photographer-at-large got a reaction from Jonesy Jones in Aputure: the Blackmagic of lighting   
    120d
    http://www.newsshooter.com/2016/09/11/ibc-2016-aputure-light-storm-120d-is-the-daylight-version-of-their-120t-led/
     
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