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At least for the 16 Pro, there are Magsafe threaded filter adapters. I have one that takes a 67mm filter (or is it 58?). The only real bummer is that it can't go on with my phone in the standard Apple case so I have to pop the phone out to use it. Mine cost $20 or so IIRC. Maybe something like that exists for the 17 as well?

Seems there's something new to arrive (from t)here: NDA is leaked here (for more details there and over there). This November, they say. (Actually, not totally exempt from pure nonsense, oh boy!) It would be nice @MILCs side too! ;- )

Interesting idea and seems like it might work well for some situations. I personally always use my phone in a drop-proof case and never take it out (as that just means the fit of the case gets loose and it lessens the protection) but the idea of a clip-on / clamp-on one seems sensible. I'd imagine that we'll see a number of third-party accessories come out for the 17 over the coming months. When I got mine there were only Apple cases available to be delivered immediately and the delivery date for the rest were weeks away. I took the GH7 >> Voigtlander 42.5mm F0.95 >> Sirui 1.25x anamorphic adapter out for a spin in the markets last night and the images were great. I'm not sure how much of that was due to the anamorphism of the lens, and how much it was just due to it not being pristine, but maybe that might be worth the extra fuss.

The DOF adapter still seems like a crazy / borderline broken vintage lens emulation, but if that's the look you're going for then it's a good option to have. What seems much more useful though is using it as a B or C camera, fitted with an ND and shooting manually.

I like the colors and overall image of this camera, especially for the low price, but Nikon definitely sacrificed DR for a faster readout. This is from G. Undone's test: 10.9 usable stops in 6K R3D NE is not great for a modern cinema camera. NR will get you another stop, but it's not an ideal starting point. By comparison, the Komodo 6K scored 12.5 usable stops in 6K R3D and the Komodo-X was at 12.9 when tested by CineD. CVP's latitude test was also fairly extensive as it tested both native ISOs: The good news is that you don't lose much DR when switching into the higher base. The bad news is that, no matter which base you use, most of its competitors have an extra stop in the highlights: As for under exposure, it is usable to under 3, but no more. It is RAW after all, so this poor result is understandable when compared with the Sony cameras.