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About karoliina

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    1DX2, GH4

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  1. I have photographer friends who see nothing wrong with the Canon's strategy and they have R5s for still photography. I bought R5 for both stills and video, and this overheating limitation and the extreme cool down timer came as a total surprise. Tony Northrup was saying before R5 release that Canon will probably Canon it somehow and Canon did Canon it. I was optimistic when I preordered but it turned out to be different than I expected. I haven't done actively videos for Youtube channel anyway so it hasn't affected me so much yet. It just is annoying that the camera turned out to be limited on
  2. I paid 4900 euros for the camera and expected to be able to shoot at least 4K HQ with it as much as I can when placed preorder. I aknowledged that there could be problems with 8K video, but I was not worried because 4K HQ 10 bit 422 would be fine with me most of the time. And it turns out the cripple timer cripples also the 4K HQ. I think apologist attitude "oh yeah Canon has all the right" smells deeply rotten. I don't care what Canon thinks, they have ruined the video capabilities of the expensive camera I purchased and traded my 1DX mark II (which did not overheat even in 4K 60p) to.
  3. I used to have Hackintosh. It was really fast with Blackmagic raw. However, every time I rebooted, I could not be sure if it will boot up again. Some silent Apple update, reboot, nothing works anymore. Have to go trouble shooting on command line on recovery mode and delete some kernel module (driver) files that had magically appeared after browsing workaround tutorials circa half hour. Then it booted. And same next time. Got tired of it. Genuine Mac boots every time if the hardware is not broken. Of course, better choice with components could have resulted in more reliable Hackintosh. But
  4. I am too enjoying the 1DX mark II with log profiles (including the EOSHD C-Log which I purchased). It has the best Canon sensor and the mjpeg codec at that bit rate is such high quality that I traded my Blackmagic for it. It is only eight bit but still about as good as Prores if bit depth is left out from consideration. I test drove Sony A7SII but starting from body, ergonomy and controls, Sony had no chance, wanted 1DX2 and as an engineer I suspected from the beginning that the 1DC vs 1DX2 fuss was just imaginary and 1DX2 isas good as1DC or better in video mode. We kept GH4 as secondary light
  5. Background: I have been using Marvel's advanced cine profile. It has been fairly good flat profile for 1DX mark II that exposes the whole dynamic range of the sensor available. Ie black is zero and white is 255. The 1DX mark II 4K mjpeg mode uses color standard which captures whole range from zero to 255 unlike the h254 which clips to Rec 709 levels discarding 0-16 and 236-255 levels. Then came EOSHD C-log which I purchased and installed on my camera. Histogram reveals that it has been lifted from black and white so that it clips around 235 and it clips to virtual zero which is way up fro
  6. Sorry to disappoint you, but none of the Canons are good replacement for Micro Cinema Camera. All Canons in HD mode are disappointing crap vs your mentioned GH4 or Micro Cinema Camera. C-log does not fix the muddy pixels. Only 5DmarkIV and 1DX mark II and 1DC produce video quality which can replace the Micro Cinema Camera. If you want Canon HD-video, you can as well buy used 5DmarkII and you lose about nothing vs your list (except for more moire than 5DmarkIII), Canon HD video has not improved at all since 5D mark II came. Even 1DX mark II produces crappy HD-video and is only usable in 4K mode
  7. I use Sennheiser HD-600 (when editing) but not on location (been thinking upgrading them to HD-650, HD-800 would be even better but those I can not afford). On location I use Sennheiser earplugs like these: https://www.verkkokauppa.com/fi/product/1703/fbmrk/Sennheiser-Momentum-In-Ear-Android-tulppakuulokkeet. They provide good sound isolation and are tiny, but still have quite amazing sound quality, does not feel so much a downgrade vs. the HD600 at home. I have used the pair of HD-600s already for over 10 years and I am very happy with them still today (except because they are open, they are
  8. The downside of the Cinestyle is that it discards values 0-16, it has lifted blacks. This is not good and it was a workaround for the h264 codec. However, in case of the 1DX mark II, such lifting of blacks is unnecessary. I have switched on using Marvel's Cine instead of Cinestyle nowadays. For me it seems to provide good results. I sold my BMCC and I still don't regret it. BMCC had more DR yes and better bit depth in raw yes, but by all other means the Canon wins. And actually I need to sometimes shoot some interviews/presentations etc. quickly (at work), and the grading step takes away time.
  9. Ebrahim, I doubt that it EF-S would work. I once almost broke my 5D by attempting to put EF-S on it by mistake. Keeping mirror up while shooting with EF-S, if works, is asking for trouble. Camera goes to power save mode and boom the mirror box is broken... DPAF is excellent for shooting people. For shooting cats, it is still good, but not perfect and sometimes loses focus because the face detection is not tuned for cat face. In my video the focus is lost in the shot the cat walks towards the camera because of getting too close to the camera (less than minimum focusing distance), these w
  10. Handheld cat video, 1DX mark II + Cinestyle, trivial grade in FCPX with color corrector: No audio (because internal audio is crap).. First shot under the text is Landscape profile as it is. The camera was set to Landscape by mistake. Other shots are Cinestyle.
  11. Also I have been pixel peeping my 4K frames. When the sharpness is dialed all the way down, I do not see any sharpening effects. It looks to me like Blackmagic, not like Canon video. Every video frame is so high quality that I can use them as stills if I want. I definately could not stand stills from the standard Canon video. 1DX2 FullHD video, based on a short clip I did with it, works like on any other Canon DSLR, and I am suspecting that all the abovementioned deficiencies in the resulting image do apply. However, I will never use it. The 4K mode is so nice. I am after all not missing
  12. Here is histogram. Shot with 4K 25p and Marvel Cine pf2. See histogram: starts from zero and ends to 255. Also what I am seeing supports the histogram, I got captured from pitch black to clipping, as I intended to do for this test. So my early gut feeling is that this is the (first?) Canon camera where picture styles behave differenty. Favorably differently.
  13. Are you sure this difference of C-log and picture style applies to 1DX2. I was just doing unscientific testing with flat profiles today: I used standard profile and then flat profiles, Marvel Cine and Techicolor Cinestyle. It happens that when I expose from zero to 255 in histogram (well becomes 16- because Cinestyle has fixed black point at 16 which is unfortunately also visible on histogram) and then I compared clipped areas. The standard just clips a lot more than the Cinestyle. There is a difference between images coming from the video engine and from the jpeg-engine. 1DX2 video is from th
  14. That is pretty sick. If you are correct, the person who designed the picture style system to apply the picture style after the conversion of raw image data, not prior the throwing away of the dynamic range, must have had a really bad day. Any sensible programmer would not have agreed to do that.
  15. IMO the 1080 is the typical Canon video. Can't stand that mode. Difference in quality is large Canon 1080 video vs the 1:1 pixels from the jpeg engine on 4K. Can someone experienced with C-log explain what is the difference of C-Log or other log picture style that can be made with picture style editor? Highlight rolloff indeed is sharp on Canon standard profile but who (if anyone else than some early 1DX2 testers) shoots with Canon standard. And how Cinestyle compares to C-Log and why C-log would be superior? I am an engineer what I am seeing is a gamma curve and then another flavor of gamm
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