-
Posts
2,338 -
Joined
-
Last visited
Content Type
Profiles
Forums
Articles
Posts posted by andy lee
-
-
talking of great cine zooms - I have been having talks with Tokina's distributors about the Tokina CINEMA ATX 50-135mm T3 cine zoom they make .
http://www.tokinacinema.com/50-135mmT3.html
this looks great as I'm a big fan of long lenses ,
Imagine this paired with Metbones XL making a T2/f1.8 zoom , I'm going to see if I can borrow one to test.
-
-
the trick with the Zeiss C/Y lenses is buy the f2.8 lenses put them on your Metabones speedbooster and they are f2 - and hugely cheaper than just buying an f2 version ....save your self alot of money ! the speedbooster makes them sharper too!!..... bingo!!
my set is 25mm 28mm 35mm 45mm 50mm 85mm 135mm all f2.8 except the 50mm which is the 50mm f1.7 Planar
-
I like the idea of this hypothetical GH5 camera Andrew , its almost a mini Arri Alexa challenger in a tiny body , we might get parts of this eventually from Panasonic , it would be amazing all in one go , as you know I am a loyal Panasonic user I dont use any other cameras - I love what Panasonic do , getting them to switch to a super 35mm senor will be radical !! I'm sure there is a GH5 in the pipeline , they just are not ready to announce it yet ! Fingers crossed its another big step forward !
-
-
-
-
I use the Carl Zeiss tessar 45 mm f2.8 with a contax yashica to canon EF metal adaptor ring then I mount it on my metabones xl speed booster its a great little tiny lens with a lot of character I like it a lot , the metabones does sharpen it up too as the tessar is not as sharp as the distagons and planars in the Zeiss c/y range
Metabones is the best speedbooster no contest , I have almost all the others and metabones beats them all , tbe zhyongi lens turbo is the next best then the RJ in my book ! Stick with metabones if you are on a 4k panny the metabones xl is essential as it gives you a super 35mm field of view it gets rid of their x2.3 crop
-
-
-
-
-
-
If you are on a budget sand want a superb cinema quality constant appperture zoom that is just as good optically as the tokina/angenieux then get the canon FD 35-70 f4 and put it on a canon FD speedbooster that makes it f2.8 and even sharper ......this lens is optically amazing its small light internal zoom and about £30 on eBay .......everyone should have one !!
-
-
-
best site for full details is this http://www.johncaz.net/blog/tokina-at-x-pro-af-28-70mm-26-28
-
1 hour ago, sandro said:1 hour ago, sandro said:
this is the Version 2 it has bayonet lips on the front for the lens hood -
this version was tweeked slightly by Tokina from the original angenieux design - different coatings etc - I also have this lens and I cannot tell and differance optically from the version 1 with is 100% ANGENIEUX DESIGN
THIS IS THE LATER VERSION TWEEKED BY TOKINA , also to confuse the issue there are some Japanese home market lenses that are just marked 2.8 that are the Angenieux design ......good luck ! and one that looks like this but as SV on the front that has no aspheric elements in it
ps your link to the Ken Rockwell site is a link to a totally different lens it was designed by Tokina BEFORE they aquired the Angenieux design and is best avoided
-
-
-
The 28-70 and 80-200 Nikon's are better lenses optically then the newer 24-70 and 70-200 much less distortion and sharper too and the older lenses have aperture rings too , the new ones don't they are fly by wire lenses ....newer is not necessarily better in this case .....for me the Nikon 80-200 2.8 is Nikon's finest hour . their best lens in my book
-
10 hours ago, IronFilm said:
Ebrahim Saadawi, remember also for most of us film guys we do not care about the "best" lens, but rather we want the best *SET* of lenses!
So we want a cohesive matching collection of lenses from ultra wide to telephoto. So no point getting the greatest ever 85mm if its matching 24mm is a dog, or even worse.... doesn't exist!!exactly , a set of matched lenses is essesntial for glass parity - thats why I champion the Nikons so much - the 20-35mm 28-70mm and 80-200mm all match and cut together very nicely
-
-
A Tale of Two T2.0 Zooms (for A6300)
In: Cameras
Posted
exactly - Sigma do make some amazing lenses they could re house into propper cine lenses , the 30mm f1.4 Sigma is a stunning lens I do have a soft spot for it , especially on a metabones speedbooster - But I do use it at f2 alot