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About hempo22

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  1. It's alright. It was a no-budget project between friends. They got no label and I didn't have a production company. But they really wanted a video for the song, so the deal was that they could use my footage to make their own, official version and I can show my version with the song to people as long as the video isn't public.
  2. I personally do ungraded and use a LUT on top footage + VFX, just to see how it behaves when graded. VFX can look weird in log but look right when the export is graded.
  3. @Mark Romero 2 Sure, bud My only short to get into a couple of big festivals. Also a no budget project with a few friends, shot on a hacked GH2 (Flowmotion) with vintage Nikon AI/AIS lenses.
  4. Unfortunately my best video can never be released publicly due to a fall out between myself and the band, but that didn't stop me from completing the video and showcasing it for my skills. Shot on hacked GH2 (Flowmotion) with a set of vintage Nikon AI/AIS lenses. No budget, simple gear and a couple of friends. PW: MyVersion
  5. Beastgrip could be something, saw some other videos of someone using Moondog Labs' adapter on a Panasonic m43. Looked decent stepped down, not so much in low light wide open.
  6. Like the title says, which one to go for? Personally I don't care much for 1,33 or 1,5 stretch, 2x is what I prefer. But the priority here is to keep it small and light weight enough to not having to build a rig with rods. And sharp enough at f2,8. What are my options or should I keep on dreaming?
  7. Hi all was testing out the clear image zoom on the a6500 to reduce RS for some handheld but felt the quality was off. So I did a comparison, static wide with the Sigma 30mm f1,4 and the Sony 16mm f2.8 with 2x CIZ. Both at f5,6, shot in 4k. And the later was indeed awful, see attached snaps (SOOC). Top is 16mm+CIZ, second is 30mm. This is not even close to the good results I've seen of others' tests online. Any setting I need to change?
  8. I'm wondering too how to use that to create noise profiles. What advantages does it have over a regular color chart (which I've used on every camera)?
  9. Anyone got any low light Blackmagic Pocket DNGs? Got a project coming up and want to try out different NR methods.
  10. Hi everybody getting into anamorphic and can't decide between these two. I've been reading and watching my eyes off for the past weeks and I'm just running in circles now. Unfortunately I got no chance of testing them and have to make a "blind buy". My main cameras are GH4 and Red Scarlet-X with native MFT lenses and Nikon AI(s). Will shoot in 4:3 for proper ratio and I'd like to go as wide as possible (think Primo 40mm, or close-ish) Which would work the best for me and my setup in terms of sharpness and fast-ish aperture (I like low light, sorry)? Any advice and thoughts are we
  11. Having a blast with your files, Luke!
  12. I accept paypal. PM me with a bid and let's see if it's enough Happy new year!
  13. My area is the same as you and I just got the Canon 1DX mkII because it fits all my needs: - FF for photography -1.3x crop (right in between s35 and FF, which I really like) in 4k up to 60p for video along with proper 24p and DCI resolution. - Internal 8bit 422 sure, but it's not limiting at all, that's more than enough data for pushing it around in post (both for color correction/grading and VFX). - Great motion cadence since it's not Long GOP compression + fast sensor readout, RS is about 14ms. Not bad for APSH in 4k. - Autofocus is wonderful, especially on the Canon lenses that s
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