The biggest issue with Canon DSLRs is the rainbows – I don’t so much mind the lack of resolving power relative the GH2, sometimes a softer image is more organic and cinematic. Certainly when you project the footage on a big screen and sit back, it looks detailed enough yet organic. Quite unlike on an LCD monitor. The worst thing you can have is an image that isn’t organic but over-sharpened with the bright high contrast jagged lines around every single detail – it’s extremely tiring on the eyes and very DV.
Above: the old Premiere logo. Adobe’s prancing horse to Apple’s donkey.
Final Cut Pro X has been sitting on my machine alongside Premiere Pro CS5.5 and Final Cut Pro 7 since its release a few months ago, and after the initial week of getting to know it I haven’t used it once.
It’s a dead duck.