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Blue Fox

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  1. The a5100 and a6000 both support 4K HDMI. When connected to a 4K screen they can show still images in 4K. That said, those screenshots in the first post look like they are for video recording and not for HDMI only stuff...
  2. Panasonic also has some very nice, small m43 cameras like the G7 and the GH4. With a speedbooster they can also use FF lenses. The well-built GH4 can output 10-bit 4K V-LOG to an external recorder. This won't give as much grading possibilities as a Blackmagic camera, but the 4K footage is still very nice. Regarding shooting your doc on the EOS M1: it's possible, but why would you put so much effort in your sound, your lighting, your story, ... to then use a not-very-good camera? To me it would make more sense to get at least something like a Panny G6, Sony a6000, ... Or to rent a camera.
  3. MicroUSB is indeed designed to be used for charging: https://en.wikipedia.org/wiki/USB#Mini_and_micro_connectors. But probably as a camera is a lot heavier than a smartphone there are more forces on the USB port when moving the cable (a smartphone will move together with the cable, an a7RII with a 50 F1.4 doesn't). Here's an image of the USB port (on an a7R): http://www.dpreview.com/articles/2352853254/sony-a7r-teardown-roger-cicala-lensrentals-gets-his-hands-dirty?slide=9. Sony soldered the USB and HDMI connectors right on to the main PCB. I don't like that. But, most other cameras don't
  4. If you aren't going to grade it, I would use neutral -1 +1 -1 or -1 0 -1. The sharpness variable depends a bit on the lens. With the 16-50 E kit lens, I've to turn the sharpness down to -3 to avoid halos when sharpening in post. It seems that the radius of the in-camera sharpening is too large. It's a shame you can't adjust it. But with some careful sharpening in post, most of the halo problems can be 'repaired'. It also depends on the scene: if there's a lot of detail I prefer not to turn down the in-camera sharpening too much (so I use -1) as otherwise the detail gets lost in the codec.
  5. Awesome! It will probably take some time before they can make MJPG encoding work, but this is already a very, very nice achievement! BTW, did you also know you can install standard Android apps on the (recent) alpha series via their site? For example, I installed a terminal emulator on my a6000.
  6. I'll experiment with color temperature! As I wasn't yet sure by how much our brains correct the wb, I made a render with Blender and Gimp. The two small squares have of course exactly the same color in the render image. While not 100% scientific, it fools indeed the brain (look full screen and with one eye to make it 3D):
  7. Thank you very much for your post, DayRaven. I really appreciate your time and helpful input. I like your ROYGBIV example. So to conclude I would say: - I shouldn't (always) believe my eyes, because brains take into account multiple light sources (screen - scene - ...) in one scene and correct them all, differently for each object. - thus the 'color matching' method I used is complete nonsense and I should not use it anymore (or at least think twice before using it). - it's not a big problem when my wb isn't 100% perfect, I should just go for a good look in post.
  8. No, I don't think so. I agree, if I use the same wb for both scenes (noon and indoors), at least one of the images will have a color cast when seen on a screen afterwards. But if using the EVF, my eyes already correct for the difference in lighting (in both scenes white objects looked rather white to me) so they should also correct for the color cast in the EVF? It looks like either the camera does some strange processing OR that my eyes don't correct the image in the EVF (or on the camera LCD). Both seem very strange to me, as I see no reason why my eyes would correct the wb of
  9. Yes, I've lights on (I haven't an a7s with a 1.4 ) and I suppose they're around 2700 to 3500K. Of course the white balance of these light sources is very different. So, when taking an image I should use different white balances in order to show an image without a color cast. But that shouldn't change the image in the EVF? If white light going in the sensor with a temperature of <x> is converted (with certain settings, for example 5900K) to RGB and shown in the EVF and the EVF also shows light with a temperature of <x> in that case, shouldn't that same EVF with the s
  10. This may sound like a really stupid question, but I keep struggling with it. I thought white balance was easy. The various tutorials just say you should adjust the Kelvin value and if necessary the quadrant (color square) and show a few images with wrong wbs and some other obvious information (about sunsets, ...). All nice in theory, but I can't get my wb right! I have two problems; the first is rather a question, the second is about the best method to set the wb accurately on camera so that the images will look great when shown on a screen. Let me illustrate my first pro
  11. I haven't yet tried LUT's, but I'm experimenting with the white balance. The Sony auto white balance isn't very good. It takes some time to set the WB properly manually but it's really worth the hassle (for stills too!). It makes an enormous difference for skin tones. There's new firmware for the a6000 (v3.10) but after reading early reports it seems that they didn't fix the smooth skin issue. I don't have an external recorder, but it would be nice if the liveview grading worked. A flatter profile can be useful sometimes (and LOG or picture profiles would be even better). What do you
  12. Blue Fox

    Sony a6300 4k

    Interesting... I understand you set this in-camera? - do you first set the color temperature and then the color shift or the other way round? - may I ask which setting you use? Something like 0, M2?
  13. This might be a luma range (16-235 vs 1-255) problem?
  14. Blue Fox

    Sony a6300 4k

    But HDMI gives only 8-bit, while raw over USB 3.0 would give 12bit (with or without Sony RAW compression). So the IQ will be more like the Canon 5DIII, but with 4 times the resolution and twice or 3x the DR.
  15. Blue Fox

    Sony a6300 4k

    About the perfect camera: I would be very, very happy if they did add an USB 3.0 port. USB 3.0 is capable of speeds up to 625 MB/s, while 4K RAW video (with Sony RAW compression) is around 500 MB/s for 4K60 (!). And internal prores recording too for when we don't want those insane file sizes :). That way we would be able to record really good quality video on cheap cameras. Just plug in a fast external hard drive over USB and get started. A 512GB SSD would give 2048s recording time (for 4K30), or more than half an hour. Good 4K cameras exist (a6300, GH4, NX1, a7sII) and most computer
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